{"id":1412,"date":"2020-08-17T14:56:00","date_gmt":"2020-08-17T12:56:00","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=1412"},"modified":"2022-03-09T10:13:03","modified_gmt":"2022-03-09T09:13:03","slug":"passengers","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/passengers\/","title":{"rendered":"Passengers"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">PassengerS<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">Guillaume Marmin<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation<\/h4>\n\n\n\n<p><strong>Production CHRONIQUES 2020<\/strong><br><\/p>\n\n\n\n<p>Consignes \u00e0 Images &#8211; Vieux-Port, Marseille<br>From June 18 to July 11, 2021<br>Wednesday, Thursday, Sunday: 4-10pm<br>Friday, Saturday : 4pm-11pm<br>Free access<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h5 class=\"wp-block-heading\"><strong><em>Passengers<\/em>, a space-time capsule suspended between past and future, offers a contemplative and introspective experience which questions our own finitude.<\/strong><\/h5>\n\n\n\n<p>By changing the way we think, work or travel, digital technologies transform us both psychologically and physically. They reshape our intimate and social groups, propelling us into the unknown.<\/p>\n\n\n\n<p>Throughout time, societies have established rites of passage to mark the crossing of symbolic or social thresholds. Similarly, <em>Passengers<\/em> marks the change of era that we are going through, in the same way as we go through landscapes or our own existence.<\/p>\n\n\n\n<p>Passengers fits in a container where both ends open to reveal a&nbsp;kaleidoscopic interior that calls the perspectives of the exhibition site into question. Visitors are invited to walk through the installation to see their image infinitely increased in size in a landscape of moving pixels. The visual and sound compositions play with the visitors&#8217; physical movement, aiming to distance them from their own body.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" id=\"hide\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2021\/06\/54_Chroniques_basse-def_Passengers_\u220fGregoire-EDOUARD-1-1024x683.jpg\" alt=\"\" class=\"wp-image-7222\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2021\/06\/54_Chroniques_basse-def_Passengers_\u220fGregoire-EDOUARD-1-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2021\/06\/54_Chroniques_basse-def_Passengers_\u220fGregoire-EDOUARD-1-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2021\/06\/54_Chroniques_basse-def_Passengers_\u220fGregoire-EDOUARD-1-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2021\/06\/54_Chroniques_basse-def_Passengers_\u220fGregoire-EDOUARD-1.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Gr\u00e9goire Edouard<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/passengers\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/passengers\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Passengers&amp;url=https:\/\/chroniques-biennale.org\/en\/passengers\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Production CHRONIQUES 2020 \u2605 Passengers \u2605 Guillaume Marmin\" src=\"https:\/\/player.vimeo.com\/video\/509735429?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Guillaume Marmin <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"https:\/\/guillaumemarmin.com\" target=\"_blank\">guillaumemarmin.com<\/a><\/div><div class=\"artisteContent\"><p class=\"p1\">Guillaume Marmin designs installations and performances conducive to the exploration of links between light, sound and space. Influenced by filmmakers such as Norman McLaren and Stan Brakhage as well as by kinetic art, he continues to study forms in movement using contemporary tools. Whether exploring scientific questions, nourished by collaborations with researchers, or mysterious symbolism, his creations showcase our relationship to light.<\/p>\n<p class=\"p1\">After studying audiovisuals, his first works were presented in 2005 at the Biennale of Contemporary Art in Lyon where he was part of the \u201cyoung artists\u201d selection. Since then, his projects have led him to work in many countries for group and personal exhibitions as well as accepting commissions for permanent installations in public spaces. Cultivating a strong link with music, Guillaume also designs scenographies and performs alongside artists such as Jeff Mills and the Walter Dean trio.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Associate production: <a href=\"https:\/\/www.tetro.fr\/fr\" target=\"_blank\" rel=\"noreferrer noopener\">TETRO<\/a> &amp; YAM<br>Sound composition: Alex Augier<br>Technical direction: Ma\u00ebl Pinard<br>Structural engineering: Aur\u00e9lien Jeanjean<br>Technical support: Xavier Seignard<\/p>\n\n\n\n<p>In co-production with the CHRONIQUES platform, supported by the Regional Council of the South Region, the city of Marseille and the French Institute in Paris, coordinated by SECONDE NATURE and ZINC.<\/p>\n\n\n\n<p>In co-production with Lieux Publics&nbsp;&#8211; centre national et p\u00f4le europ\u00e9en de cr\u00e9ation pour l\u2019espace public, Biennale N\u00e9mo, le 104, Stereolux and La F\u00eate des Lumi\u00e8res.<\/p>\n\n\n\n<p>With the support of Marfret and Komplex Kapharna\u00fcm<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":5077,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[25,26],"class_list":["post-1412","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/1412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/5077"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=1412"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=1412"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=1412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}