{"id":11487,"date":"2022-05-23T10:37:15","date_gmt":"2022-05-23T08:37:15","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=11487"},"modified":"2022-08-31T14:34:42","modified_gmt":"2022-08-31T12:34:42","slug":"view-from-the-moon","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/view-from-the-moon\/","title":{"rendered":"View From The Moon"},"content":{"rendered":"\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong><meta charset=\"utf-8\">VIEW FROM THE MOON<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><meta charset=\"utf-8\">JOANIE LEMERCIER<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Projection<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>The spectator can see from far away the silhouette of a planet, projected on a large wall.<\/strong><\/p>\n\n\n\n<p>This image seems familiar: a crescent of light on a perfect sphere, it must be the moon.<\/p>\n\n\n\n<p>As he gets closer, he discovers details of craters, irregularities made of fine shadows and reliefs. Once close and observing attentively, he recognizes the contours of continents, seas and oceans. What remains are traces of disasters, the monochrome reveals the absence of an atmosphere, the disappearance of the oceans.<\/p>\n\n\n\n<p>It is up to the viewer to imagine what lies behind this view of an inert planet.<\/p>\n\n\n\n<p>The artist invites us to think about a possible future.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/gobo-Maintenant-festival-octobre-2020-\u00a9-Gwendal-Le-Flem-1024x683.jpg\" alt=\"Joanie Lemercier - View from the Moon\" class=\"wp-image-11481\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/gobo-Maintenant-festival-octobre-2020-\u00a9-Gwendal-Le-Flem-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/gobo-Maintenant-festival-octobre-2020-\u00a9-Gwendal-Le-Flem-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/gobo-Maintenant-festival-octobre-2020-\u00a9-Gwendal-Le-Flem-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/gobo-Maintenant-festival-octobre-2020-\u00a9-Gwendal-Le-Flem-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/gobo-Maintenant-festival-octobre-2020-\u00a9-Gwendal-Le-Flem.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">Joanie Lemercier &#8211; View From The Moon &#8211; 2020 &#8211; \u00a9 Gwendal Le Flem<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"720\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/View-from-the-Moon-Joanie-Lemercier-\u00a9JulietteBibasse_close-up_horizontal-1024x720.jpg\" alt=\"Joanie Lemercier - View from the Moon\" class=\"wp-image-11483\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/View-from-the-Moon-Joanie-Lemercier-\u00a9JulietteBibasse_close-up_horizontal-1024x720.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/View-from-the-Moon-Joanie-Lemercier-\u00a9JulietteBibasse_close-up_horizontal-300x211.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/View-from-the-Moon-Joanie-Lemercier-\u00a9JulietteBibasse_close-up_horizontal-768x540.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/View-from-the-Moon-Joanie-Lemercier-\u00a9JulietteBibasse_close-up_horizontal-1536x1080.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/View-from-the-Moon-Joanie-Lemercier-\u00a9JulietteBibasse_close-up_horizontal-2048x1440.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><meta charset=\"utf-8\">Joanie Lemercier &#8211; View From The Moon &#8211; 2020 &#8211; \u00a9Juliette Bibasse<\/figcaption><\/figure>\n\n\n\n<p>Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/view-from-the-moon\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/view-from-the-moon\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=View+From+The+Moon&amp;url=https:\/\/chroniques-biennale.org\/en\/view-from-the-moon\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist <\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/VALERIE-LEMERCIER-CONSTELLATIONS-\u00a9-MARINE-LECUYER-1000x1000.png\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Joanie Lemercier <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/studiojoanielemercier\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/joanielemercier\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/joanielemercier\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"https:\/\/joanielemercier.com\/\" target=\"_blank\">https:\/\/joanielemercier.com\/<\/a><\/div><div class=\"artisteContent\"><p>Joanie Lemercier (b. 1982) is a French visual artist and environmental activist whose work explores human perception through the manipulation of light in space. Working primarily with light projection and computer programming, Lemercier transforms the appearance of everyday objects and forms, bending reality to his imagination.In recent years, Lemercier has become increasingly concerned with climate change and environmental degradation, lending his projection skills and artistry to activist causes and groups such as Extinction Rebellion as well as developing a new body of work,\u00a0<i data-stringify-type=\"italic\">The Hambach forest and the Technological Sublime\u00a0<\/i>which<i data-stringify-type=\"italic\">\u00a0<\/i>looks at the devastating effects of coal mining on one of Europe\u2019s oldest forests.<\/p>\n<p>He has been working with projected light since 2006 and co-founded the acclaimed visual label\u00a0<i data-stringify-type=\"italic\">AntiVJ<\/i>\u00a0in 2008. Represented by a New York based gallery since 2010, Joanie founded his creative studio in Brussels in 2013.<br \/>\nLemercier has focused his practice on installations and gallery work and has since been exhibited at the China Museum of Digital Art in Beijing, Art Basel Miami, Sundance Film Festival, Espacio Fundaci\u00f3n Telef\u00f3nica in Madrid and collaborated with several sound artists: Murcof, Flying Lotus and JayZ.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<p><strong>Cr\u00e9dits &amp; mentions<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Creation&nbsp;: Joanie Lemercier<\/p>\n\n\n\n<p>Production&nbsp;: Juliette Bibasse<\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":14018,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[95],"class_list":["post-11487","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/11487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/14018"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=11487"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=11487"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=11487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}