{"id":29096,"date":"2024-07-03T15:18:38","date_gmt":"2024-07-03T13:18:38","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/charnelles-interbioformae\/"},"modified":"2025-02-26T16:32:02","modified_gmt":"2025-02-26T15:32:02","slug":"charnelles-interbioformae","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/charnelles-interbioformae\/","title":{"rendered":"Charnelles Interbioform\u00e6"},"content":{"rendered":"\n
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Charnelles Interbioform\u00e6<\/h1>\n\n\n\n

Yosra Mojtahedi<\/h2>\n\n\n\n

Exhibition<\/p>\n<\/div>\n\n\n\n

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PRACTICAL INFORMATION
8 Nov. 2024 to 19 Jan. 2025<\/strong><\/p>\n\n\n\n

Opening :
8 Nov. 2024 from 5pm to 10pm
9 Nov. 2024 from 2pm to 10pm
Open every day except Tuesdays:
10am to 12.30pm
and 1.30pm to 5pm<\/p>\n\n\n\n

Normal admission: \u20ac4.00<\/p>\n\n\n\n

Free every 1st Sunday of the month
Free for students and under -26s
(on presentation of proof of age)
City Pass Aix-en-Provence members.<\/p>\n\n\n\n

Guided tour of the exhibition:
\u20ac2, in addition to entrance fee
Every Wednesday: 3pm
Every Saturday: 11am or 3pm
Price: \u20ac6 – entrance fee included<\/p>\n\n\n\n

Mus\u00e9e du Pavillon de Vend\u00f4me
Aix-en-Provence
Bookings required on 04 42 91 88 74 and
animationpavillon@mairie-aixenprovence.fr<\/a><\/p>\n\n\n\n

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Charnelles Interbioform\u00e6<\/em> (different forms of life) is a monograph by Iranian artist Yosra Mojtahedi. The works present a haunting disturbance that shrouds our perception of the body: singular sculptures of \u2018human-machines\u2019 or \u2018body-fountains\u2019, playful, alive – with sound, tactile and fragrant works. A universe in which gender and anatomical sex are dissociated through cyborgism, exploring our increasingly hybrid nature. Bodies without bodies, mutant fossils, flayed or silicone skins, ebb and flow activate living sculptures, or even the mechanics of desire. The organic aspect in his work sometimes results from robotics, where the soft and the hard, the animate and the inanimate, the profane and the sacred interpenetrate in a sensual dance of flesh, materials, cables and liquids.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\u00a9 Yosra Mojtahedi<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Yosra Mojtahedi<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Yosra Mojtahedi<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Yosra Mojtahedi<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n\n\n\n
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Artists<\/h4>\n\n\n
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Yosra Mojtahedi<\/a><\/h2>\n
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Yosra Mojtahedi was born in Teheran in 1986 and graduated from Le Fresnoy-Studio national des arts contemporains in 2020. Her work explores the intersection between art, science and technology, with a focus on \u201csoft robotics\u201d. Her sculptural installations in the form of \u201cmachine-humans\u201d or \u201cbody-fountains\u201d are sensual works that challenge and question taboos associated with the female body. Black\u201d occupies a central place in her creations, symbolizing the absolute and the depth of the void, transcending the limits of time. There’s a strongly assumed feminism at work here: she creates universes where nature and gender merge, revealing a political and unitary message to transcend fragile boundaries.
\nWinner of the ADAGP’s Prix R\u00e9v\u00e9lation d’art num\u00e9rique et d’art vid\u00e9o in 2020, her work has been exhibited internationally, notably in France, Belgium, Iran, Italy, Germany, Dubai and Turkey.<\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n\n\n\n

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Credits & mentions<\/h4>\n<\/div>\n\n\n\n
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In co-production with the Mus\u00e9e du Pavillon de Vend\u00f4me.<\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[28],"class_list":["post-29096","oeuvre","type-oeuvre","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29096"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29096"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}