{"id":29283,"date":"2024-07-01T16:37:31","date_gmt":"2024-07-01T14:37:31","guid":{"rendered":"https:\/\/chroniques-biennale.org\/event\/environnements-virtuels\/"},"modified":"2024-11-15T14:40:54","modified_gmt":"2024-11-15T13:40:54","slug":"environnements-virtuels","status":"publish","type":"event","link":"https:\/\/chroniques-biennale.org\/en\/event\/environnements-virtuels\/","title":{"rendered":"Environnements virtuels"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Environnements virtuels<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Boris Labb\u00e9 (FR) <em>Ito Meiky\u016b <\/em>&#8211; CHRONIQUES CR\u00c9ATION<br><br><em>New Surroundings: Approaching the Untouchable<\/em> : Baron Lanteigne (QC\/CA) \u00b7 Caroline Gagn\u00e9 (QC\/CA) \u00b7 Fran\u00e7ois Qu\u00e9villon (QC\/CA) \u00b7 Laurent L\u00e9vesque &amp; Olivier Henley (QC\/CA) \u00b7 Olivia McGilchrist (QC\/CA) \u00b7 Sabrina Ratt\u00e9 (QC\/CA)<\/h2>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFORMATION<\/h5>\n\n\n\n<p><strong>Nov. 7, 2024 to Jan. 19, 2025<\/strong> <br><strong>Wed.<\/strong> <strong>2pm &gt; 7pm<\/strong> <br><strong>Sat.<\/strong> <strong>&amp; Sun: 1pm &gt; 7pm.<\/strong><\/p>\n\n\n\n<p><strong>Opening :<\/strong> <strong>Nov. 7, 2024: 5pm &gt; 10pm.<\/strong><\/p>\n\n\n\n<p>La Tour &#8211; 5th floor<br>Friche la Belle de Mai Marseille <br><strong>Prices: \u20ac0 to \u20ac8&nbsp;<\/strong><br><strong>On-site registration<\/strong><\/p>\n\n\n\n<p><strong>Limited capacity<\/strong><\/p>\n\n\n\n<p>Mediation: presence of mediators <br>during opening hours<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Immerse yourself in the virtual reality experience through two unique,immersive and visually captivating exhibitions. The 5th floor will showcase,on the one hand, the collective exhibition&nbsp;<em>New Surroundings: Approaching the Untouchable<\/em>, featuring artworks by 7 Quebec artists, and on the other hand, Boris Labb\u00e9\u2019s latest creation. These exhibitions are more than mere virtual immersions, but are rather invitations to rethink our relationship with the world around us. <br>They remind us of the beauty and fragility of nature, immersing our senses in these virtual realms.<br><br><strong>VR experiences are not recommended for children younger than 13 years old.&nbsp;<br><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>New Surroundings: Approaching the Untouchable<\/em> : This VR exhibition is produced by Molior with support from the Canada Council for the Arts. Its presentation is a CHRONIQUES \u2013 Biennale des Imaginaires Num\u00e9riques and Molior co-presentation made possible thanks to the European&nbsp;<em>Realities In Transition<\/em>project, with support from Conseil des arts et des lettres du Qu\u00e9bec, the Minist\u00e8re de la Culture et des Communications du Qu\u00e9bec, and the Canada Council for the Arts.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"509\" data-id=\"28827\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png\" alt=\"\" class=\"wp-image-28827\" style=\"width:141px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png 600w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png-300x255.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"309\" data-id=\"28700\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png\" alt=\"\" class=\"wp-image-28700\" style=\"width:246px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-300x91.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-768x232.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1536x464.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-2048x618.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"188\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/CCA_RGB_black_f-1024x188.png\" alt=\"\" class=\"wp-image-30291\" style=\"width:463px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/CCA_RGB_black_f-1024x188.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/CCA_RGB_black_f-300x55.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/CCA_RGB_black_f-768x141.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/CCA_RGB_black_f.png 1201w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Environnements virtuels Boris Labb\u00e9 (FR) Ito Meiky\u016b &#8211; CHRONIQUES CR\u00c9ATION New Surroundings: Approaching the Untouchable : Baron Lanteigne (QC\/CA) \u00b7 [&hellip;]<\/p>\n","protected":false},"featured_media":27450,"parent":0,"menu_order":0,"template":"","ville":[37],"temps_fort":[44],"type_event":[86],"class_list":["post-29283","event","type-event","status-publish","has-post-thumbnail","hentry","type_event-exposition","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event\/29283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/event"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27450"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29283"}],"wp:term":[{"taxonomy":"ville","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/ville?post=29283"},{"taxonomy":"temps_fort","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/temps_fort?post=29283"},{"taxonomy":"type_event","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_event?post=29283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}