{"id":1443,"date":"2020-08-17T14:09:15","date_gmt":"2020-08-17T12:09:15","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=1443"},"modified":"2022-02-24T13:19:28","modified_gmt":"2022-02-24T12:19:28","slug":"haunted-telegraph","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/haunted-telegraph\/","title":{"rendered":"Haunted Telegraph"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">Haunted Telegraph, POUR UN IMAGINAIRE SONORE DE L&#8217;AU-DEL\u00c0<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">V\u00e9ronique B\u00e9land<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Generative installation<\/h4>\n\n\n\n<p><strong>Production CHRONIQUES 2020<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>The receiver of a sight telegraph is connected to sensors that expand the threshold of human perception; it reacts to variations found in its close surroundings.<\/strong><\/p>\n\n\n\n<p>This process involves the training of Artificial Intelligence in analyzing imperceptible phenomena on a human scale-electromagnetic waves evolving within the environment\u2014to detect meaning: speech, words, sentences\u2026<\/p>\n\n\n\n<p>The audience is first invited to listen to this strange machine as it transposes into audible frequencies the signal analyzed by the neural network: an evolving white noise, whose modulations are sometimes similar to the voice\u2019s formants. As occurrences are found, the viewer sees the telegraph being activated to transmit these messages from the invisible. All the machine\u2019s activity is recorded in a logbook, allowing spectators to consult the mysterious information captured by this device.<\/p>\n\n\n\n<p>If we seem to be trapped in the illusion of a single world, this generative installation attempts to reveal the fantasy of other possible worlds, either parallel or underlying this one. It relies on the promising technologies of the future to allow a new understanding of the present.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Production CHRONIQUES 2020 \u2605 Haunted Telegraph \u2605 V\u00e9ronique B\u00e9land\" src=\"https:\/\/player.vimeo.com\/video\/491548609?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-25-1024x684.jpg\" alt=\"\" class=\"wp-image-3748\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-25-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-25-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-25-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-25-1536x1026.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-25.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-1-1024x684.jpg\" alt=\"\" class=\"wp-image-3744\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-1-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-1-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-1-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-1-1536x1026.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-1.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-11-684x1024.jpg\" alt=\"\" class=\"wp-image-3746\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-11-684x1024.jpg 684w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-11-200x300.jpg 200w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-11-768x1150.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-11-1026x1536.jpg 1026w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-11.jpg 1202w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><figcaption>\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/haunted-telegraph\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/haunted-telegraph\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Haunted+Telegraph&amp;url=https:\/\/chroniques-biennale.org\/en\/haunted-telegraph\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/08\/10-11-20_Chroniques_Haunted-Telegraph_Veronique-Beland_21Bis_CREDIT_Pierre-Gondard_-13-1000x1000.png\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>V\u00e9ronique B\u00e9land <sup>(CAN)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"https:\/\/veroniquebeland.art\/\" target=\"_blank\">www.veroniquebeland.com<\/a><\/div><div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">Born in Quebec (Canada), V\u00e9ronique B\u00e9land has been living in France since 2010, where she graduated from the Studio national des arts contemporains le Fresnoy (Michael Snow <\/span><span style=\"font-weight: 400;\">Promotion, 2010-2012). She also holds a masters in visual and media arts from the Universit\u00e9 du Qu\u00e9bec at Montr\u00e9al. <\/span><span style=\"font-weight: 400;\">Her practice, which gravitates between media arts and literature, focuses on elusive <\/span><span style=\"font-weight: 400;\">phenomena on a human scale, in a constant attempt to explore what seems empty to reveal <\/span><span style=\"font-weight: 400;\">its content. Through various protocols of transcoding, which convoke both the worlds of art <\/span><span style=\"font-weight: 400;\">and science, her works seek to create contact between the perceptible and the <\/span><span style=\"font-weight: 400;\">imperceptible, from which a certain form of narrative emerges.<\/span><\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Computer programming-sound design and interactivity: Alexandre Burton (Artificiel)<br>Computer programming-Artificial Intelligence (deep learning): L\u00e9o Dubus<br>Plans drawing: Sophie Laroche<br>Ironwork: Strukenfer<br>Sensor production and telegraph mechanization: FabLab Les Usines<br>Coordination of scenography: FabLab Les Usines<\/p>\n\n\n\n<p><strong>Delegated production:<\/strong> Association AY128 &#8211; Les Usines, in co-production with Avatar (Quebec), Le Lieu Multiple &#8211; Espace Mend\u00e8s-France Poitiers and the CHRONIQUES platform, supported by the Conseil r\u00e9gional de la R\u00e9gion Sud, the City of Marseille and the French Institute in Paris, coordinated by SECONDE NATURE and ZINC.&nbsp;<\/p>\n\n\n\n<p>This project was supported by the Contrat de fili\u00e8re arts plastiques et visuels en Nouvelle-Aquitaine. With the support of the CCSTI\u2014R\u00e9seau n\u00e9o-aquitain de la culture scientifique.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":3748,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28,25],"class_list":["post-1443","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/1443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/3748"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=1443"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=1443"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=1443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}