{"id":1722,"date":"2020-09-01T15:37:40","date_gmt":"2020-09-01T13:37:40","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=1722"},"modified":"2022-02-24T13:27:22","modified_gmt":"2022-02-24T12:27:22","slug":"moa","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/moa\/","title":{"rendered":"MOA"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong>MOA<\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">CHARLES AYATS, FRANCK WEBER, ALAIN DAMASIO, FR\u00e9D\u00e9RIC DESLIAS<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Augmented reality experience<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>Just your average day in 2040. Your personal assistant, MOA, lovingly tracks you everywhere you go. How long until you fight back?<\/strong><\/p>\n\n\n\n<p><em>MOA, My Own Assistant<\/em>, is an interactive augmented-reality story. Welcome to 2040. You have put your life in the hands of an OS which knows you by heart. Decisions, relationships, purchases: everything has become simple. It gently guides you through all the stimuli that unfold around you. Place your trust in it and earn citizen points: rack up enough and you can unlock the Premium plan.<\/p>\n\n\n\n<p>Science fiction? If only!<\/p>\n\n\n\n<p><strong>Special Jury Prize, Forum des Images 2020<\/strong><\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"666\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-30-1024x666.jpg\" alt=\"\" class=\"wp-image-3812\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-30-1024x666.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-30-300x195.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-30-768x499.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-30-1536x998.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-30.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-13-1024x684.jpg\" alt=\"\" class=\"wp-image-3816\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-13-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-13-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-13-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-13-1536x1026.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-13.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-14-1024x684.jpg\" alt=\"\" class=\"wp-image-3814\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-14-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-14-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-14-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-14-1536x1026.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/16-12-20_Chroniques_God-From-The-Machine_Office-du-Tourisme_CREDIT_Pierre-Gondard_-14.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/moa\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/moa\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=MOA&amp;url=https:\/\/chroniques-biennale.org\/en\/moa\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Charles Ayats <sup>(FRA)<\/sup><\/h2><div class=\"artisteContent\"><p>Author and designer, Charles Ayats designs interactive experiences to facilitate the transmission of knowledge, such as Type:Rider, He participated in the design of several web-documentaries for ARTE (Phi, Tati Express, Speedfarming 2050, Check-In, Pas si B\u00eates les Animaux). He adapted the comic strip SENS by Marc-Antoine Mathieu and continued his exploration of virtual realities with \u00ab The Scream \u00bb and 7 Lives, multi award-winning experimental fiction.<\/p>\n<\/div><\/div><\/div>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Franck Weber <sup>(FRA)<\/sup><\/h2><div class=\"artisteContent\"><p>Sound designer and composer, Franck Weber designs sound systems for non-linear places and works: video games, connected objects and interactive installations. He is a member of the experimental video game collective One Life Remains and participates as author and sound director in the creation of immersive works (Sens VR, The Scream VR, 7 Lives).<\/p>\n<\/div><\/div><\/div>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Alain Damasio <sup>(FRA)<\/sup><\/h2><div class=\"artisteContent\"><p>Alain Damasio\u2019s first long fiction was <em>La Zone du Dehors<\/em>, a futuristic novel dealing with a model of society under control on a democratic model. He was rewarded with the Grand Prize of Imaginary Writing in 2006, with <em>La Horde du Contrevent<\/em>, quoted as a must-read of French sci-fi books. He co founded the video game company DontNod In 2008. He lends his voice to Bora, a piece of music by Rone. In 2009, he wrote <em>La Rage du Sage<\/em> a poetic and political essay on our times, for the free single of the group Sliver. He published <em>Les Furtifs<\/em> in 2020 and collaborated with Yan P\u00e9chin in an album called\u00a0<em>Entrer dans la couleur<\/em>.<\/p>\n<\/div><\/div><\/div>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Franck Deslias <sup>(FRA)<\/sup><\/h2><div class=\"artisteContent\"><p>Frederic Deslias founded his company Le Clair obscur in 2001 and worked as a composer and sound creator. He collaborated with David Bob\u00e9e, M\u00e9d\u00e9ric Legros, Eric lacascade and worked for several cinema soundtracks. His work is now progressively moving towards interactive installations and sensitive travels (D\u00e9cadrages, Exo Territoires, Softlove). He participated as co-author to MOA and made a theatrical adaptation of Les Furtifs in 2020.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>MOA is an adaptation of the novel <em>Les Furtifs<\/em> by Alain Damasio. <br>Production : Red Corner, France T\u00e9l\u00e9visions, La Volte, Le Clair Obscur, Small Studio, Le Forum des images and the CHRONIQUES platform, supported by the Regional Council of the South Region, the city of Marseille and the French Institute in Paris, coordinated by SECONDE NATURE and ZINC.<br>With the support of the CNC et Normandie Images.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":3814,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28,25],"class_list":["post-1722","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/1722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/3814"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=1722"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=1722"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=1722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}