{"id":29098,"date":"2024-07-03T12:25:59","date_gmt":"2024-07-03T10:25:59","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/the-museum-of-dating\/"},"modified":"2025-02-26T15:51:12","modified_gmt":"2025-02-26T14:51:12","slug":"the-museum-of-dating","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/the-museum-of-dating\/","title":{"rendered":"The Museum of dating"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><\/p>\n\n\n\n<h1 class=\"wp-block-heading\">The Museum of dating<br>Le mus\u00e9e des rencontres<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Valentina Peri (FR) \u00b7 Olivier Cheval (FR) \u00b7 J\u00e9r\u00f4me Saint-Clair (FR) \u00b7 Lordess Foudre (USA) \u00b7 Jhenyfy Muller (BR)<\/h2>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\"><strong>PRATICAL INFO<\/strong><\/h5>\n\n\n\n<p><br>Inauguration :<br>Nov. 8, 2024: 5 pm to 10 pm<br>Nov. 9, 2024: 1pm to 10pm<br>Open Tue. to Sat. 1pm to 6pm<br>Free admission<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>The \u201cMuseum of Dating\u201d exhibition contextualises the contemporary online dating phenomenon amid an array of older technologies, practices, narratives as well as cultural and media artefacts. While online dating has only recently gained cultural and social acceptance, the idea of using technology to connect single people is far from new. Computer dating systems appeared in the Anglo-American world in the 1960s, drawing on questionnaires and personalised algorithms. In France, the introduction of the Minitel Rose in the 1980s revolutionised how strangers networked through instant messaging to find their soulmate or a virtual fling.<\/strong><\/p>\n\n\n\n<p>Curator Valentina Peri presents a timeline retracing the history of dating, enriched by the cultural, social and political events and trends that have shaped the dating phenomenon and the idea of celibacy to this day. The exhibition highlights a selection of cultural artefacts and mass culture products, such as board games, films, television programmes, books and various objects, all put into perspective through this chronological reconstruction.\n\nAlongside this historical and archival reconstruction, works by contemporary artists Olivier Cheval, J\u00e9r\u00f4me Saint Clair, Sophie Calle and Lordess Foudre explore each of the key themes in the history of dating. This includes the Minitel Rose, the classified ads published in Le Chasseur Fran\u00e7ais, and the role played by technology in the (de)construction of identities.\n<\/p>\n\n\n\n<p>Exhibition in collaboration with artists J\u00e9r\u00f4me Saint-Clair, Lordless Foudre, Olivier Cheval and Joan Ball.<br><br><strong>Workshop \u201cUn selfie hors norme&#8221;<\/strong><br>Discover how to create an \u201cout of the ordinary\u201d selfie with AI, while taking a step back on our uses of social networks and how the images they convey impact us.<\/p>\n\n\n\n<p>All ages 14 and up &#8211; Saturday, November 16 and<\/p>\n\n\n\n<p><strong>Saturdays, November 16 and January 11<\/strong><br>3pm to 4pm<br>Michel-Vovelle Library and Archives<br>Registration required lesmejanes-patrimoine@mairie-aixenprovence.fr<br>or 04 88 71 74 20<\/p>\n\n\n\n<p><strong>Saturday, December 7<\/strong><br>2pm to 4pm<br>Li Campaneto Library<br>Registration on 04 88 71 83 59<br>For further information, visit www.citedulivre-aix.com<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><strong>Valentina Peri&#8217;s conference<\/strong><br>Nov 22 6:30pm<br>(cancelled)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading is-style-default\"><\/h1>\n<\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"27475\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/1.The-Museum-of-Dating_Photos-by-Anna-Jochymek_film-1-1024x683.jpg\" alt=\"\" class=\"wp-image-27475\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/1.The-Museum-of-Dating_Photos-by-Anna-Jochymek_film-1-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/1.The-Museum-of-Dating_Photos-by-Anna-Jochymek_film-1-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/1.The-Museum-of-Dating_Photos-by-Anna-Jochymek_film-1-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/1.The-Museum-of-Dating_Photos-by-Anna-Jochymek_film-1-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/1.The-Museum-of-Dating_Photos-by-Anna-Jochymek_film-1-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Anna Jochymek<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"27476\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2.The-Museum-of-Dating_Photos-by-Anna-Jochymek3-1024x683.jpg\" alt=\"\" class=\"wp-image-27476\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2.The-Museum-of-Dating_Photos-by-Anna-Jochymek3-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2.The-Museum-of-Dating_Photos-by-Anna-Jochymek3-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2.The-Museum-of-Dating_Photos-by-Anna-Jochymek3-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2.The-Museum-of-Dating_Photos-by-Anna-Jochymek3-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2.The-Museum-of-Dating_Photos-by-Anna-Jochymek3-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Anna Jochymek<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/valentina-peri\/\">Valentina Peri<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>Valentina Peri is an independent curator, artist and author.<br \/>\nHer research explores the impact of technology on contemporary culture, with a focus on intimacy and love in the digital age.<br \/>\nHer touring exhibition Data Dating was presented in Paris, Tel Aviv, London, Brussels, Geneva and Brescia between 2018 and 2022. In the context of this exhibition, she co-edited the book Data Dating. Love, Technology, Desire (Intellect, 2021).<br \/>\nIn 2022, she began her research into the phenomenon of online romance scams in West Africa, publishing the books The New Romance Scammer&#8217;s Instructor (2022) and Le Brouteur Galant (Editions UV 2024), collections of original love messages from Ghanaian and Ivorian romance scammers.<br \/>\nIn 2022, she received a Fluxus Art Projects curatorial grant for her research into the history of dating The Museum of Dating, presented in an exhibition at Watermans London in 2023.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.3%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\">In partnership with Les M\u00e9janes &#8211; Biblioth\u00e8que et archives Michel-Vovelle. <br>Film by Valentina Peri, in collaboration with director Jhenyfy Muller. In partnership with Watermans, with the support of Fluxus Art Projects.<br>Cover image: Olivier Cheval, Rose Minitel, film, 2019, courtesy of the artist<br><br><em>Rose Minitel<\/em>, a film by Olivier Cheval, produced by Le Fresnoy \u2013 National Studio, 2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":30404,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[28,25],"class_list":["post-29098","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/30404"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29098"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29098"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}