{"id":1643,"date":"2020-08-31T13:55:27","date_gmt":"2020-08-31T11:55:27","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&p=1643"},"modified":"2022-02-24T13:30:08","modified_gmt":"2022-02-24T12:30:08","slug":"afterimage-for-tomorrow","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/afterimage-for-tomorrow\/","title":{"rendered":"Afterimage for tomorrow"},"content":{"rendered":"\n
\n

afterimage for tomorrow<\/strong><\/h1>\n\n\n\n

SINGING CHEN<\/h2>\n\n\n\n
\n
\n

Virtual reality<\/h4>\n<\/div>\n\n\n\n
\n

A man wakes up in an unknown dimension of consciousness. What is it that he sees, hears and feels? Is it memory, virtual reality or terminal lucidity?<\/strong><\/p>\n\n\n\n

We perceive the world through eyes, ears, nose, tongue, body and mind. These sensory is stored as memory in words, pictures, sounds and moving images. With fractions of the transcribed memories, we are capable of returning to a specific point in time, which is an act of distortion and overlaying of time and space. However memories aren\u2019t always reliable.<\/p>\n\n\n\n

In Afterimage for Tomorrow<\/em>, director Chen collaborates with choreographer Shu-Yi Chou to perform the ineffable in memories. This metafiction film sets in a futuristic world, where memories can be uploaded and perpetuated, thus leads to the discussion of what in life is worth storing. Persistence of Vision; when an object in rapid motion vanishes from sight, human brain creates a 0.1-0.4 seconds of optical illusion. How long will the images and memories we create today live in the future?<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
<\/div>\n\n\n\n
\n
\"\"
\u00a9 Singing Chen<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n

Share this event on social networks<\/p>\n\n\n