{"id":1471,"date":"2020-08-24T16:23:38","date_gmt":"2020-08-24T14:23:38","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=1471"},"modified":"2022-02-24T13:22:32","modified_gmt":"2022-02-24T12:22:32","slug":"howto","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/howto\/","title":{"rendered":"Howto"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">Howto<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">\u00c9lisabeth Caravella<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Video<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong><em>Howto<\/em> is a video tutorial in which her creator learns us how to make a 3D text. But quickly, her undertaking get complicated, the software become out of control, she discovers that she is no more alone.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Howto - trailer\" src=\"https:\/\/player.vimeo.com\/video\/128066583?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/08\/HOWTO_Still_01_19-9-scaled.jpg\" alt=\"\" class=\"wp-image-1466\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/08\/HOWTO_Still_01_19-9-scaled.jpg 2560w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/08\/HOWTO_Still_01_19-9-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/08\/HOWTO_Still_01_19-9-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/08\/HOWTO_Still_01_19-9-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/08\/HOWTO_Still_01_19-9-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/08\/HOWTO_Still_01_19-9-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption>\u00a9 Elisabeth Caravella<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-38-1024x684.jpg\" alt=\"\" class=\"wp-image-3731\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-38-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-38-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-38-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-38-1536x1026.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-38.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/HOWTO_Still_03-1024x575.jpg\" alt=\"\" class=\"wp-image-3734\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/HOWTO_Still_03-1024x575.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/HOWTO_Still_03-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/HOWTO_Still_03-768x431.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/HOWTO_Still_03-1536x863.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/HOWTO_Still_03-2048x1150.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Elisabeth Caravella<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/howto\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/howto\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Howto&amp;url=https:\/\/chroniques-biennale.org\/en\/howto\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Elisabeth Caravella <sup>(FRA)<\/sup><\/h2><div class=\"artisteContent\"><p>\u00c9lisabeth Caravella is a French artist and filmmaker who lives and works in Paris. Self-taught, she interests from her adolescence by video, net art and computer graphics. A graduate of the European School of Image, Arts D\u00e9coratifs in Paris and Fresnoy, her work, inspired by cybernetic culture, is boundary between contemporary art and cinema.<\/p>\n<p>In exhibition or in festival (Shanghai Pearl Museum, La G\u00e9ode, Festival Premiers Plans, Festival Indielisboa, Palais de Tokyo, Liste Art Faire Basel, CENTQUATRE, Gait\u00e9 Lyrique, etc.), she makes video installations as well as experimental fictions carried by perform reinterpretations of codes and hybridity of genres such as Anonymous phone call (2009) a \u201cphotoshop film\u201d, A story without drama (2012) a documentary fiction, Howto (2014) a cinematographic tutorial several rewarded or Krisis (2019), machinima at the mark between FPS and virtual reality.<\/p>\n<p>In 2019, Elisabeth participates in the cyber-feminist exhibition Computer Grrrls and adapted Howto in an immersive installation.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p><strong>Production&nbsp;:<\/strong> Le Fresnoy, Studio National des arts contemporains<br><strong>Partner&nbsp;:<\/strong> Avec le soutien de la fondation d&#8217;entreprise Herm\u00e8s<br><strong>Direction&nbsp;:<\/strong> Elisabeth Caravella<br><strong>Motion capture&nbsp;:<\/strong> Studio Mocapab<br><strong>Choregraphy&nbsp;:<\/strong> Aina Alegre<br><strong>Voice&nbsp;: <\/strong>Elisabeth Caravella<br><strong>Pictures and&nbsp;editing :<\/strong> Elisabeth Caravella<br><strong>Editing et sound mix&nbsp;:<\/strong> Thomas Fourrel<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":1868,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28],"class_list":["post-1471","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/1471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/1868"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=1471"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=1471"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=1471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}