{"id":1540,"date":"2020-08-21T12:20:44","date_gmt":"2020-08-21T10:20:44","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=1540"},"modified":"2022-02-17T16:25:13","modified_gmt":"2022-02-17T15:25:13","slug":"the-world-after-the-rain","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/the-world-after-the-rain\/","title":{"rendered":"Le monde apr\u00e8s la pluie"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">le monde apr\u00e8s la pluie<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">EVA MEDIN<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Video installation<\/h4>\n\n\n\n<p><strong>Production CHRONIQUES 2020<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong><strong><strong><strong><strong><em>Le monde apr\u00e8s la pluie<\/em> is an initiatory tale, a choreographic and video fable inspired by both a science fiction book by Philippe Curval and a painting by Max Ernst.<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n<p>Through this immersive installation, the public follows a wandering hybrid entity, a mix of human, robot, mineral and plant. His melancholic stride and the slow transformation of his being, make him a symbolic facilitator to envision interdependent relationships between the living and the non-living, the visible and the invisible&#8230;<\/p>\n\n\n\n<p>Presented as a surrealist epic, <em>Le monde apr\u00e8s la pluie<\/em> provides the experience of a time suspended between past and future, between the material and the immaterial, a chance to consider other relationships with the world and the living and non-living which constitute it. What if accepting other life forms is the real odyssey of our time?<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Production CHRONIQUES 2020 \u2605 Le Monde Apr\u00e8s la Pluie \u2605 Eva Medin\" src=\"https:\/\/player.vimeo.com\/video\/491571337?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-1024x683.jpg\" alt=\"\" class=\"wp-image-3899\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/03_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Gregoire EDOUARD<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/05_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-1024x683.jpg\" alt=\"\" class=\"wp-image-3901\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/05_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/05_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/05_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/05_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Gregoire EDOUARD<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/06_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-1024x683.jpg\" alt=\"\" class=\"wp-image-3903\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/06_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/06_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/06_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/06_basse-def_SNZN_Le-monde-apras-la-pluie_Eva-Medin_\u220fGregoire-EDOUARD.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Gregoire EDOUARD<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/the-world-after-the-rain\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/the-world-after-the-rain\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Le+monde+apr%C3%A8s+la+pluie&amp;url=https:\/\/chroniques-biennale.org\/en\/the-world-after-the-rain\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Eva Medin <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"https:\/\/evamedin.format.com\/\" target=\"_blank\">evamedin.format.com<\/a><\/div><div class=\"artisteContent\"><p class=\"p1\">Eva Medin is a French artist born in 1988 in Rio de Janeiro. She studied scenography at the Beaux Arts of Monaco, where she developed a style linked to choreographic movement and worked with choreographers such as the Monte-Carlo Ballet and Mathilde Monnier. She then graduated from the Decorative Arts school of Paris where she delved deeper into this legacy of the body using videography.<\/p>\n<p class=\"p3\">Eva Medin has developed a multidisciplinary vocabulary, a mix of immersive installations, performances, sculptures and videos. A visual artist and videographer, her working method brings together scenography, film making and anticipatory literature, with one central question: how can fiction enable us to reappropriate our future?<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Creation produced in co-production with the CHRONIQUES platform, supported by the South Region, the City of Marseille and the French Institute in Paris, coordinated by SECONDE NATURE and ZINC.<\/p>\n\n\n\n<p><strong>Artistic collaborations:&nbsp;<\/strong><br>Dancer and choregraph:&nbsp;Calixto Netto.<br>Sculptures&nbsp;r\u00e9alized with <a href=\"https:\/\/antoineproux.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Antoine Proux<\/a>.<br>Video cinematographer \/ editing and writing assistance: &nbsp;<a href=\"http:\/\/elefde.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Guillaume de la Forest Divonne<\/a>.<br>Original music creation and sound effects: Micha Vanony (<a href=\"http:\/\/studiophebes.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">studio PHEBE\u2019S<\/a>).<br>Costume&nbsp;design: <a href=\"https:\/\/anaisheureaux.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Anais&nbsp;Heureaux<\/a>.<\/p>\n\n\n\n<p>With the support of DRAC \u00cele-de-France and Beaux-Arts from Marseille &#8211; White Mountain College residence.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":3899,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28,25],"class_list":["post-1540","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/1540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/3899"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=1540"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=1540"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=1540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}