{"id":12477,"date":"2022-10-13T12:00:00","date_gmt":"2022-10-13T10:00:00","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/mapping-ulysse-lefort\/"},"modified":"2024-05-14T12:24:54","modified_gmt":"2024-05-14T10:24:54","slug":"mapping-ulysse-lefort","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/mapping-ulysse-lefort\/","title":{"rendered":"Paysage Souple"},"content":{"rendered":"\n<p><meta charset=\"utf-8\"><\/p>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong><meta charset=\"utf-8\">Paysage Souple<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><meta charset=\"utf-8\">ULYSSE LEFORT<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<p class=\"is-style-noMarginBottom\"><strong>Mapping<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong><strong>Hexalab have brought in audiovisual filmmaker Ulysse Lefort who, after rising to fame for several of his collaborative ventures, will run an unprecedented video mapping project based on deep learning, with musical support from artist Tryph\u00e8me.<\/strong><\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">During a still, autumn night, a wandering oddity embeds itself into the stones of the Church of La Madeleine, spreading through it for a short moment. Plumes of elemental vapours are born and come to dance around this celestial structure. They provide fertile ground to lush greenery that is home to mysterious wildlife, before entering the throes of increasingly intense changes in state to finally seize control of a calm, night-time ocean which, after cooling gently, hides from view by steadily weaving in and out the stones of the building, leaving it, and departing.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/Ulysse-Lefort-Mapping-Madeleine-2022-1024x576.png\" alt=\"\" class=\"wp-image-11348\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/Ulysse-Lefort-Mapping-Madeleine-2022-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/Ulysse-Lefort-Mapping-Madeleine-2022-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/Ulysse-Lefort-Mapping-Madeleine-2022-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/Ulysse-Lefort-Mapping-Madeleine-2022-1536x864.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/05\/Ulysse-Lefort-Mapping-Madeleine-2022.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Paysage Souple<\/em> \u00a9 Ulysse Lefort<\/figcaption><\/figure>\n\n\n\n<p>Partagez cet \u00e9v\u00e8nement sur les r\u00e9seaux sociaux<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/mapping-ulysse-lefort\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/mapping-ulysse-lefort\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Paysage+Souple&amp;url=https:\/\/chroniques-biennale.org\/en\/mapping-ulysse-lefort\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artiste<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Tryph\u00e8me <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/trypheme.fm\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/trypheme\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/trypheme\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><li><a href=\"https:\/\/soundcloud.com\/trypheme\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-soundcloud\"><\/i><\/a><\/li><\/ul><\/div><div class=\"artisteContent\"><div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Tiphaine Belin, born May 7, 1993, originally from Dro\u0302me. The music of Tryphe\u0300me is one that manages to resonate in the soul the few sensitive strings that we still have left. The strength of this autodidact, now based in Paris, lies in the emotional power of a hybrid music navigating between Experimental, Industrial and Ambient.<\/p>\n<p>Revealed by a first album in the form of a compilation, Online Dating, released in 2017 on CPU Records and which led her to a Boiler Room Sheffield overseen by the Warp label, she has since continued to open up new leads. Her program \u201cDame de C\u0153ur\u201d on LYL Radio is one of them, which reveals to us the always subtle results of her music-loving research. Thanks to the support program of the FGO-Barbara Center, she was also able to build a live of her own, where energies mingle in the same way as the arts. His second album, Thanks God for Air Emotions is yet another indicator of his obsession with music on the surface, an unfiltered conductor of his feelings towards ours.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Cr\u00e9dits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Visual creation : Ulysse Lefort<br>Sound creation : Tryph\u00e8me<\/p>\n\n\n\n<p>Production : Hexalab<br>Coproduction : Chroniques<br>With the support of the city of Aix-en-Provence within the framework of the 5th season, Biennale of art and culture 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":11349,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[26],"class_list":["post-12477","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/12477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/11349"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=12477"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=12477"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=12477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}