{"id":29306,"date":"2024-07-09T10:40:53","date_gmt":"2024-07-09T08:40:53","guid":{"rendered":"https:\/\/chroniques-biennale.org\/event\/le-futur-est-deja-la\/"},"modified":"2024-09-13T17:34:43","modified_gmt":"2024-09-13T15:34:43","slug":"le-futur-est-deja-la","status":"publish","type":"event","link":"https:\/\/chroniques-biennale.org\/en\/event\/le-futur-est-deja-la\/","title":{"rendered":"Le futur est d\u00e9j\u00e0 l\u00e0"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Le futur est d\u00e9j\u00e0 l\u00e0<\/h1>\n\n<h2 class=\"wp-block-heading\">Donatien Aubert \u00b7 France Cadet \u00b7 Thierry Cohen \u00b7 Heather Dewey-Hagborg \u00b7 Bastien Faudon \u00b7 Mathieu Gabsou \u00b7 Esmeralda Kosmatopoulos \u00b7 Stelarc \u00b7 Filipe Vilas-Boas \u00b7 Varvara &amp; Mar \u00b7 Julien Pr\u00e9vieux \u00b7 Maxime Matthys<\/h2>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFORMATION<\/h5>\n\n\n\n<p><b><strong>Oct. 5 to Dec. 31, 2024<\/strong><\/b>&#13;\n<b><strong>Wed. to Sat. 2 pm &gt; 6 pm<\/strong><\/b><\/p>\n\n\n\n<p>Le Grenier \u00e0 Sel&#13;\nAvignon&#13;\nFree entrance<\/p>\n\n\n\n<p>Film screenings&#13;\n<em>L\u2019h\u00e9ritage de Bentham<\/em>,&#13;\nby Donatien Aubert&#13;\nCHRONIQUES CREATION 2024<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>The Symptoms of the Living trilogy explores the theme of the living, and its place in artists&#8217; imaginations, at a crucial time when the erosion of biodiversity is pushing our society to move away from the \u201cgreat divide\u201d between Man and the rest of the living world.&#13;\nThis new exhibition examines the relationship between man and machine, once mechanical or electronic and now algorithmic, against a backdrop of increasing deployment of artificial intelligence and the great porosity of the boundaries, fantasized or real, between humanity and robotics, between flesh and code.<\/p>\n\n\n\n<p class=\"has-small-font-size\">An exhibition conceived and produced by Grenier \u00e0 Sel.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le futur est d\u00e9j\u00e0 l\u00e0 Donatien Aubert \u00b7 France Cadet \u00b7 Thierry Cohen \u00b7 Heather Dewey-Hagborg \u00b7 Bastien Faudon \u00b7 [&hellip;]<\/p>\n","protected":false},"featured_media":27653,"parent":0,"menu_order":0,"template":"","ville":[38],"temps_fort":[44],"type_event":[86],"class_list":["post-29306","event","type-event","status-publish","has-post-thumbnail","hentry","type_event-exposition","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event\/29306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/event"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27653"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29306"}],"wp:term":[{"taxonomy":"ville","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/ville?post=29306"},{"taxonomy":"temps_fort","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/temps_fort?post=29306"},{"taxonomy":"type_event","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_event?post=29306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}