{"id":12652,"date":"2022-09-14T13:57:59","date_gmt":"2022-09-14T11:57:59","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/engagement\/"},"modified":"2024-05-14T12:24:57","modified_gmt":"2024-05-14T10:24:57","slug":"engagement","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/engagement\/","title":{"rendered":"Encagement"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>encagement<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">NICOLAS MONTGERMONT<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">ASSOCIATED EXHIBITION<\/h4>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">PRACTICAL INFORMATION<\/h4>\n\n\n\n<p class=\"is-style-default\"><strong>DATES<\/strong><\/p>\n\n\n\n<p class=\"is-style-default\"><br>NOV. 11 &gt; DEC. 4, 2022<\/p>\n\n\n\n<p>Open from Wed. to Sun. : from 3pm to 7pm<\/p>\n\n\n\n<p><strong>Nocturnes on Nov. 11 and 12<\/strong><\/p>\n\n\n\n<p>Opening in the presence of the artist Nicolas Mongermont : Nov. 11, 2022 from 5 to 10 pm<\/p>\n\n\n\n<p>Conference by Juliette Volcler and performance by Julia Hanadi Al Abed : Nov. 12, 2022 from 3pm to 2am<\/p>\n\n\n\n<p>A program by Nicolas Montgermont and Elena Biserna.<\/p>\n\n\n\n<p>Event on Nov. 12 by reservation only (limited capacity): contact@lab-gamerz.com <\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"is-style-default\"><strong>LOCATION<\/strong><br><br>CHAPEL VENEL<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"is-style-default\"><strong>RATES<\/strong><br><br><strong>Free<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p>As part of the biennials Une 5\u00e8me Saison and Chroniques &#8211; Imaginaires Num\u00e9riques, Lab-GAMERZ presents the artist Nicolas Montgermont following a research and production residency throughout the year around the original work Encagement. The installation will be presented in a new way, on the scale of the Venel Chapel.<\/p>\n\n\n\n<p><strong>Encagement is a space empty of any telecommunication, a white zone inspired by the methods of protection of electro-sensitive people to create a preserved &#8220;bubble&#8221;.<\/strong><\/p>\n\n\n\n<p>A grid architecture deployed in the chapel reflects the telephone waves like a mirror. The cell phones lose contact with the relay antennas and become isolated computer terminals: no more phone calls, SMS, Internet connection or notifications. The addictive design of the applications that pushes us to frequently consult our phone is defeated and we are freed from the unwanted sending of sounds, images and data captured by our phone without our knowledge.<\/p>\n\n\n\n<p>Encagement guarantees a collective &#8220;radio safe zone&#8221;, a space of trust that frees us from the possibility of being disturbed and spied upon.<\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"432\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/10\/encagement_schema.jpeg\" alt=\"\" class=\"wp-image-22897\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/10\/encagement_schema.jpeg 640w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/10\/encagement_schema-300x203.jpeg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Nicolas Montgermont<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/carton-1024x1024.png\" alt=\"\" class=\"wp-image-22899\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/carton-1024x1024.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/carton-300x300.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/carton-150x150.png 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/carton-768x768.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/carton-1536x1536.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/carton-1000x1000.png 1000w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/carton-360x360.png 360w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/carton.png 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 Nicolas Montgermont<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\"><meta charset=\"utf-8\">Partagez cet \u00e9v\u00e9nement sur les r\u00e9seaux sociaux<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/engagement\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/engagement\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Encagement&amp;url=https:\/\/chroniques-biennale.org\/en\/engagement\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artistes<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Nicolas Montgermont <sup>(FR)<\/sup><\/h2><div class=\"artisteContent\"><p>Nicolas Montgermont is a sound and radio artist who explores the physicality of waves in its various forms.<\/p>\n<p>For more than 15 years, he has been designing artistic devices that explore the poetic essence of waves: resonance in a volume, vibration of materials, richness of invisible radio landscapes, musicality of interferences, antenna sculpture, listening and transmitting territory&#8230; and is currently developing a work on the links between radio art and politics.<\/p>\n<p>He produces sound performances, installations, records and compositions, alone or in collaboration (<a href=\"http:\/\/chdh.net\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">chdh<\/a>,\u00a0<a href=\"http:\/\/artoffailure.free.fr\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Art of Failure<\/a>,\u00a0<a href=\"http:\/\/cecilebeau.com\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Ce\u0301cile Beau<\/a>,\u00a0<a href=\"http:\/\/rybn.org\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">RYBN<\/a>,\u00a0<a href=\"http:\/\/palimeursault.net\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Pali Meursault<\/a> &#8230;) and participates in several sound and radio creation collectives (<a href=\"http:\/\/p-node.org\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u220fnode<\/a>,\u00a0<a href=\"http:\/\/yiking.xyz\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Yi King Operators<\/a>,\u00a0<a href=\"https:\/\/sons-federes.org\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">les Sons F\u00e9d\u00e9r\u00e9s<\/a>,\u00a0<a href=\"https:\/\/www.jefklak.org\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Jef Klak<\/a>,\u00a0<a href=\"https:\/\/acentrale.org\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">l\u2019Acentrale<\/a>). His projects are shown in numerous art centers, museums, concert halls and self-managed venues in Europe and elsewhere.<\/p>\n<p>He teaches sound and multimedia creation at the ENS Louis Lumi\u00e8re and at the University of Paris 8.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Cr\u00e9dits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Production of the exhibition  : Lab-GAMERZ. <\/p>\n\n\n\n<p>Co-production of the installation Encagement : Uchronies, Lab-GAMERZ and La Labomedia.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":22900,"menu_order":0,"template":"","edition":[66],"type_oeuvre":[51,95],"class_list":["post-12652","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/12652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/22900"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=12652"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=12652"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=12652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}