{"id":32360,"date":"2026-06-21T10:44:02","date_gmt":"2026-06-21T08:44:02","guid":{"rendered":"https:\/\/chroniques-biennale.org\/event\/mediterranean-voices\/"},"modified":"2026-07-20T17:11:29","modified_gmt":"2026-07-20T15:11:29","slug":"mediterranean-voices","status":"publish","type":"event","link":"https:\/\/chroniques-biennale.org\/en\/event\/mediterranean-voices\/","title":{"rendered":"Voix m\u00e9diterran\u00e9ennes"},"content":{"rendered":"\n

Voix m\u00e9diterran\u00e9ennes<\/strong><\/h1>\n\n
Ma\u00efssane Alibrahimi FR\/MA <\/sup> – Dorra <\/em>Hichri TN – <\/sup> Yassin Agrbi TN<\/sup><\/h5>\n\n
<\/div>\n\n
\n\n
<\/div>\n\n
\n
\n

October 30 through January 17, 2027<\/strong>Wednesday through Sunday, 2:00 p.m. to 7:00 p.m.<\/p>\n\n\n\n

Mus\u00e9e du Pavillon de Vend\u00f4me<\/strong> Aix-en-Provence<\/p>\n\n\n\n

Rates<\/summary>\n
    \n
  • 5\u20ac<\/li>\n\n\n\n
  • Free (for those under 26, RSA recipients, the long-term unemployed, social assistance recipients, and others meeting specific criteria; see details online or in person)<\/li>\n<\/ul>\n<\/details>\n\n\n\n
    Legal Notices<\/summary>\n

    In co-production with the Mus\u00e9e du Pavillon de Vend\u00f4me<\/p>\n<\/details>\n<\/div>\n\n\n\n

    \n

    The works featured in the exhibition bring to light three voices of artists from the southern shore of the Mediterranean. Voices are precisely the focus of Ma\u00efssane Alibrahimi\u2019s work, which transforms objects drawn from the domestic sphere into forms of feminist resistance that are both sensitive and political. The clatter of pots and pans transformed into sonic bodies of protest, porcelain fragments reassembled to deconstruct rituals, censored scenes of kissing: the artist reveals the symbolic and political power that lies dormant in these spaces, which are all too often rendered invisible. <\/p>\n\n\n\n

    The question of Mediterranean identity also runs through Dorra Hichri\u2019s work. Through immersive installations that combine microscopic projections, crystallized water, light, plants, and scientific protocols, the artist reveals often-invisible phenomena: water circulation and inequalities in access, organic transformations, and the fragility of ecosystems. Drawing on methods akin to scientific research, she repurposes analytical tools to create sensory experiences where poetry and political ecology converge. <\/p>\n\n\n\n

    Yassin Agrbi explores another form of invisibility: that of waste, relegated out of sight and yet omnipresent. Using electronic scrap and cigarette filters coated with UV-reactive pigments, the artist creates installations that transform into luminous growths resembling seaweed. By revealing a haunting, almost organic beauty, Yassin Agrbi paradoxically challenges our relationship to pollution and cycles of transformation. <\/p>\n<\/div>\n<\/div>\n\n

    <\/div>\n\n
    \n\n

    Activities for the Public<\/h4>\n\n
    \n\n
    <\/div>\n\n
    \n
    \n

    Guided tours offered by the museum<\/strong><\/p>\n\n\n\n

    Every Wednesday and Saturday at 3 p.m.: \u20ac3 in addition to the admission fee. Reservations are required; please call 04 42 91 88 74.<\/p>\n<\/div>\n<\/div>\n\n

    <\/div>\n","protected":false},"excerpt":{"rendered":"

    Voix m\u00e9diterran\u00e9ennes Ma\u00efssane Alibrahimi FR\/MA – Dorra Hichri TN – Yassin Agrbi TN October 30 through January 17, 2027Wednesday through […]<\/p>\n","protected":false},"featured_media":32361,"parent":0,"menu_order":0,"template":"","ville":[36],"temps_fort":[44],"type_event":[86],"class_list":["post-32360","event","type-event","status-publish","has-post-thumbnail","hentry","type_event-exposition","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event\/32360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/event"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/32361"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32360"}],"wp:term":[{"taxonomy":"ville","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/ville?post=32360"},{"taxonomy":"temps_fort","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/temps_fort?post=32360"},{"taxonomy":"type_event","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_event?post=32360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}