{"id":29099,"date":"2024-07-02T10:56:30","date_gmt":"2024-07-02T08:56:30","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/nouveaux-environnements-approcher-lintouchable\/"},"modified":"2024-11-15T15:43:27","modified_gmt":"2024-11-15T14:43:27","slug":"nouveaux-environnements-approcher-lintouchable","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/nouveaux-environnements-approcher-lintouchable\/","title":{"rendered":"New Environments: Approaching the Untouchable"},"content":{"rendered":"\n
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New Surroundings : Approaching the Untouchable<\/em> <\/h1>\n\n\n\n

Laurent L\u00e9vesque (QC-CA) \u00b7 Olivier Henley (QC-CA) \u00b7 Olivia McGilchrist (QC-CA) \u00b7 Sabrina Ratt\u00e9 (QC-CA) \u00b7 Baron Lanteigne (QC-CA) \u00b7 Caroline Gagn\u00e9 (QC-CA) \u00b7 Fran\u00e7ois Qu\u00e9villon (QC-CA)<\/h2>\n\n\n\n

Virtual reality exhibition<\/p>\n<\/div>\n\n\n\n

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The exhibition  New Surroundings : Approaching the Untouchable<\/em> by curator Nathalie Bachand is presented by Chroniques et Molior in its European premiere. It showcases Quebec\u2019s talent in the digital arts and highlights the virtual reality works by seven independent artists from Quebec: Baron Lanteigne, Caroline Gagn\u00e9, Fran\u00e7ois Qu\u00e9villon, Laurent L\u00e9vesque & Olivier Henley, Olivia McGilchrist and Sabrina Ratt\u00e9. The exhibition features six virtual reality works, three of which were produced at Molior’s invitation. The VR exhibition was conceived around a virtual exhibition space, including 6 dedicated portals, each leading to one of the 6 works. It offers a continuous and unique experience to be enjoyed from a single headset.<\/p>\n\n\n\n

\u201c Nature, this raw material of the terrestrial environment, is the self-generating whole comprised of all the earth’s materials\u2014at least for the time being so long as the environmental parameters have not been completely disrupted by the climate change currently underway. It is also a subject-object that has been\u2014through every era and in every current\u2014widely depicted, shown, quoted, transformed, remixed through artistic representation. The sublime subject par excellence, the natural event is one that we have the least influence over. If nature is a facet of our reality that often escapes us\u2014and by the same token fascinates and obsesses us\u2014its interpretation through the workings of the digital brings about an almost ontological reversal: its very materiality is put into question, it becomes malleable and immaterial all at once.<\/span><\/p>\n\n\n\n

3D animation, modeling and photogrammetry are the vectors of a transition to the digital where nature becomes the intangible and untouchable material of worlds in which human destruction no longer exists. On the contrary, the human gesture\u2014which here becomes an artistic one \u2014is rather one that constructs, makes and arranges, composes and develops. The change takes place here only at the price of a perceptive variation: nothing is ever lost, we only see\/show differently.<\/span><\/p>\n\n\n\n

New Surroundings: Approaching the Untouchable<\/span><\/i> brings together works that, each in their own way, question the materiality of the world through an exploration of digital material. With Virtual Reality as their common denominator, these universes belong to an order where the most distant seems to also be the most accessible, while the impalpable offers the appearance of being at hand. This world, revealed by the digital\u2014modified, reorganized, and augmented\u2014is, however, less and less foreign to our own, which changes, deteriorates and gradually disappears. Far from being immutable, the nature we move about in \u2014its sky, its lands and its seas\u2014is perhaps at the dawn of its own ontological reversal and, in any case, certainly at the threshold of an irreversible turnaround.\u201d<\/span><\/p>\n\n\n\n

Nathalie Bachand
Commissioner<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\u00a9 Olivia McGilchrist<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Baron Lanteigne<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Caroline Gagn\u00e9<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Laurent L\u00e9vesque & Olivier Henley<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Fran\u00e7ois Qu\u00e9villon<\/figcaption><\/figure>\n\n\n\n
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\u00a9 Sabrina Ratt\u00e9<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Credits & mentions<\/h4>\n<\/div>\n\n\n\n
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This VR exhibition is produced by Molior with support from the Canada Council for the Arts. Its presentation is a CHRONIQUES \u2013 Biennale des Imaginaires Num\u00e9riques and Molior co-presentation made possible thanks to the European Realities In Transition<\/em>project, with support from Conseil des arts et des lettres du Qu\u00e9bec, the Minist\u00e8re de la Culture et des Communications du Qu\u00e9bec, and the Canada Council for the Arts.
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