{"id":1914,"date":"2020-09-01T12:20:27","date_gmt":"2020-09-01T10:20:27","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=1914"},"modified":"2020-12-02T11:47:43","modified_gmt":"2020-12-02T10:47:43","slug":"genese-dun-paysage-meduse","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/genese-dun-paysage-meduse\/","title":{"rendered":"Gen\u00e8se d&#8217;un paysage m\u00e9dus\u00e9"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong>gen\u00e8se d&#8217;un paysage m\u00e9dus\u00e9<\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">fabien l\u00e9austic<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Photography<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>An invisible, elementary link connects us to all living things. Crossing time and space, deoxyribonucleic acid unites us with the world.<\/strong><\/p>\n\n\n\n<p>This project originates from an &#8220;Arts &amp; Sciences&#8221; residency carried out in 2019 at the &#8220;cell and gene engineering&#8221; laboratory of the RIGHT Institute in Besan\u00e7on. At that time, DNA became the artist&#8217;s new sculptural material. By manipulating this macromolecule and making it visible, he creates a new portrait technique. The result is clouds, floating forms in which we find the evanescence and the mystery of morphogenesis: DNA jellyfish. Through this practice, our identity is no longer the shape of our face, but rather a precipitate of our genome. This form is also found in the DNA jellyfish of a cat, a fern or a bacteria.<\/p>\n\n\n\n<p>By focusing on the shape of these &#8220;DNA jellyfish&#8221; and using them to build a virtual landscape, Fabien L\u00e9austic aspires to position humans on an equal footing with other members of the living world. May be this project will enable us to escape the anthropocentric vision of our relationship with our environment and explore our desire for immortality through digital memory.<\/p>\n\n\n\n<p>A NeuroMarseille and Arts Vivants production.<br>See also <a href=\"https:\/\/chroniques-biennale.org\/en\/event\/galerie-anne-marie-renan\/\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Practical Information<\/h4>\n\n\n\n<p class=\"noMarginBottom\"><strong>DATE<\/strong><\/p>\n\n\n\n<p>14 to 17 Jan. from 2 p.m to 6 p.m<\/p>\n\n\n\n<p>FREE<\/p>\n\n\n\n<p class=\"noMarginBottom\"><strong>PLACE<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/galerieparallax.fr\/\">Galerie Parallax<\/a>, Aix-en-Provence<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2362\" height=\"1575\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_3.jpg\" alt=\"\" class=\"wp-image-1727\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_3.jpg 2362w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_3-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_3-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_3-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_3-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_3-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><figcaption>\u00a9 Fabien L\u00e9austic<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1575\" height=\"2362\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_1.jpg\" alt=\"\" class=\"wp-image-1702\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_1.jpg 1575w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_1-200x300.jpg 200w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_1-683x1024.jpg 683w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_1-768x1152.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_1-1024x1536.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Gene\u0300se-dun-paysage-me\u0301duse\u0301_Fabien_Leaustic_1-1366x2048.jpg 1366w\" sizes=\"auto, (max-width: 1575px) 100vw, 1575px\" \/><figcaption>\u00a9 Fabien L\u00e9austic<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/genese-dun-paysage-meduse\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/genese-dun-paysage-meduse\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Gen%C3%A8se+d%27un+paysage+m%C3%A9dus%C3%A9&amp;url=https:\/\/chroniques-biennale.org\/en\/genese-dun-paysage-meduse\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/Portrait-Fabien-leaustic-par-Lea-Girardin-1-1000x1000.png\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Fabien L\u00e9austic <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.instagram.com\/fabien_leaustic\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"https:\/\/fabienleaustic.fr\/\" target=\"_blank\">fabienleaustic.fr<\/a><\/div><div class=\"artisteContent\"><p class=\"p1\">Born in Besan\u00e7on in 1985, Fabien L\u00e9austic has the particularity of being a graduate of both an engineering school and the National School of Decorative Arts in Paris. With the support of the DRAC Bourgogne-Franche-Comt\u00e9, he exhibits his work in France and abroad, in institutions (Palais de Tokyo, CENTQUATRE Paris, Center des arts Enghien les Bains, Casa de Velazquez Madrid, FRAC Franche-Comt\u00e9&#8230; ) and in independent structures (Vasarely Aix-en-Provence Foundation, Espace Pierre-Cardin Paris, etc.). After two years of residency at the Cit\u00e9 internationale des Arts in Paris, Fabien L\u00e9austic continued his research within the SACRe doctoral program (Sciences, Art, Creation, Research) funded by PSL (Paris Sciences Lettres). Fabien L\u00e9austic lives and works between Paris and Lons-le-Saunier in the Jura.<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Project initiated within the framework of an Arts &amp; Sciences residency at the University of Bourgogne-Franche-Comt\u00e9 &#8211; &#8220;cell and gene engineering&#8221; laboratory, the RIGHT Institute of Biochemistry and Molecular Biology (INSERM Unit UMR1098) in Besan\u00e7on .<\/p>\n\n\n\n<p>The images produced were the subject of a co-production between the residency and the Interface gallery in Dijon and with the support of the PSL (Paris Sciences et Lettres) research university&nbsp; &#8211; SACRe (sciences, arts, creation, research).<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":2226,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28],"class_list":["post-1914","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/1914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/2226"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=1914"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=1914"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=1914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}