{"id":12346,"date":"2022-09-05T10:46:23","date_gmt":"2022-09-05T08:46:23","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/positively-charged%ef%bf%bc\/"},"modified":"2022-09-07T10:16:16","modified_gmt":"2022-09-07T08:16:16","slug":"positively-charged%ef%bf%bc","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/positively-charged%ef%bf%bc\/","title":{"rendered":"Positively Charged\ufffc"},"content":{"rendered":"\n
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Positively Charged<\/strong><\/strong><\/h1>\n\n\n\n

KASIA MOLGA<\/strong><\/h2>\n<\/div>\n\n\n\n
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Interactive installation powered
by the energy of the visitors<\/strong><\/p>\n<\/div>\n\n\n\n

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The interactive work Positively Charged by artist Kasia Molga addresses existing and future possibilities for energy production.<\/strong><\/p>\n\n\n\n

A light installation that is activated when the public turns the cranks, thanks to the energy produced by the people, together. It was presented in Taiwan at the Taipei Arts Festival (see video here, then Futur21 in March, and each time it is partly recreated according to the place (the architecture of the light cables in particular).<\/p>\n\n\n\n

Visitors to the Ermen & Engels power plant are invited to use their bodies to generate energy and power the light and sound installation. The central question is whether the human body will be able to generate enough energy in the future to meet individual energy consumption needs.<\/p>\n\n\n\n

In direct exchange with local students in the form of a workshop, Positively Charged addresses the individual questions of a young generation on the subject of energy and raises awareness of our increased energy consumption. Together with the young people, she speculates on new technologies for energy production, inspired by scientific research on thermoelectric generators. At the heart of Positively Charged’s artistic and playful research is resource-saving energy efficiency.<\/p>\n\n\n\n

POSITIVELY CHARGED consists of 6 wooden stations, each with cranks and sensors. When the visitor turns the crank, it activates the heart rate sensor which, after detecting the visitor’s heart rate, turns on the LED cables of the light display or activates the musical soundscape. The shape of the light display varies depending on the location and context. For example, in Taiwan, the main part of the exhibition consisted of more than 700 meters of electric cables representing the city’s electricity network. Visitors not only have to “invest” themselves to trigger the installation, but also find the right rhythm in their movement: if they “spin” too fast, much of the “energy” produced is wasted as heat that escapes, creating an imbalance in the lighting and eventually turning off all the electroluminescent wires. If more visitors are interacting with the installation at the same time, it may be easier to turn (and produce energy), but it is also easier to create this imbalance. So the visitors who contribute to the facility must find a way to work together to keep the facility running smoothly.<\/p>\n\n\n\n

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\u00a9 Kasia Molga<\/figcaption><\/figure>\n\n\n\n

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