{"id":11996,"date":"2022-09-02T11:50:28","date_gmt":"2022-09-02T09:50:28","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/dead-star-funeral\/"},"modified":"2022-09-02T14:03:44","modified_gmt":"2022-09-02T12:03:44","slug":"dead-star-funeral","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/dead-star-funeral\/","title":{"rendered":"Dead star funeral"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>Dead star funeral<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><strong>ST\u00c9PHANIE ROLAND<\/strong><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Mixed media installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p>Every hour, a dead star, listed by space institutions, is printed on a sheet of special paper, thanks to a printer connected to their databases. Then, the artist drops off the photograph in a tray of water. This paper, created with the help of physicists, expands, like the Universe, it changes shape several times, thanks to the artist&#8217;s gestures, forming various constellations, until its complete dissolution. This process is then screened in the exhibition space. <\/p>\n\n\n\n<p>The death of a star, very long phenomenon on an astronomic scale, is here transposed to a human experience, within the reach of visitors.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_05-\u00a9-Stephanie-Roland-1024x768.jpg\" alt=\"\" class=\"wp-image-11988\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_05-\u00a9-Stephanie-Roland-1024x768.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_05-\u00a9-Stephanie-Roland-300x225.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_05-\u00a9-Stephanie-Roland-768x576.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_05-\u00a9-Stephanie-Roland-1536x1152.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_05-\u00a9-Stephanie-Roland-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 St\u00e9phanie Roland<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_07-\u00a9-Stephanie-Roland-1024x683.jpg\" alt=\"\" class=\"wp-image-11990\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_07-\u00a9-Stephanie-Roland-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_07-\u00a9-Stephanie-Roland-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_07-\u00a9-Stephanie-Roland-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_07-\u00a9-Stephanie-Roland-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/roland_dead-star-funeral_07-\u00a9-Stephanie-Roland-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 St\u00e9phanie Roland<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\"><meta charset=\"utf-8\">Partagez cet \u00e9v\u00e9nement sur les r\u00e9seaux sociaux<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/dead-star-funeral\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/dead-star-funeral\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Dead+star+funeral&amp;url=https:\/\/chroniques-biennale.org\/en\/dead-star-funeral\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artistes<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/stephanie-roland_portrait-\u00a9-stephanie-roland_HD-1000x1000.jpg\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>St\u00e9phanie Roland <sup>(BEL)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.instagram.com\/stephanie_roland_studio\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"https:\/\/www.stephanieroland.be\" target=\"_blank\">www.stephanieroland.be<\/a><\/div><div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">St\u00e9phanie Roland is a belgian \/ micronesian visual artist and filmmaker.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Working between documentary and the imaginary, Roland makes films and installations exploring invisible structures, hyperobjects and deep time; from ecological and political to the geologic and cosmic.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After graduating from La Cambre and following Hito Steyerl\u2019s class in UDK Berlin, she completed post-graduates studies at Fresnoy &#8211; Studio National. Her work is regularly shown at international level, her projects have been included in exhibitions from major institutions among these Louvre Museum, Benaki Museum, Botanique, Kampala International Art Biennale, Bozar and Wiels. Breda Photo, Belfast Photo festival, Manifesto, Encontros da Imagem, BIP Li\u00e8ge, MOPLA and Unseen are amongst the festivals dedicated to photography in which she took part.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2017, she was selected in the group exhibition of the Antarctica Pavilion for the 57th Venice Biennale.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her films have been screened in international festivals such as Visions du R\u00e9el, FID Marseille, ZINEBI, FEST New Directors \/ New Films, Rencontres Internationales Paris \/ Berlin, among others. Her second short film, Podesta Island, had its world premiere at FID Marseille, where it wons the Alice Guy Prize. The empty sphere won the T\u00cbNK Award at Visions du R\u00e9el 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Filmography<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Deception Island, 2017<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Podesta Island, 2021<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; The empty sphere, 2022<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Cr\u00e9dits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Production: St\u00e9phanie Roland Studio<\/p>\n\n\n\n<p>With the support of European Space Agency and the NASA.&nbsp; Technical expertise: Mathieu Zurstrassen.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":11988,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[71,95],"class_list":["post-11996","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/11996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11988"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=11996"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=11996"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=11996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}