{"id":29064,"date":"2024-07-15T10:59:52","date_gmt":"2024-07-15T08:59:52","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/faces\/"},"modified":"2025-02-13T14:02:08","modified_gmt":"2025-02-13T13:02:08","slug":"faces","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/faces\/","title":{"rendered":"Faces"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading is-style-default\">Faces<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Iregular (QC\/CA)<\/h2>\n\n\n\n<p>Interactive portraits<\/p>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\"><strong>PRATICAL INFO<\/strong><\/h5>\n\n\n\n<p>8 and 9 November 2024 <br>7pm &gt; 11pm<\/p>\n\n\n\n<p>Place des Pr\u00eacheurs <br>Aix-en-Provence <\/p>\n\n\n\n<p>Free entrance<\/p>\n\n\n\n<p class=\"has-small-font-size\">Programme presented as part of the Biennale d&#8217;Aix<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><span style=\"font-weight: 400;\"><em>FACES<\/em> is an interactive installation that uses Artificial Intelligence to track the facial traits of participants standing in front of a screen and then unify and align them to create an ever-changing 3D portrait of a single digital being.<\/span><\/p>\n\n\n\n<p>The experience is divided into 3 chapters, each one exploring the volumetry of the face, analyzing its features to create different visuals.<\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">An eerie amalgamation of images from strange dreams, <em>FACES<\/em> reminds us of the importance of physical connections by creating collective humans made up from bits and pieces of all participants. It allows us to be linked to complete strangers through profound blending of our skins, eyes, mouths, and every other feature of our infinitely varied faces.<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FACES_by-Iregular_3-1-1024x576.jpg\" alt=\"\" class=\"wp-image-27970\" style=\"aspect-ratio:16\/9;object-fit:cover\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FACES_by-Iregular_3-1-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FACES_by-Iregular_3-1-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FACES_by-Iregular_3-1-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FACES_by-Iregular_3-1-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FACES_by-Iregular_3-1-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Iregular<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                        <a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/daniel-iregui\/\">\n            \n                        <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Daniel-Iregui_credit_WilliamArcand-1-scaled.jpg\" width=\"1507\" height=\"2260\" alt=\"\" class=\"lazyload\" \/>\n            \n            \n                        <\/a>\n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/daniel-iregui\/\">Daniel Iregui<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>Born in Bogot\u00e1 in 1981, Daniel Iregui lives and produces his work in Montreal. Iregui&#8217;s work employs technology as a vehicle for a new visual language. He works with the infinite, random combinations that digital systems can produce when manipulated by the public. He is the founder of Iregular, a studio focused on interactive content, founded in 2010. Iregular is a Montreal-based digital art studio that creates audiovisual installations, large-scale sculptures, architectural projections and scenographies, with a focus on interactive and immersive experiences.<br \/>\nAt the crossroads of art and technology, these works experiment with geometry, light, sound, typography, mathematics, algorithms, communication protocols, AI and machine learning. Iregular also develops its own proprietary technologies.<br \/>\nThe studio works with the infinite, random combinations produced by interactive systems that the audience ends up influencing and transforming. Interaction is at the heart of everything. Only the relationship between the public and the installation finalizes the work and gives it meaning. Iregular has a catalog of over 50 artworks that have toured in nearly 30 countries, and has received a long list of awards and prizes for the design, technology and creativity of its productions.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.3%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\"><br>Work presented by CHRONIQUES \u2013 Biennale des Imaginaires Num\u00e9riques, in coproduction with Molior and Seconde Nature, with support from the Conseil des arts et des lettres du Qu\u00e9bec and the Minist\u00e8re de la Culture et des Communicatons du Qu\u00e9bec.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"509\" data-id=\"28826\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png\" alt=\"\" class=\"wp-image-28826\" style=\"width:99px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png 600w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png-300x255.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"309\" data-id=\"28699\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png\" alt=\"\" class=\"wp-image-28699\" style=\"width:210px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-300x91.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-768x232.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1536x464.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-2048x618.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n","protected":false},"featured_media":27971,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[136],"class_list":["post-29064","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27971"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29064"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29064"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}