{"id":2183,"date":"2020-09-08T16:39:27","date_gmt":"2020-09-08T14:39:27","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=2183"},"modified":"2022-02-24T13:33:56","modified_gmt":"2022-02-24T12:33:56","slug":"ubm-junior","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/ubm-junior\/","title":{"rendered":"UBM Junior"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">\u00dcBM Junior<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">MICHA\u00ebl CROS<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Interactive installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong><em>\u00dcBM Junior<\/em> is a mysterious electrical-vegetal creature the size of a baby. Installed in an incubator, this hybrid being waits for the time of care. How does it perceive its environment? What does it need to live? Let&#8217;s get closer\u2026<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3603-1024x678.jpeg\" alt=\"\" class=\"wp-image-2175\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3603-1024x678.jpeg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3603-300x199.jpeg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3603-768x509.jpeg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3603-1536x1017.jpeg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3603-2048x1357.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3618-1024x1024.jpeg\" alt=\"\" class=\"wp-image-2177\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3618.jpeg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3618-300x300.jpeg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3618-150x150.jpeg 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3618-768x768.jpeg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3618-1000x1000.jpeg 1000w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3618-360x360.jpeg 360w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3624-1024x678.jpg\" alt=\"\" class=\"wp-image-2179\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3624-1024x678.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3624-300x199.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3624-768x509.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3624-1536x1017.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/IMGP3624-2048x1356.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/ubm-junior\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/ubm-junior\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=UBM+Junior&amp;url=https:\/\/chroniques-biennale.org\/en\/ubm-junior\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Micha\u00ebl Cros <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/lametacarpe\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/lametacarpe\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"http:\/\/lametacarpe.com\/\" target=\"_blank\">http:\/\/lametacarpe.com\/<\/a><\/div><div class=\"artisteContent\"><p>Born in 1972, Michael Cros lives and works in Marseille, France. Transdisciplinary artist, he combines puppet art, contemporary dance and digital art in his work. His creations materialize on stage, on screen or in the form of an exhibition. Graduated from the Fine Arts of Marseille and Lyon, he joined La M\u00e9ta-Carpe in 2003.<\/p>\n<p>Year after year, he developed technical skills linked to the mediums he uses. He also acquired expertise in directing artistic projects and in implementing collaborative and creative processes, notably with the TJP CDN of Strasbourg-Grand Est and its Rencontres Internationales Corps Objet Image. Influenced by the Ecological Humanities, he affirms the art-science dimension of his creations by inviting anthropologists, ethologists, and philosophers to join his artistic teams. Because sharing knowledge is important to him, he often invites different types of audiences: children, students, disabled people, amateurs of all ages, to contribute in his artistic reflections and actions.<\/p>\n<p>For more than ten years, a figure has regularly returned in his work, made up of hybrid, mechanized, and vegetal bodies: the Dark People. In a more and more worrying environmental context, he questions with these strange creatures our human condition, as well as our links with existing others, whatever their scale. Between threatened species, would there be a common future to invent?<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>\u00dcBM Junior artistic team:<br>Micha\u00ebl Cros, coordinator artist<br>Sylvain Delbart, digital scenography<br>Benjamin Gibert, sound design<br>Rodrigo Morales Pomarat, designer and fab lab engineer<br>Mario Mathis, set builder<br>With the support of:<br>Sandra and Gaspard B\u00e9bi\u00e9 Val\u00e9rian in Ganges<br>Maxence Grugier and the Shadok Team in Strasbourg<\/p>\n\n\n\n<p>Thanks to:<br>Researchers Alice Lenay and Igor Deschamps<br>Engineers Germain Brugnon, Louis Louche, Maxime Malgrat, Benjamin Maury and Julien Sipra for the development of BB Sombre in 2011<br>The T\u00caTES DE L\u2019ART team and Louise de Marrillac School in Allauch<br>Beno\u00eet Degrave and La Ligue de l&#8217;Enseignement du 04<br>Agn\u00e8s Chaoul and the Terminale bac pro GMNF 2019-2020 class at Carmejane agricultural school in Digne<br>Pierre Teuler and the Seconde 2019-2020 class at Lyc\u00e9e Pierre Gilles de Gennes &#8211; general and technological high school in Digne Les Bains<br>Renaud Herbin and the TJP CDN Strasbourg-Grand Est team<br>The AADN team and the Salle des Rancy in Villeurbanne<\/p>\n\n\n\n<p>Coproduction:<br>Ardenome and Le Totem, Avignon<br>Th\u00e9\u00e2tre Massalia and CHRONIQUES, Biennale des Imaginaires Num\u00e9riques, Marseille<br><br>Supports and partnership:<br>DRAC PACA and Rouvrir le Monde<br>COAL &#8211; vivant, une saison culturelle de la biodiversit\u00e9<\/p>\n\n\n\n<p>Residency support:<br>Dans les Parages, Marseille<br>Les Ateliers Eclair\u00e9s, Strasbourg<\/p>\n\n\n\n<p>Administration and development:<br>in\u20198 circle<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":2179,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28],"class_list":["post-2183","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/2183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/2179"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=2183"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=2183"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=2183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}