{"id":2491,"date":"2020-09-30T14:11:05","date_gmt":"2020-09-30T12:11:05","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=2491"},"modified":"2022-03-22T10:30:36","modified_gmt":"2022-03-22T09:30:36","slug":"continuum","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/continuum\/","title":{"rendered":"Continuum"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>continuum<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">F\u00c9LICIE D\u2019ESTIENNE D\u2019ORVES and ELIANE RADIGUE<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Projection<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default\"><strong><em>Continuum\u00a0<\/em>by F\u00e9licie d\u2019Estienne d\u2019Orves is a\u00a0film of a sunset on Mars. <\/strong><\/p>\n\n\n\n<p class=\"is-style-default\">Her immersive installation based on images of the Red Planet shows the sun setting to the score of seminal electronic composer \u00c9liane Radigue\u2019s\u00a0<em>Koum\u00e9 (Trilogie de la mort). Continuum\u00a0<\/em>plays with the idea of optical and cosmic illusion : on Mars so on Earth, the sun never sets.<\/p>\n\n\n\n<p class=\"is-style-default\"><em>Sean Rose, author and art critic&nbsp;<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"617\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2018_Continuum_FelicieEstienneOrves_CREDIT_Pierre-Gondard_-85-1024x617.jpg\" alt=\"\" class=\"wp-image-2489\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2018_Continuum_FelicieEstienneOrves_CREDIT_Pierre-Gondard_-85-1024x617.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2018_Continuum_FelicieEstienneOrves_CREDIT_Pierre-Gondard_-85-300x181.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2018_Continuum_FelicieEstienneOrves_CREDIT_Pierre-Gondard_-85-768x463.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2018_Continuum_FelicieEstienneOrves_CREDIT_Pierre-Gondard_-85-1536x925.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/09\/2018_Continuum_FelicieEstienneOrves_CREDIT_Pierre-Gondard_-85-2048x1234.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>Continuum<\/em>, F\u00e9licie d&#8217;Estienne d&#8217;Orves &amp; Eliane Radigue, Biennale of Digital Imagination 2018 \u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/continuum\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/continuum\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Continuum&amp;url=https:\/\/chroniques-biennale.org\/en\/continuum\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artiste<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>F\u00e9licie d&#8217;Estienne d&#8217;Orves <sup>(FRA)<\/sup><\/h2><div class=\"artisteContent\"><p class=\"p1\">Born in Athens in 1979, F\u00e9licie d\u00b4Estienne d\u00b4Orves lives and works in Paris.<\/p>\n<p class=\"p1\">A plastic artist whose chosen material is light, her installations and performances call on a phenomenological knowledge of reality and question the conditioning of our vision.<span class=\"Apple-converted-space\">\u00a0 <\/span>Light is both the tool and the subject of her work. She is interested in defining the physical and cosmological limits of space, through light and its speed.<\/p>\n<p class=\"p3\">Her work has been presented at the Centre Pompidou &#8211; Nuit Blanche &#8211; Le Centquatre 104 (Paris) &#8211; Le Fresnoy Sc\u00e8ne Nationale (Tourcoing) &#8211; La Friche Belle de Mai (Marseille) &#8211; Chemin\u00e9e EDF (Le Havre) &#8211; Abbaye de Maubuisson (Saint-Ouen-l&#8217;Aum\u00f4ne) &#8211; Watermans Arts Center (London) &#8211; New Art Space\/Sonic Acts (Amsterdam) &#8211; TBA Teatro do Bairro Alto (Lisbon) &#8211; Ars Electronica (Linz) &#8211; Elektra Festival (Montreal) &#8211; Day For Night (Houston) &#8211; OCAT (Shanghai) &#8211; Aram Art Museum (Goyang\/Korea)\u2026<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":2489,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[51],"class_list":["post-2491","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/2491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/2489"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=2491"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=2491"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=2491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}