{"id":1436,"date":"2020-08-18T14:53:15","date_gmt":"2020-08-18T12:53:15","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&p=1436"},"modified":"2022-02-18T10:43:03","modified_gmt":"2022-02-18T09:43:03","slug":"krasis","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/krasis\/","title":{"rendered":"Krasis"},"content":{"rendered":"\n
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Krasis<\/h1>\n\n\n\n

Alexandra Radulescu
& Annabelle Playe<\/h2>\n\n\n\n
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Performance <\/h4>\n\n\n\n

Production CHRONIQUES 2020<\/strong><\/p>\n<\/div>\n\n\n\n

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Krasis<\/em>, from the ancient Greek word, is the action of mixing or intertwining two or more things while keeping their quality intact. Movements, synchronies, offsets, overlaps.. Time becomes the canvas on which Krasis is composed.<\/strong><\/strong><\/p>\n\n\n\n

This notion redefines man\u2019s place inside of the universe, while all of its components, from the infinitely large to the infinitely small, are reconsidered. It is a question of altering our viewpoint towards the world, from being human to \u201cbeing worldly\u201d, a body that takes into account its surroundings – a living being embedded into the world. The world exists in all of its component bodies and each body is capable of transforming the world.<\/p>\n\n\n\n

The mixing that is specific to the krasis<\/em> state is also the breathing of the world, the atmosphere, the overall gasp of living matter, in which we breathe and in which we are immersed. This state has an effect on our relationship to time, and thus, to eternity. Krasis<\/strong> is an interactive performance. Each of the artists is working in a different media, but playing is interactive. By using a number of controllers connected to their respective devices, the actions of each are translated into information in both media. This allows for a dialogue between image and sound.<\/p>\n\n\n\n

The information flowing between the two systems is translated into meaningful changes describing a unified audiovisual composition and developing a common narrative. For example, the properties of the visual elements – appearance, movement, variations of surface and volume of the bodies appearing on the screen – are each associated to a specific sound print, like all bodies are in reality.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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