{"id":2027,"date":"2020-09-04T16:15:08","date_gmt":"2020-09-04T14:15:08","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=2027"},"modified":"2021-01-19T09:50:18","modified_gmt":"2021-01-19T08:50:18","slug":"somewhere-in-time","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/somewhere-in-time\/","title":{"rendered":"Nonlinear Science: Chaos"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong><strong>Nonlinear Science: Chaos<\/strong><\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">TSAI Yi-Ting<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>\u201cNonlinear Science: Chaos\u201d, along with the series of works\uff1a\u201cWeightlessness\u201d, \u201cAcceleration\u201d,, \u201cSomewhere in time\u201d, \u201cChaos\u201d, bases itself on the laws of physics, drawing an analogy between life and mechanical devices in perpetual motions.<\/strong><\/p>\n\n\n\n<p>The artist engages contemplation on the existence of human beings via a scientific approach. Through a miniature mechanism, a mode of operation of the world and between lives are presumed, in which a more macroscopic imagination for the history of an infinite process amidst the relationships of time, space, the world, and humans is proposed, conjecturing the induction process of unpredictable life into laws.<\/p>\n\n\n\n<p>The tension between motion and motionless of an object becomes a bizarre status out of the hovering power. The generation and stagnation of energy stays in the little spaces-time of the object. Pure physical phenomena and arithmetic of mechanical movement are employed in rebuttal of the very definition of life here: \u201cexistence is here and now\u201d, \u201cthe reason of humans lies in the difference from mechanism\u201d, \u201cwhat drives us\u201d, and \u201cChaos, in search of an order amidst the disorder.\u201d. From a microscopic point of view, the linear time given in the artwork demonstrates the chaotic state of life that is random and unpredictable. Nevertheless, in the repeated process of nesting, the artist found these unpredictable paths of life may potentially exist in a larger order and amidst a nonlinear relationship.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/17_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-1024x683.jpg\" alt=\"\" class=\"wp-image-3699\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/17_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/17_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/17_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/17_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/17_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Gregoire EDOUARD<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1709\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/\u6642\u9593\u88e1\u7684\u4ed6\u65b92-2-scaled.jpg\" alt=\"\" class=\"wp-image-2021\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/\u6642\u9593\u88e1\u7684\u4ed6\u65b92-2-scaled.jpg 2560w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/\u6642\u9593\u88e1\u7684\u4ed6\u65b92-2-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/\u6642\u9593\u88e1\u7684\u4ed6\u65b92-2-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/\u6642\u9593\u88e1\u7684\u4ed6\u65b92-2-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/\u6642\u9593\u88e1\u7684\u4ed6\u65b92-2-1536x1025.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/\u6642\u9593\u88e1\u7684\u4ed6\u65b92-2-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption>\u00a9 TSAI YI-TING<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/18_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-1024x683.jpg\" alt=\"\" class=\"wp-image-3697\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/18_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/18_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/18_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/18_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/18_haute-def_SNZN_Avons-nous-le-temps-pour-leternitC_\u220fGregoire-EDOUARD-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Gregoire EDOUARD<\/figcaption><\/figure>\n\n\n\n<p>Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/somewhere-in-time\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/somewhere-in-time\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Nonlinear+Science%3A+Chaos&amp;url=https:\/\/chroniques-biennale.org\/en\/somewhere-in-time\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>TSAI Yi-Ting <sup>(TWN)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"https:\/\/tsaiyiting.art\/\" target=\"_blank\">https:\/\/tsaiyiting.art\/<\/a><\/div><div class=\"artisteContent\"><p>A new media artist, TSAI Yi-Ting looks for a constant state of life in motion in mechanical devices, rationally handling the labor and alienation processes of human existence. With a chill, poetic approach, TSAI Yi-Ting deems the absolute precision of mechanical movement as an abstract language, conveying a living philosophy. Like a physics experiment, she seeks to make assumptions proposed under the non-linear logic self-defined. Further, amidst the macro and micro rumination over humanity in the space-time, the artist explores the medium of light and shadow that is an intangible existence.<\/p>\n<p>Recognized by the NTUA Outstanding New Media Art Award and the Top Prize of the 14th Taoyuan Contemporary Art Award, TSAI Yin-Ting was also invited to NEU NOW of the European League of Institutes of the Arts at Amsterdam. TSAI Yi-Ting harnesses mechanical elements as her creative medium and as a deeper inquisition into the meaning of life. Channeling her creative force of art, the artist instills energy of life into machines via the dynamics produced out of the combination of precise components and repetitive mechanical motions.<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>This project is kindly supported by Taiwan Contemporary Culture Lab.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":2021,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28],"class_list":["post-2027","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/2027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/2021"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=2027"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=2027"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=2027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}