{"id":10263,"date":"2022-02-24T14:40:32","date_gmt":"2022-02-24T13:40:32","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=10263"},"modified":"2022-03-10T09:46:39","modified_gmt":"2022-03-10T08:46:39","slug":"chroniques-sound-system","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/chroniques-sound-system\/","title":{"rendered":"Club Cabaret x Chroniques"},"content":{"rendered":"\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>Club Cabaret x Chroniques<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">peter van hoesen<br>birth of frequency<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">DJ Set<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>An eminent DJ, producer, and head honcho of his own label, Time to Express, Peter Van Hoesen is unequivocally a luminary in the field of contemporary techno. On stage, his sets blend techno, EBM, and electronica, occasionally giving a glimpse of his taste for new wave and post-punk.<\/strong><\/p>\n\n\n\n<p>A prot\u00e9g\u00e9 of Zadig, an influential member of the Construct Re-Form label, a stalwart of the Unforeseen Alliance collective, and a spiritual descendant of Sandwell District and James Ruskin, Birth of Frequency will, as usual, play an energetic and polished DJ set which, over the course of the evening, will likely rekindle the drunkenness of the 90s.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-09_ZINC_Chroniques_CREDIT_Pierre-Gondard_-64-1024x684.jpg\" alt=\"\" class=\"wp-image-10242\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-09_ZINC_Chroniques_CREDIT_Pierre-Gondard_-64-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-09_ZINC_Chroniques_CREDIT_Pierre-Gondard_-64-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-09_ZINC_Chroniques_CREDIT_Pierre-Gondard_-64-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-09_ZINC_Chroniques_CREDIT_Pierre-Gondard_-64-1536x1026.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-09_ZINC_Chroniques_CREDIT_Pierre-Gondard_-64.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>Club Cabaret x Chroniques<\/em>, Peter van Hoesen and Birth of Frequency, Biennale of Digital Imagination 2018 \u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/chroniques-sound-system\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/chroniques-sound-system\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Club+Cabaret+x+Chroniques&amp;url=https:\/\/chroniques-biennale.org\/en\/chroniques-sound-system\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"is-style-default wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Peter-Van-Hoesen-Pressphoto-1-scaled.jpg\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Peter Van Hoesen <sup>(BEL)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"https:\/\/petervanhoesen.com\" target=\"_blank\">https:\/\/petervanhoesen.com<\/a><\/div><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">The Belgian Peter Van Hoesen is thought of as one techno\u2019s pioneers, though he has never been a typical techno DJ. Peter is someone who sculpts sounds for several different environments \u2013 the club, the home, the gallery, or even the museum \u2013 and he does so with true meticulousness. He releases layered compositions on his own label Time to Express and, alongside Yves de Mey, makes music to great acclaim as Sendai.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">In performance terms, Peter plays dark and arresting techno sets as well as captivating and narrative live musical journeys. As such, he is renowned the world over for his great skill, creativity and flow, consistently translating his personality into his music.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Birth-by-Flavien-Prioreau-1-1000x1000.jpg\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Birth of Frequency <sup>(FRA)<\/sup><\/h2><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">A DJ with a nostalgic affection for the techno of the 90s, and a passion for an era that saw the birth of a raw, pure and incisive form of techno, Birth of Frequency aims, through his music, to express certain of his abstract thoughts and feelings. Above all (and always) a DJ, mixing live is for him the best way of \u2018transitorily\u2019 giving a definite form to his vision of techno. He asks questions of himself on a daily basis to deliver more and more personal and refined performances and productions. His music, simple and innocent, is a reflection of his personality. Polegroup, Construct Re-Form, Enemy or even Granulart Ltd.\u2014so many renowned labels have opened their doors to him for him to express himself and evolve his music. Every cut is closely linked to the others. Each one of them conveys part of the story Birth of Frequency wants to tell.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"is-style-noMarginBottom wp-block-heading\"><meta charset=\"utf-8\"><strong>Credits &amp; acknowledgements<\/strong><\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>A Chroniques x Cabaret Al\u00e9atoire co-production<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":10240,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[27],"class_list":["post-10263","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/10263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/10240"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=10263"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=10263"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=10263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}