{"id":26740,"date":"2024-06-06T11:48:31","date_gmt":"2024-06-06T09:48:31","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/1-drop-1000-years\/"},"modified":"2024-11-20T11:57:17","modified_gmt":"2024-11-20T10:57:17","slug":"1-drop-1000-years","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/1-drop-1000-years\/","title":{"rendered":"1 Drop 1000 Years"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">1 Drop 1000 Years<\/h1>\n\n\n\n<h2 class=\"wp-block-heading is-style-default\">Martin Messier (QC\/CA)<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFO :<\/h5>\n\n\n\n<p>Grand Plateau <br>Friche la Belle de Mai <br><strong>7 nov. 2024 :<\/strong> <strong>7pm, 9.30pm<\/strong> <br>Duration: 30 min <br>Free on reservation<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/billetterie.chroniques-biennale.org\/event\/421118-de-construct-1-drop-1000-years\" target=\"_blank\" rel=\"noreferrer noopener\">Reservation<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Homeostasis is a fundamental process for the balance of life. By allowing an organism to maintain an appropriate temperature according to the conditions in which it evolves, it is both a symbol of adaptation and durability. In 2022, curator Jaehoon Bang asked Martin Messier to reflect on this phenomenon through the creation of an original performance.<\/p>\n\n\n\n<p>The Global Conveyor Belt is a huge ocean stream called the thermohaline loop, it stirs up the waters of the five oceans and conveys heat on a global scale. Carried by the currents of this deep circulation loop, a drop of water crosses the globe in less than a thousand years and, in so doing, sculpts the world: with it travels nutrients, heat and animals, thus regulating the entire climate and ecosystems of our planet. We know for sure that this current has been slowing down abnormally for more than 200 years because of human activity, and if this deregulation <\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"26587\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-9-square-1024x1024.jpg\" alt=\"\" class=\"wp-image-26587\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-9-square-1024x1024.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-9-square-300x300.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-9-square-150x150.jpg 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-9-square-768x768.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-9-square-1536x1536.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-9-square-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Martin Messier<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"26744\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-7-1024x576.png\" alt=\"\" class=\"wp-image-26744\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-7-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-7-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-7-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-7-1536x864.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-7-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Martin Messier<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-1-1024x576.png\" alt=\"\" class=\"wp-image-26591\" style=\"width:1208px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-1-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-1-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-1-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-1-1536x864.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1-drop-1000-years-project-by-the-artist-Martin-Messier-curator-Jay-Jaehoon-Bang-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Martin Messier<\/figcaption><\/figure>\n\n\n\n<div style=\"height:37px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A Quebec vitrine co-produced with Molior, with the support of the Conseil des arts et des lettres du Qu\u00e9bec and the Minist\u00e8re de la Culture et des Communications du Qu\u00e9bec.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"509\" data-id=\"28827\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png\" alt=\"\" class=\"wp-image-28827\" style=\"width:107px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png 600w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png-300x255.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"309\" data-id=\"28700\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png\" alt=\"\" class=\"wp-image-28700\" style=\"width:216px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-300x91.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-768x232.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1536x464.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-2048x618.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:37px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artistes<\/h4>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                        <a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/martin-messier-qc-ca\/\">\n            \n                        <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/biography-picture_creditmartinmessier.jpg\" width=\"1920\" height=\"1080\" alt=\"\" class=\"lazyload\" \/>\n            \n            \n                        <\/a>\n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/martin-messier-qc-ca\/\">Martin Messier (QC-CA)<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>For over fifteen years, Martin Messier has been creating works that combine sound art, light, robotics and video. In the form of performances and installations, his creations bring the presence of the body to the fore.<\/p>\n<p>After studying composition at the Universit\u00e9 de Montr\u00e9al, he turned to an experimental sound practice that integrates the video image. He soon began creating performative audiovisual devices that call into question everyday objects and the sound potential of materials.<\/p>\n<p>His productions have been presented in some fifty countries and have earned him numerous awards and nominations, including the World OMOSIROI Award in Japan in 2018 and, in 2021, 2nd prize at the Athens Digital Arts Festival.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Credits and mentions<\/h3>\n\n\n\n<p class=\"has-small-font-size\">Director, performance, lighting and music: Martin Messier. <br>Curator: Jae Bang. <br>Production: 14 lieux, Inscape, Mutek. <br>Creative and technical coordination assistant: Lilian Guiran. <br>External consultants: Nathana\u00ebl L\u00e9caud\u00e9 (Electronics), Joseph Battesti (Engineering). <br>Development Manager: Abiga\u00eblle Paris\u00e9. <\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\">With the support of the Conseil des arts et des lettres du Qu\u00e9bec, Canada Council for the Arts, Conseil des Arts de Montr\u00e9al.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":26590,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[26],"class_list":["post-26740","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/26740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/26590"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=26740"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=26740"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=26740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}