{"id":12126,"date":"2022-09-02T17:08:23","date_gmt":"2022-09-02T15:08:23","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/nightfall\/"},"modified":"2022-09-05T15:07:43","modified_gmt":"2022-09-05T13:07:43","slug":"nightfall","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/nightfall\/","title":{"rendered":"Nightfall"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>Nightfall<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><strong>IEF SPINCEMAILLE<\/strong><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>An hourglass is filled with dark colored water. When turned upside down, the water slowly fades out the light of the lamp beneath.\u00a0<\/strong><\/p>\n\n\n\n<p>Nightfall simulates nightfall in an indoor space and creates an artificial experience of an everyday natural phenomenon: nightfall. <\/p>\n\n\n\n<p>By isolating the concept of &#8216;darkening&#8217; and simulating it in the space of a museum, a collective experience is created where a group of people spend time together and slowly lose sight of each other.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-1024x768.png\" alt=\"\" class=\"wp-image-12051\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-1024x768.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-300x225.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-768x576.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-1536x1152.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-2048x1536.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Ief Spincemaille<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"593\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-1024x593.png\" alt=\"\" class=\"wp-image-12049\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-1024x593.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-300x174.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-768x445.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-1536x890.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-2048x1187.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Ief Spincemaille<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\"><meta charset=\"utf-8\">Partagez cet \u00e9v\u00e9nement sur les r\u00e9seaux sociaux<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/nightfall\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/nightfall\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Nightfall&amp;url=https:\/\/chroniques-biennale.org\/en\/nightfall\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artistes<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Ief Spincemaille <sup>(BEL)<\/sup><\/h2><div class=\"artisteContent\"><p class=\"p1\"><span class=\"s1\">The work and career of Ief Spincemaille span different disciplines: visual art, design, performance, and different genres of work. The artist enjoys exploring the borders between these different fields. He plays with form and pre-existing frameworks, not just for the fun of it but indeed out of a need to produce new forms which better satisfy his imagination.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Cr\u00e9dits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Atelier Ief Spincemaille, 2022<\/p>\n\n\n\n<p>With the support of Werktank<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":12051,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[95],"class_list":["post-12126","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/12126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/12051"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=12126"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=12126"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=12126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}