{"id":1501,"date":"2020-08-25T14:43:46","date_gmt":"2020-08-25T12:43:46","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=1501"},"modified":"2022-02-24T13:21:16","modified_gmt":"2022-02-24T12:21:16","slug":"zoryas","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/zoryas\/","title":{"rendered":"Zoryas"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">Zoryas<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">Claire williams<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Visual and sound installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong><strong>Six shapes rest in the center of a big flat disc. One recalls the amorphous pieces of silicon produced by the impact of lightning strike on sand, while the others may resemble tojellyfishes, corals or seaweedsliving in thedepths of unknown seas. Each one is filled of a matter-energy which shades and structure are unique.<\/strong><\/strong><\/p>\n\n\n\n<p>These six shapes are all different but they no doubt belong to the same class of objects, the same category of things. To physicists they recall the tubes used by Heinrich Geissler to experiment on the behavior of certain gases when electrical current flows through them. To those who visit shops in science museums they remind the luminous globes that react to touch. To explorers of the northern latitudes, they recall the aurora borealis. They are at once all of these and at the same time neither of them. They are filled with noble gases that compose the interstellar environment: argon, neon, krypton, xenon, nitrogen.<\/p>\n\n\n\n<p>They are made of the same matter of the sun: plasma. Plasma is the fourth state of matter, it composes 99 % of our visible universe but none of the 100 % of the one we evolve in. What is strange is to hear its activity as if it came from inside our bodies, when we place our elbows on the ring that surrounds the disc. The entire installation pulses to the rhythm of the sun\u2019s electromagnetic activity.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-14-1024x684.jpg\" alt=\"\" class=\"wp-image-3722\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-14-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-14-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-14-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-14-1536x1025.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-14-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-17-1024x684.jpg\" alt=\"\" class=\"wp-image-3724\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-17-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-17-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-17-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-17-1536x1026.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-17.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"509\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-19-1024x509.jpg\" alt=\"\" class=\"wp-image-3727\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-19-1024x509.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-19-300x149.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-19-768x382.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-19-1536x764.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03-12-20_Chroniques_Ghost-In-The-Machine_21-Bis_CREDIT_Pierre-Gondard_-19.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/zoryas\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/zoryas\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Zoryas&amp;url=https:\/\/chroniques-biennale.org\/en\/zoryas\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Claire Williams <sup>(BEL)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/claire.williams.9887\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/claire_wiwi\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"http:\/\/www.xxx-clairewilliams-xxx.com\/\" target=\"_blank\">http:\/\/www.xxx-clairewilliams-xxx.com\/<\/a><\/div><div class=\"artisteContent\"><p class=\"p1\">The artworks of Claire Williams take the form of woven antennas, glass sculptures filled with plasma or devices that sense the invisible.<\/p>\n<p class=\"p2\">Data of radio telescopes and scanners materialise themselves in knitted stitches, sound vibrations or through luminous plasma. She sculpts her electronic components to make visible the electromagnetic movements from the cosmos, through our magnetosphere, to radio waves that cross our terrestrial environment or the ones emanating from our bodies.<\/p>\n<p class=\"p2\">She is currently working on the exploration of ether, at the cross roads of experimental and occult science practices. In this way she explores our relationship to the world of the invisible and their instruments by reviving abandoned leads of certain scientific and researches of the mid 19th century.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p><strong>Production:<\/strong> &nbsp;Production Le Fresnoy, studio national des arts contemporains 2018-2019<\/p>\n\n\n\n<p>Supported by Wallonie-Bruxelles International and Centre Wallonie-Bruxelles I Paris (Saison Parall\u00e8le \/ Marseille 2020 and Hors les Murs &#8211; Constellations program)<\/p>\n\n\n\n<p><strong>Supports:<\/strong> <br>St\u00e9phane LOUIS<br>TeslaCoilRu<br>Baptiste De La Gorce<br>Observatoire Royal de Belgique &#8211; E-Callisto Network<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":3722,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28],"class_list":["post-1501","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/1501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/3722"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=1501"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=1501"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=1501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}