{"id":29100,"date":"2024-07-01T17:02:17","date_gmt":"2024-07-01T15:02:17","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/ito-meikyu\/"},"modified":"2025-02-13T13:38:30","modified_gmt":"2025-02-13T12:38:30","slug":"ito-meikyu","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/ito-meikyu\/","title":{"rendered":"Ito Meiky\u016b"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading is-style-default\">Ito Meiky\u016b<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Boris Labb\u00e9 (FR)<\/h2>\n\n\n\n<p>CHRONIQUES CREATION 2024<\/p>\n\n\n\n<p>Virtual Reality<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><span style=\"font-weight: 400;\">Ito Meikyu is a virtual reality experience that develops around references from Japanese art history and literature (The Fukinuki Yatai, The Tale of Genji, The Pillow Book) and unfolds as a large sensory fresco with strong emotional potential. A heterogeneous set of drawn, animated and sound scenes are taken from digital material; they recreate a kind of subjective world (inner and outer) in the form of a labyrinth composed of fractal architectures, inhabited by plants, objects, animals, men, women, motifs and calligraphy. The virtual wandering space allows us to access different scenes based on the randomness of our choices: a kind of hide-and-seek game with the universe at the centre of which we are the omniscient spectator<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_3-1024x576.jpg\" alt=\"\" class=\"wp-image-27467\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_3-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_3-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_3-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_3-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_3-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"27466\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_1-1024x576.jpg\" alt=\"\" class=\"wp-image-27466\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_1-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_1-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_1-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_1-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_1-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"27465\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_2-1024x576.jpg\" alt=\"\" class=\"wp-image-27465\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_2-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_2-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_2-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_2-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MonoNoAware_2-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/boris-labbe\/\">Boris Labb\u00e9<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>Born in 1987 in Lannemezan, France, Boris Labb\u00e9 is an artist and animation film director working between France and Spain. His art comes through several forms: short films, audiovisual concerts and video installations. He collaborates with Sacrebleu Productions since 2013. His short film The Fall is selected in special screenings at the 57th Semaine de la Critique.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.3%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>A Sacrebleu Productions production.\nIn coproduction with Les Films Fauves and Parangon.\nWith the support of Centre national du cin\u00e9ma et de l&#8217;image anim\u00e9e, R\u00e9gion Occitanie, R\u00e9gion Grand Est, Bourse Orange XR, Direction des Affaires culturelles des Pays de la Loire and Film Fund Luxembourg.<\/p>\n\n\n\n<p>International marketing and distribution: UNFRAMED COLLECTION<\/p>\n\n\n\n<p><b><strong>Distribution :<\/strong><\/b> <br>Director: Boris Labb\u00e9 <br>Music: Daniele Ghisi <br>Producer: Ron Dyens <br>Sacrebleu Productions \/ Box with a view &#8211; 2022<\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":27468,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[28,25],"class_list":["post-29100","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27468"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29100"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29100"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}