{"id":12492,"date":"2022-09-12T17:42:47","date_gmt":"2022-09-12T15:42:47","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/soiree-de-cloture\/"},"modified":"2024-05-14T12:25:01","modified_gmt":"2024-05-14T10:25:01","slug":"soiree-de-cloture","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/soiree-de-cloture\/","title":{"rendered":"Soir\u00e9e de cl\u00f4ture"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">closing evening<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\"><strong>Caterina Barbieri&nbsp;<\/strong><br>&amp; <strong>Donato Dozzy&nbsp;<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Concert<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>An exclusive invitation for the closing party to dance to two Italian artists from the electronic music scene who have never before spun in Aix-en-Provence or Marseille. <\/strong><\/p>\n\n\n\n<p>In the first part, the fascinating composer Caterina Bar- bieri will present her latest A\/V live show followed in the second part by an extended intense DJ set by the cha- rismatic Donato Dozzy.<\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Production CHRONIQUES 2020 \u2605 Krasis  \u2605 Annabelle Playe et Alexandra Radulescu\" src=\"https:\/\/player.vimeo.com\/video\/509834324?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"792\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/1-1024x792.png\" alt=\"\" class=\"wp-image-4263\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/1-1024x792.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/1-300x232.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/1-768x594.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/1-1536x1188.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/1-2048x1584.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Annabelle Playe, Alexandra R\u0103dulescu<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/Pressphoto-Donato-Dozzy-1-1024x683.jpeg\" alt=\"\" class=\"wp-image-12490\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/Pressphoto-Donato-Dozzy-1-1024x683.jpeg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/Pressphoto-Donato-Dozzy-1-300x200.jpeg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/Pressphoto-Donato-Dozzy-1-768x512.jpeg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/Pressphoto-Donato-Dozzy-1.jpeg 1404w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Harry Glass<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Partagez cet \u00e9v\u00e9nement sur les r\u00e9seaux sociaux<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/soiree-de-cloture\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/soiree-de-cloture\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Soir%C3%A9e+de+cl%C3%B4ture&amp;url=https:\/\/chroniques-biennale.org\/en\/soiree-de-cloture\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artistes<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Alexandra Radulescu<\/h2><div class=\"artistContactLine\"><a href=\"http:\/\/alexandra-r.com\/\" target=\"_blank\">alexandra-r.com<\/a><\/div><div class=\"artisteContent\"><p>Alexandra Radulescu est une artiste visuelle et designer d\u2019exp\u00e9riences interactives et immersives. Travaillant au croisement de l\u2019art m\u00e9dia avec la technologie et le design, elle souhaite consolider et \u00e9tendre notre relation \u00e0 la technologie \u00e0 travers des interfaces tangibles et gestuelles, en faisant appel \u00e0 l\u2019imaginaire du public, \u00e0 leurs \u00e9motions et leur cr\u00e9ativit\u00e9. Elle cherche \u00e0 cr\u00e9er des univers clairs et \u00e9pur\u00e9s, mais aussi ludiques et porteurs d\u2019identit\u00e9, s\u2019adressant au public, avec l\u2019intention d\u2019\u00e9veiller le plaisir de la mise en mouvement du corps.<\/p>\n<\/div><\/div><\/div>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Annabelle Playe<\/h2><div class=\"artistContactLine\"><a href=\"http:\/\/annabelleplaye.com\/\" target=\"_blank\">annabelleplaye.com<\/a><\/div><div class=\"artisteContent\"><p>Annabelle Playe se forme au chant lyrique \u00e0 l\u2019\u00c9cole de Musique de Pantin et \u00e0 la composition musicale aupr\u00e8s de Sergio Ortega. Aujourd\u2019hui, sa musique oscille entre \u00e9lectroacoustique, drone et noise. Sa recherche compositionnelle s\u2019articule autour du timbre, de la physicalit\u00e9 du son avec une attention particuli\u00e8re \u00e0 la structure musicale. Sa d\u00e9marche s\u2019inscrit dans cette n\u00e9cessit\u00e9 de d\u00e9velopper, \u00e0 travers ses compositions, une autre temporalit\u00e9. En live, elle se produit avec un dispositif d\u2019instruments \u00e9lectroniques.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Cr\u00e9dits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Closing evening in co-production with 6MIC<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[27],"class_list":["post-12492","oeuvre","type-oeuvre","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/12492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=12492"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=12492"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=12492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}