{"id":1954,"date":"2020-09-02T10:13:01","date_gmt":"2020-09-02T08:13:01","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=1954"},"modified":"2022-02-18T10:44:41","modified_gmt":"2022-02-18T09:44:41","slug":"coexistence","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/coexistence\/","title":{"rendered":"Coexistence"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>coexistence<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">ROCIO BERENGUER<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Show<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong><strong>What future for the human species? Far from the catastrophist scenarios carried by the media, Rocio Berenguer imagines a utopia, an interspecies meeting where the different kingdoms of living beings \u2013 human, animal, plant, mineral, machine \u2013 are invited to negotiate together around the possibilities of their coexistence.<\/strong><\/strong><\/p>\n\n\n\n<p><em>Coexistence<\/em> is a poem set on music and in dialogue between a human and an AI. A poetic text slammed. Between a concert, a theatrical text in a A\/V performance.<\/p>\n\n\n\n<p>The plot explores the coexistence between the various kingdoms of the G5 in the past, the present and the future. The audience is invited to vote in a dedicated application before entering the show. They have to give their opinion about how they consider their coexistence with the others species. In the begging of the show, the performer comments on the data of this referendum. In the end of the show, the audience is again invited to vote expressing their visions of the future. The data is calculated in realtime by the AI and generates a vision of the future in a 3D world.<\/p>\n\n\n\n<p>In this show she wanted to explore the various forms of coexistence between species that already exist, and to share with the audience, questions around how we imagine such coexistence in the future.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Practical Information<\/h4>\n\n\n\n<p class=\"noMarginBottom\"><strong>DATE<\/strong><\/p>\n\n\n\n<p>16 Jan. 2021 at 6 p.m. and 8 p.m.<br><\/p>\n\n\n\n<p>FREE<br>(reservation at scene44@nncorsino.com)<\/p>\n\n\n\n<p class=\"noMarginBottom\"><strong>PLACE<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.nncorsino.com\/fr\/\">SCENE44<\/a>, Sc\u00e8ne 44, P\u00f4le M\u00e9dia de la Belle de Mai, Marseille<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2832\" height=\"4240\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK1_CREDIT_Hector-Di-Napoli.png\" alt=\"\" class=\"wp-image-1747\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK1_CREDIT_Hector-Di-Napoli.png 2832w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK1_CREDIT_Hector-Di-Napoli-200x300.png 200w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK1_CREDIT_Hector-Di-Napoli-684x1024.png 684w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK1_CREDIT_Hector-Di-Napoli-768x1150.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK1_CREDIT_Hector-Di-Napoli-1026x1536.png 1026w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK1_CREDIT_Hector-Di-Napoli-1368x2048.png 1368w\" sizes=\"auto, (max-width: 2832px) 100vw, 2832px\" \/><figcaption>\u00a9 Hector Di Napoli<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4240\" height=\"2832\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK3_CREDIT_Hector-Di-Napoli.png\" alt=\"\" class=\"wp-image-1749\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK3_CREDIT_Hector-Di-Napoli.png 4240w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK3_CREDIT_Hector-Di-Napoli-300x200.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK3_CREDIT_Hector-Di-Napoli-1024x684.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK3_CREDIT_Hector-Di-Napoli-768x513.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK3_CREDIT_Hector-Di-Napoli-1536x1026.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/OK3_CREDIT_Hector-Di-Napoli-2048x1368.png 2048w\" sizes=\"auto, (max-width: 4240px) 100vw, 4240px\" \/><figcaption>\u00a9 Hector Di Napoli<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/coexistence\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/coexistence\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Coexistence&amp;url=https:\/\/chroniques-biennale.org\/en\/coexistence\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Rocio Berenguer <sup>(ESP)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/rocio.b.roldan.1\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/rocioberenguerroldan\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"https:\/\/rocioberenguer.com\/\" target=\"_blank\">rocioberenguer.com<\/a><\/div><div class=\"artisteContent\"><p>Born in 1987 in Spain, Rocio Berenguer has been living in France since 2012 and is interested in the major challenges and changes of our contemporary world &#8211; including the evolution of spaces of individual freedom within our society, the place of technology in our daily lives, environmental issues&#8230; Her creations are forward-looking fictions that explore the possibility of \u00abanother tomorrow\u00bb. They also implicitly refer to our contemporary neuroses.<\/p>\n<p>For each creation, Rocio begins a work of investigation and dialogue with scientists that generates a text that then matches with other materials, preferring to hybridize different mediums &#8211; text, dance, videos, digital art &#8211; rather than restrict herself to a single practice. The use of new technologies that are very present in her work is not a fascination but a desire to integrate them into poetic writing while questioning how these technologies, omnipresent in our lives, modify our interpersonal relationships.<\/p>\n<p>In the end, it is the body that is the centre and the point of convergence of her work. The body visited by the social codes of behaviour, the body at the centre of identity, representation and desire issues. The body threatened in its freedom and sovereignty by the arrangements of neocapitalism, the body as territory to be reclaimed.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Support:<\/p>\n\n\n\n<p>Hexagone Sc\u00e8ne Nationale Arts Sciences &#8211; Meylan and Atelier Arts Sciences, Grenoble<\/p>\n\n\n\n<p>Th\u00e9\u00e2tre Nouvelle G\u00e9n\u00e9ration, National Drama Center, Lyon<\/p>\n\n\n\n<p>Enghien-les-Bains Arts Center, publicly funded \u201cdigital writing\u201d performance space<\/p>\n\n\n\n<p>L\u2019EST, Grenoble<\/p>\n\n\n\n<p>NEMO, International Biennial of Digital Arts, Paris\/IDF<\/p>\n\n\n\n<p>LE CENTQUATRE, Paris<\/p>\n\n\n\n<p>AADN &#8211; Digital Arts and Culture, Lyon<\/p>\n\n\n\n<p>Scene 44, n + n Corsino, European performance space for choreographic creation and digital innovation, Marseille<\/p>\n\n\n\n<p>Le Cube, Issy les Moulineaux<\/p>\n\n\n\n<p>DICREAM, CNC &#8211; National Center for Cinematography and Animated Images<\/p>\n\n\n\n<p>Creation produced in co-production with the CHRONIQUES platform, supported by the South Region, the City of Marseille and the French Institute in Paris, coordinated by SECONDE NATURE and ZINC.<\/p>\n\n\n\n<p>Scientific collaborations:<\/p>\n\n\n\n<p>Dalla Bovet, Laboratory of Comparative Ethology and Cognition (LECD), Nanterre University&nbsp;<\/p>\n\n\n\n<p>Institute of Mineralogy<\/p>\n\n\n\n<p>Nicolas Menguy, Laboratory of Materials Physics and Cosmochemistry, Sorbonne University&nbsp;<\/p>\n\n\n\n<p>Pierre Beck, Grenoble Institute of Planetology and Astrophysics<\/p>\n\n\n\n<p>Veronique Auberger, LIG, Grenoble<\/p>\n\n\n\n<p>Emanuele Coccia, Philosopher (EHESS)<\/p>\n\n\n\n<p>Gael de Chalendar, CEA LIST, Text and Image Semantic Analysis Laboratory<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":1862,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28,25],"class_list":["post-1954","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/1954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/1862"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=1954"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=1954"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=1954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}