{"id":29080,"date":"2024-07-08T14:44:52","date_gmt":"2024-07-08T12:44:52","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/loops-of-the-loom\/"},"modified":"2024-09-18T11:28:16","modified_gmt":"2024-09-18T09:28:16","slug":"loops-of-the-loom","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/loops-of-the-loom\/","title":{"rendered":"Loops of the loom"},"content":{"rendered":"\n
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Loops of the loom<\/h1>\n\n\n\n

C\u00e9cile Babiole<\/h2>\n\n\n\n

Exhibition, installation, visual arts, digital art, sound art<\/p>\n<\/div>\n\n

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PRACTICAL INFORMATION<\/h5>\n\n\n\n

Oct. 11, 2024 to Jan. 19, 2025<\/strong>Opening Oct. 11, 2024 at 6 pm<\/strong>Oct. 12 to 14<\/strong>10 am > 12:30 pm and 1:30 pm > 6 pm<\/strong>From Oct. 15<\/strong>10am > 12:30pm and 1:30pm > 5pm<\/strong>Open daily except Tues.<\/strong><\/p><\/p>\n\n\n\n

Mus\u00e9e des TapisseriesAix-en-Provence<\/p><\/p>\n<\/div>\n\n\n\n

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Loops of the loom<\/em> is an exhibition by C\u00e9cile Babiole presenting a new body of work developed during a residency at LABgamerz. Through both anthropological and technological research into weaving, the artist proposes a contemporary reflection and experience around the practices that underpin the historic tapestry collection in the former Archbishop’s Palace. Drawing inspiration from the weavings of prehistoric matriarchal societies and the magnetic RAMs of early computers, Babiole weaves electrical wires capable of transmitting audio signals and translating patterns into sound scores; with the aid of a GPS, she weaves a soccer pitch that she runs up and down; she also weaves a radio antenna to broadcast the exhibition’s audio guide… A techno-feminist approach to this knowledge and know-how, often invisible and relegated to the status of decoration.<\/p><\/p>\n<\/div>\n<\/div>\n\n

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Artists<\/h4>\n
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C\u00e9cile Babiole<\/a><\/h2>\n
https:\/\/babiole.net\/projects<\/a><\/div>\n\n \n \n

C\u00e9cile Babiole has been active in the field of music and electronic and digital arts since the 80s. Her creations combine visual and sound arts in installations and performances that question technologies with irony and singularity. Her latest work focuses on language, its transmission, dysfunctions, reading, translation and algorithmic manipulation. In 2016, she co-founded the Roberte la Rousse collective, a cyberfeminist group working on language, gender and technology. She is a member of the artist-curator collective \u201cLe sans titre\u201d.<\/p>\n

She is also an exhibition curator. Her latest exhibition: Hadaly et Sowana, cyborgs et sorci\u00e8res<\/i> at L’Espace Gantner, Bourogne (2019-2020). Her work has been exhibited internationally: Centre Pompidou, Ga\u00eet\u00e9 Lyrique – Paris, IMAL – Brussels, Mutek, Elektra – Montreal, Fact – Liverpool, MAL – Lima, NAMOC – Beijing, … and awarded numerous prizes and grants: Ars Electronica, Locarno, Prix SCAM, Bourse Pierre Schaeffer, Bourse Villa M\u00e9dicis hors les murs, Transmediale Berlin, Stuttgart Expanded Media Festival…<\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n\n

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Credits & mentions<\/h4>\n<\/div>\n\n\n\n
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A program imagined and produced by LABgamerz<\/a>.As part of the Biennale d’Aix and the Biennale des Imaginaires Num\u00e9riques.With the support of Espace Multim\u00e9dia Gantner.In partnership with the Mus\u00e9e des Tapisseries, Anonymal and Radio Zinzine.<\/p><\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":27642,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[28],"class_list":["post-29080","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27642"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29080"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29080"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}