{"id":1952,"date":"2020-09-02T09:28:06","date_gmt":"2020-09-02T07:28:06","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=1952"},"modified":"2022-02-18T10:44:36","modified_gmt":"2022-02-18T09:44:36","slug":"lithosys","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/lithosys\/","title":{"rendered":"Lithosys"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>LITHOSYS<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">ROCIO BERENGUER<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Interactive installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>What future for the human species? Far from the catastrophist scenarios carried by the media, Rocio Berenguer imagines a utopia, an interspecies meeting where the different kingdoms of living beings &#8211; human, animal, plant, mineral, machine &#8211; are invited to negotiate together around the possibilities of their coexistence.<\/strong><\/p>\n\n\n\n<p>The installation is an inter-species \/ intra-living communication system to communicate with all the various forms of terrestrial life.<\/p>\n\n\n\n<p>This system is based on the idea of using the Earth\u2019s magnetic field as a system and medium of communication between all lifeforms on Earth. The earth\u2019s magnetosphere is also made of the lithosphere, magnetized rocks on the earth\u2019s crust, among which the main one is called magnetite.<\/p>\n\n\n\n<p>By encoding and recording messages on magnetite, the Lythosys system allows to send information on the Earth\u2019s magnetic network. Each participant is asked to code a message on the stone.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Production CHRONIQUES 2020 \u2605 Lithosys \u2605 Rocio Berenguer\" src=\"https:\/\/player.vimeo.com\/video\/503012637?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2_LITHOSYS_ROCIO-BERENGUER-1024x576.jpg\" alt=\"\" class=\"wp-image-1741\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2_LITHOSYS_ROCIO-BERENGUER-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2_LITHOSYS_ROCIO-BERENGUER-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2_LITHOSYS_ROCIO-BERENGUER-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2_LITHOSYS_ROCIO-BERENGUER-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2_LITHOSYS_ROCIO-BERENGUER-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Rocio Berenguer<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1555\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/3_LITHOSYS_ROCIO-BERENGUER-scaled.jpg\" alt=\"\" class=\"wp-image-1743\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/3_LITHOSYS_ROCIO-BERENGUER-scaled.jpg 2560w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/3_LITHOSYS_ROCIO-BERENGUER-300x182.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/3_LITHOSYS_ROCIO-BERENGUER-1024x622.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/3_LITHOSYS_ROCIO-BERENGUER-768x466.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/3_LITHOSYS_ROCIO-BERENGUER-1536x933.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/3_LITHOSYS_ROCIO-BERENGUER-2048x1244.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption>\u00a9 Rocio Berenguer<\/figcaption><\/figure>\n\n\n\n<p>Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/lithosys\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/lithosys\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Lithosys&amp;url=https:\/\/chroniques-biennale.org\/en\/lithosys\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Rocio Berenguer <sup>(ESP)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/rocio.b.roldan.1\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/rocioberenguerroldan\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"https:\/\/rocioberenguer.com\/\" target=\"_blank\">rocioberenguer.com<\/a><\/div><div class=\"artisteContent\"><p>Born in 1987 in Spain, Rocio Berenguer has been living in France since 2012 and is interested in the major challenges and changes of our contemporary world &#8211; including the evolution of spaces of individual freedom within our society, the place of technology in our daily lives, environmental issues&#8230; Her creations are forward-looking fictions that explore the possibility of \u00abanother tomorrow\u00bb. They also implicitly refer to our contemporary neuroses.<\/p>\n<p>For each creation, Rocio begins a work of investigation and dialogue with scientists that generates a text that then matches with other materials, preferring to hybridize different mediums &#8211; text, dance, videos, digital art &#8211; rather than restrict herself to a single practice. The use of new technologies that are very present in her work is not a fascination but a desire to integrate them into poetic writing while questioning how these technologies, omnipresent in our lives, modify our interpersonal relationships.<\/p>\n<p>In the end, it is the body that is the centre and the point of convergence of her work. The body visited by the social codes of behaviour, the body at the centre of identity, representation and desire issues. The body threatened in its freedom and sovereignty by the arrangements of neocapitalism, the body as territory to be reclaimed.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Support:<\/p>\n\n\n\n<p>Hexagone Sc\u00e8ne Nationale Arts Sciences &#8211; Meylan and Atelier Arts Sciences, Grenoble<\/p>\n\n\n\n<p>Th\u00e9\u00e2tre Nouvelle G\u00e9n\u00e9ration, National Drama Center, Lyon<\/p>\n\n\n\n<p>Enghien-les-Bains Arts Center, publicly funded \u201cdigital writing\u201d performance space&nbsp;<\/p>\n\n\n\n<p>L\u2019EST, Grenoble<\/p>\n\n\n\n<p>NEMO, International Biennial of Digital Arts, Paris\/IDF<\/p>\n\n\n\n<p>LE CENTQUATRE, Paris<\/p>\n\n\n\n<p>AADN &#8211; Digital Arts and Culture, Lyon<\/p>\n\n\n\n<p>Scene 44, n + n Corsino, European performance space for choreographic creation and digital innovation, Marseille<\/p>\n\n\n\n<p>Le Cube, Issy les Moulineaux<\/p>\n\n\n\n<p>DICREAM, CNC &#8211; National Center for Cinematography and Animated Images<\/p>\n\n\n\n<p>Creation produced in co-production with the CHRONIQUES platform, supported by the South Region, the City of Marseille and the French Institute in Paris, coordinated by SECONDE NATURE and ZINC.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":1830,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28,25],"class_list":["post-1952","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/1952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/1830"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=1952"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=1952"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=1952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}