{"id":2287,"date":"2020-09-08T14:16:04","date_gmt":"2020-09-08T12:16:04","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=2287"},"modified":"2021-01-19T09:46:25","modified_gmt":"2021-01-19T08:46:25","slug":"les-jardins-cybernetiques","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/les-jardins-cybernetiques\/","title":{"rendered":"Les jardins cybern\u00e9tiques"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\">Les Jardins Cybern\u00e9tiques<\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">DONATIEN AUBERT<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Plastic and video installation<\/h4>\n\n\n\n<p><strong>Creation CHRONIQUES 2020<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>Technoscientific modernity has disrupted the relationship humans have with life and the environment in which they live. <em>Les jardins cybern\u00e9tiques<\/em> installation provides an overview of these disruptions and highlights the consequences for the development of contemporary societies.<\/strong><\/p>\n\n\n\n<p>The project shows how our mental representations of living things have been transformed by the dissemination of digital technologies in the environment and how, in turn, these technologies play a part in reshaping it.<\/p>\n\n\n\n<p><em>Les jardins cybern\u00e9tiques <\/em>is centered on a short film of computer generated images aiming to reframe these historical issues. It is accompanied by several modules highlighting the growing role of IT in environmental regulation and its imaginary: plant holding chrysalises, made of metal and plexiglass, emit sounds of nature disturbed, in the presence of visitors, by an electronic composition; a greenhouse shaped like a space capsule contains more vegetation; all in the presence of models of plants species (as 3D prints and computer rendered images) that have disappeared since the beginning of the industrial revolution.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/Donatien-1024x682.png\" alt=\"\" class=\"wp-image-3858\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/Donatien-1024x682.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/Donatien-300x200.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/Donatien-768x512.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/Donatien.png 1276w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Donatien Aubert<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7375-1024x682.png\" alt=\"\" class=\"wp-image-3856\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7375-1024x682.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7375-300x200.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7375-768x512.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7375.png 1276w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Donatien Aubert<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7852-1024x683.png\" alt=\"\" class=\"wp-image-3863\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7852-1024x683.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7852-300x200.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7852-768x512.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7852-1536x1024.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7852-2048x1365.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Donatien Aubert<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7480.tif\" alt=\"\" class=\"wp-image-3867\"\/><figcaption>\u00a9 Donatien Aubert<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7515-683x1024.png\" alt=\"\" class=\"wp-image-3865\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7515-683x1024.png 683w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7515-200x300.png 200w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7515-768x1152.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7515-1024x1536.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/IMG_7515-1365x2048.png 1365w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption>\u00a9 Donatien Aubert<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/les-jardins-cybernetiques\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/les-jardins-cybernetiques\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Les+jardins+cybern%C3%A9tiques&amp;url=https:\/\/chroniques-biennale.org\/en\/les-jardins-cybernetiques\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Donatien Aubert <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.facebook.com\/donatien.aubert\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/in\/donatien-aubert\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.instagram.com\/donatienaubert\/\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><a href=\"http:\/\/www.donatienaubert.com\/\" target=\"_blank\">http:\/\/www.donatienaubert.com\/<\/a><\/div><div class=\"artisteContent\"><div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Donatien Aubert is an artist, researcher and author. He produces hybrid works questioning in a technocritical perspective the sources of digital cultures.<\/p>\n<p>He is a graduate of the E\u0301cole nationale supe\u0301rieure d&#8217;Arts de Paris-Cergy and of the Faculty of Arts and Humanities of Sorbonne University (PhD in comparative literature) and was a researcher for three years at EnsadLab (the Laboratory of the E\u0301cole nationale supe\u0301rieure des arts de\u0301coratifs).<\/p>\n<p>He has been exhibited in several biennials (Ne\u0301mo, Chroniques) and his work has been presented internationally (Taipei, Kyoto, Moscow, Lausanne, and Esch Belval in 2022, in Luxembourg). He is the winner of the CNAP photographic commission &#8220;Image 3.0&#8221; in 2020. He is represented by the Odile Ouizeman Gallery in Paris.<\/p>\n<p>He is published by E\u0301ditions Hermann (Vers une disparition programmatique d&#8217;Homo sapiens?, 2017) and has participated in scientific works, such as L&#8217;art de la me\u0301moire et les images mentales (2018), by E\u0301ditions du Colle\u0300ge de France.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Design, writing and realization of the project: Donatien Aubert<br>Narrator: Anne-Sophie Bailly<br>Sound recording: Melodium Studio, Montreuil<\/p>\n\n\n\n<p>Creation produced by CHRONIQUES, Biennale of Digital Imagination, imagined by SECONDE NATURE and ZINC.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"featured_media":3863,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28,29],"class_list":["post-2287","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/2287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/3863"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=2287"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=2287"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=2287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}