{"id":2743,"date":"2020-10-02T09:57:38","date_gmt":"2020-10-02T07:57:38","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=2743"},"modified":"2021-01-19T09:43:22","modified_gmt":"2021-01-19T08:43:22","slug":"la-chute","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/la-chute\/","title":{"rendered":"La Chute"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>La Chute<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps wp-block-heading\">BORIS LABBE<\/h2>\n\n\n\n<div class=\"wp-block-columns singleOeuvreTopRow is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Video installation<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>As celestial beings descend to Earth vitiating its population, the world\u2019s order unbalances. Initiated by these terms, a tragic fall leads to the parturition of crucial opposites: Hell and Heaven\u2019s circles.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreInfosRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column infosPratiquesBlock is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/36_basse-def_SNZN_Expo_Que-voulons-nous-faire-pousser-sur-les-ruines_\u220fGregoire-EDOUARD-1024x576.png\" alt=\"\" class=\"wp-image-3836\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/36_basse-def_SNZN_Expo_Que-voulons-nous-faire-pousser-sur-les-ruines_\u220fGregoire-EDOUARD-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/36_basse-def_SNZN_Expo_Que-voulons-nous-faire-pousser-sur-les-ruines_\u220fGregoire-EDOUARD-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/36_basse-def_SNZN_Expo_Que-voulons-nous-faire-pousser-sur-les-ruines_\u220fGregoire-EDOUARD-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/12\/36_basse-def_SNZN_Expo_Que-voulons-nous-faire-pousser-sur-les-ruines_\u220fGregoire-EDOUARD.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Gregoire EDOUARD<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1125\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/OKLa-Chute_Boris-Labbe\u0301_2.png\" alt=\"\" class=\"wp-image-2722\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/OKLa-Chute_Boris-Labbe\u0301_2.png 2000w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/OKLa-Chute_Boris-Labbe\u0301_2-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/OKLa-Chute_Boris-Labbe\u0301_2-1024x576.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/OKLa-Chute_Boris-Labbe\u0301_2-768x432.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/OKLa-Chute_Boris-Labbe\u0301_2-1536x864.png 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><figcaption>\u00a9 Boris Labb\u00e9&nbsp;<\/figcaption><\/figure>\n\n\n\n<p class=\"noMarginBottom\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/la-chute\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/la-chute\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=La+Chute&amp;url=https:\/\/chroniques-biennale.org\/en\/la-chute\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreArtistsRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Boris Labb\u00e9 <sup>(FR)<\/sup><\/h2><div class=\"artisteContent\"><p>Born in 1987 in Lannemezan, France, Boris Labb\u00e9 is an artist and animation film director working between France and Spain. His art comes through several forms: short films, audiovisual concerts and video installations. He collaborates with Sacrebleu Productions since 2013. His short film The Fall is selected in special screenings at the 57th Semaine de la Critique.<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group oeuvreCreditsRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Production: Sacrebleu Productions<br>Producer: Ron Dyens<br>Author, director: Boris Labb\u00e9<br>Facilitators: Boris Labb\u00e9, Armelle Mercat, Hugo Bravo, Capucine Latrasse<br>Sound director: Daniele Ghisi<br>Sound mix: R\u00e9gis Diebold<br>Compositing : Boris Labb\u00e9, Sami Guella\u00ef<br>Production director: Manon Messiant<br>Animation technics: Indian ink, watercolors, 2D paper animation, After Effects<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":3839,"menu_order":0,"template":"","edition":[20],"type_oeuvre":[28],"class_list":["post-2743","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/2743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/3839"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=2743"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=2743"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=2743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}