{"id":10826,"date":"2022-03-08T16:09:10","date_gmt":"2022-03-08T15:09:10","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=10826"},"modified":"2022-03-10T15:42:13","modified_gmt":"2022-03-10T14:42:13","slug":"distortion","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/distortion\/","title":{"rendered":"Distortion"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge is-style-noMarginBottom wp-block-heading\"><strong><strong>DISTORTION<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">Ghassan salameh<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Practical informations<\/h4>\n\n\n\n<p class=\"is-style-default\">In curatorial research residence from March to May 2022 at 3 bis f &#8211; Centre for Contemporary Arts<\/p>\n\n\n\n<p class=\"is-style-default\">Research meetings in spring in Aix-en-Provence and Marseille<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong><em>Distortion<\/em> is a multidisciplinary artistic and curatorial research project initiated in 2016.<\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">In an anthropological, social and urban approach and through the prism of cartography, Ghassan Salameh conducts investigations of a decolonial, political, economic and ecological nature that unfold in several chapters. In the context of his research residency at 3 bis f &#8211; Centre for Contemporary Arts with CHRONIQUES, he wishes to focus more specifically on communities of artists in exile.\u00a0<\/p>\n\n\n\n<p class=\"is-style-default\">During his immersion at the Montperrin Hospital, he will engage in a dialogue with the nursing, administrative and technical staff. Attentive to the sensitive nature of these professional trajectories and to the problems they face as a result of organisational or financial restructuring or, more recently, the health crisis, he wishes to open a space for dialogue and listening. His research could lead him in particular to the dimensions of solidarity and community specific to this context.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1017\" height=\"667\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/03\/distortion-gs.jpeg\" alt=\"\" class=\"wp-image-10818\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/03\/distortion-gs.jpeg 1017w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/03\/distortion-gs-300x197.jpeg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/03\/distortion-gs-768x504.jpeg 768w\" sizes=\"auto, (max-width: 1017px) 100vw, 1017px\" \/><figcaption>\u00a9 Ghassan Salameh<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/distortion\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/distortion\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Distortion&amp;url=https:\/\/chroniques-biennale.org\/en\/distortion\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/03\/ghassan-1000x1000.jpeg\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Ghassan Salameh <sup>(LEB)<\/sup><\/h2><div class=\"artisteContent\"><p>Ghassan Salameh is an artist, designer and curator. He lives in Keserouan, north of Beirut, where he mainly works. Since 2016, he has initiated the organisation of two design festivals in Beirut and Dubai. In parallel, Ghassan is involved with local civic associations and mobilizes citizen initiatives.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; acknowledgements<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">Artist hosted by 3 bis f &#8211; Centre for Contemporary Arts and CHRONIQUES as part of the emergency programme &#8220;NAFAS, 100 residencies for Lebanese artists in France&#8221; implemented by the French Institute with the support of the Ministry of Europe and Foreign Affairs and the Ministry of Culture to respond to the critical situation of artists in Lebanon.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n<p><!-- \/wp:post-content --><\/p>","protected":false},"featured_media":10818,"menu_order":0,"template":"","edition":[],"type_oeuvre":[51],"class_list":["post-10826","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/10826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/10818"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=10826"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=10826"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=10826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}