{"id":29485,"date":"2024-09-11T12:03:27","date_gmt":"2024-09-11T10:03:27","guid":{"rendered":"https:\/\/chroniques-biennale.org\/event\/how-pamela-anderson-and-my-camera-made-me-look-at-women-who-have-plastic-surgery\/"},"modified":"2024-09-18T15:54:06","modified_gmt":"2024-09-18T13:54:06","slug":"how-pamela-anderson-and-my-camera-made-me-look-at-women-who-have-plastic-surgery","status":"publish","type":"event","link":"https:\/\/chroniques-biennale.org\/en\/event\/how-pamela-anderson-and-my-camera-made-me-look-at-women-who-have-plastic-surgery\/","title":{"rendered":"How Pamela Anderson and my camera made me look at women who have plastic surgery"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">How Pamela Anderson and my camera made me look at women who have plastic surgery<\/h1>\n\n\n\n<p>Nina Gazaniol V\u00e9rit\u00e9 (FR)<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRATICAL INFORMATION<\/h5>\n\n\n\n<p>3 bis f, Contemporary Arts Center <br>Aix-en-Provence<br><br><b><strong>Sat. Nov. 9, 2024<\/strong><\/b> <br><b><strong>4pm, followed by a discussion with the artist<\/strong><\/b> <br>Duration: approx. 1h<\/p>\n\n\n\n<p>Free of charge, booking through our partner le 3 bis f<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>In Marseille, inspired by Pamela Anderson, Nina Gazaniol V\u00e9rit\u00e9 embarks on a film adventure alongside several women who have had recourse to cosmetic surgery and medicine. By questioning the trivialization of this practice, as well as notions of norms and deviance, she questions her own relationship with the feminine. This film is the sharing of a deconstruction, but perhaps also a story of lies and violence, blood and beauty, power and self-assertion.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.billetweb.fr\/projection-nina-gazaniol-verite\" target=\"_blank\" rel=\"noreferrer noopener\">Reservation<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>How Pamela Anderson and my camera made me look at women who have plastic surgery Nina Gazaniol V\u00e9rit\u00e9 (FR) PRATICAL [&hellip;]<\/p>\n","protected":false},"featured_media":27683,"parent":0,"menu_order":0,"template":"","ville":[36],"temps_fort":[121],"type_event":[120],"class_list":["post-29485","event","type-event","status-publish","has-post-thumbnail","hentry","type_event-conferences","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event\/29485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/event"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27683"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29485"}],"wp:term":[{"taxonomy":"ville","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/ville?post=29485"},{"taxonomy":"temps_fort","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/temps_fort?post=29485"},{"taxonomy":"type_event","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_event?post=29485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}