{"id":12633,"date":"2022-09-14T11:57:13","date_gmt":"2022-09-14T09:57:13","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/pointillisme-provence\/"},"modified":"2024-05-14T12:24:59","modified_gmt":"2024-05-14T10:24:59","slug":"pointillisme-provence","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/pointillisme-provence\/","title":{"rendered":"Pointillisme : Provence"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>pointillisme : provence<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><strong><strong>QUAYOLA<\/strong><\/strong><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Exhibition<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong><em>Pointillisme: Provence<\/em> is a new work which continues Quayola\u2019s ongoing exploration of high-precision laser scanning systems and their inherited imperfections.<\/strong><\/p>\n\n\n\n<p>Drawing a parallel between historical pictorial traditions and computational aesthetics, this project speculates new landscape paintings created by machines. While reproducing similar conditions to those favoured by the \u2018en plein air\u2019 painters of the late 19th century, the natural landscapes are actually observed and analysed through extensive technological apparatuses and rpurposed through new modes of visual synthesis.<\/p>\n\n\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"767\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/0-1024x767.jpg\" alt=\"\" class=\"wp-image-12469\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/0-1024x767.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/0-300x225.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/0-768x575.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/0-1536x1151.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/0-2048x1534.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Quayola<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\"><meta charset=\"utf-8\">Partagez cet \u00e9v\u00e9nement sur les r\u00e9seaux sociaux<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/pointillisme-provence\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/pointillisme-provence\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Pointillisme+%3A+Provence&amp;url=https:\/\/chroniques-biennale.org\/en\/pointillisme-provence\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artistes<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Quayola <sup>(ITA)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"https:\/\/quayola.com\/\" target=\"_blank\">quayola.com<\/a><\/div><div class=\"artisteContent\"><p>Quayola employs technology as a lens to explore the tensions and equilibriums between seemingly opposing forces: real and artificial, figurative and abstract, old and new.<\/p>\n<p>Constructing immersive installations, often at historically significant architectural sites, he engages with and re-imagines canonical imagery through contemporary technology. Hellenistic sculpture, Old Master painting, and Baroque architecture are some of the historical aesthetics that serve as a point of departure for Quayola\u2019s abstract compositions. His varied practice, all deriving from custom computer software, also includes audiovisual performance, video, sculpture, and works on paper.<\/p>\n<p>Past exhibitions of his work include V&amp;A Museum, London; Park Avenue Armory, New York; Bozar, Brussels; National Art Center, Tokyo; UCCA, Beijing; How Art Museum, Shanghai; SeMA, Seoul; Bienal, S\u00e3o Paulo; Triennale, Milan; Palais de Tokyo, Paris; Museu Nacional d\u2019Art de Catalunya, Barcelona; British Film Institute, London; Cit\u00e9 de la Musique, Paris; Grand Theatre, Bordeaux; Ars Electronica, Linz; Elektra Festival, Montreal; Sonar Festival, Barcelona and Sundance Film Festival.<\/p>\n<p><span style=\"font-weight: 400;\">Also a frequent collaborator on musical projects, Quayola has worked with composers, orchestras and musicians including London Contemporary Orchestra, National Orchestra of Bordeaux, Ensemble Intercontemporain, Vanessa Wagner, Jamie XX, Mira Calix, Plaid and Tale Of Us. <\/span><span style=\"font-weight: 400;\">In 2013, Quayola was awarded the Golden Nica at Ars Electronica.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Cr\u00e9dits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Creation of the CHRONICLES CREATIONS platform, in co-production with the Vasarely Foundation.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":12618,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[28],"class_list":["post-12633","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/12633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/12618"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=12633"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=12633"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=12633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}