{"id":12369,"date":"2022-09-05T15:18:19","date_gmt":"2022-09-05T13:18:19","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/dreambank\/"},"modified":"2022-09-07T11:52:40","modified_gmt":"2022-09-07T09:52:40","slug":"dreambank","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/dreambank\/","title":{"rendered":"Dreambank"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>dreambank<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><strong>claire malrieux<\/strong><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Generative graphic work on screen<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>DreamBank is a generative graphic work on screen that reveals the dream of a machine.<\/strong><\/p>\n\n\n\n<p>It refers to Wiliam Domhoff&#8217;s theory of the &#8220;wandering mind&#8221; and engages the enunciating power of the drawing in a sensitive apprehension of the issues raised by the current developments of AI.<\/p>\n\n\n\n<p>The program travels through our dreams. It goes through their stories, crosses the events and the recurrent motives that inhabit them. Between memory and projection, it analyzes our dreamy unconscious to create its environment. What he draws is uncertain. It responds to mathematical injunctions but its logic is that of the wandering of a sensitive organism that reacts to the emotional information of the environment in which it evolves. His dream takes the form of a graphic fabulation, generated and told in real time by the machine.<\/p>\n\n\n\n<p>By its continuous character linked to the generative form, DreamBank proposes a representation in which we cannot anticipate and define a trajectory or a history. Only what appears in the sensitive space, as it is, counts.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-1024x768.png\" alt=\"\" class=\"wp-image-12050\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-1024x768.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-300x225.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-768x576.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-1536x1152.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-2-2048x1536.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Claire Malrieux<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"593\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-1024x593.png\" alt=\"\" class=\"wp-image-12048\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-1024x593.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-300x174.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-768x445.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-1536x890.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/visuel-1-2048x1187.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Claire Malrieux<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\"><meta charset=\"utf-8\">Partagez cet \u00e9v\u00e9nement sur les r\u00e9seaux sociaux<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/dreambank\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/dreambank\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Dreambank&amp;url=https:\/\/chroniques-biennale.org\/en\/dreambank\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artistes<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Claire Malrieux <sup>(FR)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/vimeo.com\/576708192\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-vimeo\"><\/i><\/a><\/li><\/ul><a href=\"http:\/\/claire-malrieux.com\/DreamBank\" target=\"_blank\">claire-malrieux.com\/DreamBank<\/a><\/div><div class=\"artisteContent\"><p>Claire Malrieux graduated from Ensba in 2000. She co-founded Mix Editions with the other members of the collective with whom she worked from 2000 to 2006. Her collective practice has led her to experiment with the conditions of circulation of the narrative through hybrid forms where editions, history and fictions are mixed. In 2014, she benefited from a research residency at the Mus\u00e9e des Arts D\u00e9coratifs in Paris where she laid the foundations for her current work and exhibited a first online algorithmic graphic work. Since then, she has been developing the Hyperdrawing project in which she alternates research phases, technical experiments and productions of generative graphic works. Her latest works engage the enunciative power of drawing in a reflection on the narrative and speculative perspectives of algorithmic thinking. Her work is regularly shown in France and abroad and is the subject of acquisitions in various private collections. She exhibited Climat G\u00e9n\u00e9ral, a generative graphic work, at the Venice Biennale and at the Coll\u00e8ge des Bernardins in 2017 and became a &#8220;Contemporary Talents&#8221; laureate of the Fran\u00e7ois Schneider Foundation in 2018.<\/p>\n<p><br style=\"font-weight: 400;\" \/><br style=\"font-weight: 400;\" \/><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Cr\u00e9dits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Conception et cr\u00e9ation graphique : Claire Malrieux. <\/p>\n\n\n\n<p>Cr\u00e9ation sonore : Alexandre Dubreuil. <\/p>\n\n\n\n<p>Cr\u00e9ation algorithmique : Sebastien Courvoisier. <\/p>\n\n\n\n<p>Avec le soutien de Brouillon d\u2019un r\u00eave \u00e9criture et formes \u00e9mergentes de la Scam &#8211; Soutien au d\u00e9veloppement et production du Dicr\u00e9am &#8211; Aide \u00e0 la production Fondation des Artistes &#8211; AIC-Drac \u00eele-de-France 2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":13689,"menu_order":0,"template":"","edition":[],"type_oeuvre":[95],"class_list":["post-12369","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/12369","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/13689"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=12369"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=12369"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=12369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}