{"id":12443,"date":"2022-10-16T17:24:00","date_gmt":"2022-10-16T15:24:00","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/borealis\/"},"modified":"2024-05-14T12:24:22","modified_gmt":"2024-05-14T10:24:22","slug":"borealis","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/borealis\/","title":{"rendered":"Borealis"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>boealis<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><strong>dan acher<\/strong><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Aurora Borealis technology<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>Dan shifts our emotional experience of urban spaces by transforming familiar landmarks.<\/strong><\/p>\n\n\n\n<p><em>Borealis<\/em> brings the magical mystery of the Northern Lights to any city, using layers of light and particle clouds to create the illusion. Throughout the ages, we have attributed countless legends to the celestial phenomenon. Today this immersive installation inspires awe by creating something that shouldn\u2019t by all accounts be there and that is way bigger than any one of us. As we witness new and unusual natural phenomena, questions are raised: Will we soon seek to control every aspect of our environment and artificially recreate all that we need from nature \u2013 aesthetically, emotionally, or in terms of natural resources?<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/2021_02_28-NCET-Gluttony-0048-1024x683.jpg\" alt=\"\" class=\"wp-image-12439\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/2021_02_28-NCET-Gluttony-0048-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/2021_02_28-NCET-Gluttony-0048-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/2021_02_28-NCET-Gluttony-0048-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/2021_02_28-NCET-Gluttony-0048-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/2021_02_28-NCET-Gluttony-0048-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 David Solm Novatech<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/@Mihai_Toth_MTZ_5253-1024x681.jpg\" alt=\"\" class=\"wp-image-12441\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/@Mihai_Toth_MTZ_5253-1024x681.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/@Mihai_Toth_MTZ_5253-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/@Mihai_Toth_MTZ_5253-768x511.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/@Mihai_Toth_MTZ_5253-1536x1022.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/@Mihai_Toth_MTZ_5253-2048x1363.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Mihai Toth<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\"><meta charset=\"utf-8\">Partagez cet \u00e9v\u00e9nement sur les r\u00e9seaux sociaux<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/borealis\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/borealis\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Borealis&amp;url=https:\/\/chroniques-biennale.org\/en\/borealis\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artistes<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Dan Acher <sup>(CH)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/twitter.com\/dan_acher\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/dan_acher\/?hl=fr\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><\/div><div class=\"artisteContent\"><p>Dan Acher is an international artivist based in Geneva. He imagines art installations and participatory situations that shake up our routines and create the extra-ordinary in our urban imaginations.<\/p>\n<p>At the center of his work is art as a generator of social change; his installations transform our vision of the city and of living together.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Cr\u00e9dits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":12651,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[95],"class_list":["post-12443","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/12443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/12651"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=12443"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=12443"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=12443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}