{"id":29271,"date":"2024-06-11T16:39:47","date_gmt":"2024-06-11T14:39:47","guid":{"rendered":"https:\/\/chroniques-biennale.org\/event\/derniers-delices\/"},"modified":"2024-11-25T09:57:11","modified_gmt":"2024-11-25T08:57:11","slug":"derniers-delices","status":"publish","type":"event","link":"https:\/\/chroniques-biennale.org\/en\/event\/derniers-delices\/","title":{"rendered":"Derniers D\u00e9lices"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Derniers D\u00e9lices<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">SMACK (NL) \u00b7 Claudie Gagnon (QC\/CA)<\/h2>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFORMATION<\/h5>\n\n\n\n<p><b><strong>Nov. 7, 2024 to Jan. 19, 2025<\/strong><\/b> <br><b><strong>Wed. to Fri.: 2pm &gt; 7pm<\/strong><\/b> <br><b><strong>Sat.<\/strong><\/b> <b><strong>&amp; Sun: 1pm &gt; 7pm<\/strong><\/b> <br><b><strong>Opening :<\/strong><\/b> <b><strong>Nov. 7, 2024: 5pm &gt; 10pm<\/strong><\/b><\/p>\n\n\n\n<p>Panorama Friche la Belle de Mai <br>Full price: \u20ac0 to \u20ac8<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><b><strong>Flash Tours:<\/strong><\/b> Instant Plaisir <br>Wed. and Sat.: 4pm and 5pm <br>Duration: 30 min. Free &#8211; upon presentation of exhibition ticket <br><b><strong>Group visits<\/strong><\/b> For schools and social organizations <br>Mon. to Fri.: 9am to 5pm <br>Free on reservation: <a href=\"mailto:mediation@lafriche.org\">mediation@lafriche.org<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Referring to Jerome Bosch&#8217;s <em>Garden of Delights<\/em> or inspired by 17th-century still lifes, the two immersive installations at Panorama de la Friche Belle de Mai are tableaux vivants, contemporary vanities of our vices, anxieties and aspirations. Combining the paradisiacal and the catastrophic, acting as dystopias, they plunge us into the failings of our contemporary pleasures. Will we be able to imagine happier, more egalitarian possibilities for the future and for new generations?<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>SPECULUM<\/em>\u00a0is co-produced by Friche la Belle de Mai and the Embassy of the Netherlands in Paris.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><br><em>Ainsi passe la gloire du monde<\/em> by Claudie Gagnon, is presented as part of CHRONIQUES \u2013 la Biennale des Imaginaires Num\u00e9riques, in a coproduction between Friche Belle de Mai, Molior, Seconde Nature, and Avatar, with the support of the Conseil des arts et des lettres du Qu\u00e9bec and the Minist\u00e8re de la Culture et des Communications du Qu\u00e9bec.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"509\" data-id=\"28827\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png\" alt=\"\" class=\"wp-image-28827\" style=\"width:84px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png 600w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png-300x255.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"309\" data-id=\"28700\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png\" alt=\"\" class=\"wp-image-28700\" style=\"width:199px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-300x91.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-768x232.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1536x464.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-2048x618.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Derniers D\u00e9lices SMACK (NL) \u00b7 Claudie Gagnon (QC\/CA) PRACTICAL INFORMATION Nov. 7, 2024 to Jan. 19, 2025 Wed. to Fri.: [&hellip;]<\/p>\n","protected":false},"featured_media":27431,"parent":0,"menu_order":0,"template":"","ville":[37],"temps_fort":[44],"type_event":[86],"class_list":["post-29271","event","type-event","status-publish","has-post-thumbnail","hentry","type_event-exposition","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event\/29271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/event"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27431"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29271"}],"wp:term":[{"taxonomy":"ville","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/ville?post=29271"},{"taxonomy":"temps_fort","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/temps_fort?post=29271"},{"taxonomy":"type_event","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_event?post=29271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}