{"id":29308,"date":"2024-07-11T15:50:59","date_gmt":"2024-07-11T13:50:59","guid":{"rendered":"https:\/\/chroniques-biennale.org\/event\/altered-states\/"},"modified":"2024-09-18T15:46:57","modified_gmt":"2024-09-18T13:46:57","slug":"altered-states","status":"publish","type":"event","link":"https:\/\/chroniques-biennale.org\/en\/event\/altered-states\/","title":{"rendered":"Altered States"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">deletere<\/h2>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRATICAL INFORMATION<\/h5>\n\n\n\n<p>LE COUVENT<br>Marseille<br><br><strong>Thu. 7 and Sat. 9 Nov. 2024<\/strong>\u2028<br><strong>10 am &gt; 5 pm<\/strong><\/p>\n\n\n\n<p>Free, booking from October 2&nbsp;<br>with our partner deletere<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"http:\/\/altered-states.deletere.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Discover<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>deletere produces experiential artworks in Marseille and distributes them worldwide. As part of the opening weekend of the Biennale des Imaginaires Num\u00e9riques, the association is opening its doors and offering three extraordinary artistic experiences at COUVENT:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><p>Primum Mobile (Simon Laroche) is a sound and kinetic work. The installation produces aerial and acoustic turbulence whose cyclical, repetitive machine-like charge points subtly towards the catastrophe that threatens humanity.<\/p><\/li>\n\n\n\n<li><p>The Sutherland Test (Adelin Schweitzer) is a show for 16 participants invited to experience the BUD, a revolutionary immersion device developed by VESM (The Voluntary Extinction of Sight Movement). Behind a humorous tone, a satire of technological innovation and virtual reality emerges.<\/p><\/li>\n\n\n\n<li><p>Transvision (Ga\u00ebtan Parseihian and Lucien Gaudion) is a sound, vibratory and suspended device shared by many. It&#8217;s a meditative, hypnotic journey, akin to a modified state of consciousness.<\/p><\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">DELETERE<\/h3>\n\n\n\n<p><strong>deletere<\/strong>&nbsp;is an association that produces and distributes multimedia works and performances that question the public&#8217;s relationship with Machines.<br>Founded by Adelin Schweitzer in 2013 in Marseille,&nbsp;<strong>deletere laboratories<\/strong>&nbsp;now host a production office, a shared workspace, a digital manufacturing workshop, and a sound experimentation stage.<br>Located in the heart of the Belle de Mai district, within the&nbsp;<strong>Le Couvent<\/strong>third-place since 2017, in five years the laboratoires deletere have become the place for transmedia artistic experiments linked to the practice of digital arts in Marseille.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>deletere PRATICAL INFORMATION LE COUVENTMarseille Thu. 7 and Sat. 9 Nov. 2024\u202810 am &gt; 5 pm Free, booking from October [&hellip;]<\/p>\n","protected":false},"featured_media":27962,"parent":0,"menu_order":0,"template":"","ville":[37],"temps_fort":[124,45],"type_event":[87],"class_list":["post-29308","event","type-event","status-publish","has-post-thumbnail","hentry","type_event-performance-spectacle-vivant","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event\/29308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/event"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27962"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29308"}],"wp:term":[{"taxonomy":"ville","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/ville?post=29308"},{"taxonomy":"temps_fort","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/temps_fort?post=29308"},{"taxonomy":"type_event","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_event?post=29308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}