{"id":29102,"date":"2024-06-27T17:14:37","date_gmt":"2024-06-27T15:14:37","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/luciferine\/"},"modified":"2025-02-13T11:48:36","modified_gmt":"2025-02-13T10:48:36","slug":"luciferine","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/luciferine\/","title":{"rendered":"Lucif\u00e9rine"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading is-style-default\">Lucif\u00e9rine<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Thomas Laigle<\/h2>\n\n\n\n<p>Audiovisual performance<\/p>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFORMATION<\/h5>\n\n\n\n<p>GMEM module Friche la Belle de Mai<br><br><b><strong>7 nov. 2024<\/strong><\/b><br><b>Screenings: 6.30pm &amp; 9pm<\/b><br>Running time: 30 minutes<\/p>\n\n\n\n<p>Free, booking required<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/billetterie.chroniques-biennale.org\/event\/421076-luciferine\" target=\"_blank\" rel=\"noreferrer noopener\">Reservation<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><span style=\"font-weight: 400;\">\u201cLucif\u00e9rine\u201d (Luciferin, from the Latin Lucifer meaning light bearer) is a sound and light performance showcasing bioluminescent bacteria in a tentacular glass sculpture. By giving an assembly of people the chance to see and hear microscopic marine organisms, close relatives of those at the origin of life on Earth<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">Lucif\u00e9rine offers spectators a collective sensory and aesthetic experience, a primal pleasure. Lucif\u00e9rine offers a chance to discover this bewitching phenomenon of the deep sea at a time when terrestrial bioluminescence is becoming increasingly scarce with the massive decline in insect populations.<\/span>\n\n<span style=\"font-weight: 400;\">The artwork offers the experience of a motionless journey, one made possible through immersion in sound and light, and one that is also exceptional as very few people \u2013 particularly nowadays and in our European latitudes \u2013 have ever witnessed phenomena of bioluminescence. The Lucif\u00e9rine experience provides an opportunity to experience a &#8220;pleasure event&#8221; and to visualise a desirable world that seems almost within reach, where human and non-human beings are co-creators, and where bio-based energies take centre stage.<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/luciferine-pompe-1-carrA\u00a9-3-1024x1024.jpg\" alt=\"\" class=\"wp-image-30414\" style=\"aspect-ratio:1.7777777777777777;object-fit:cover;width:1223px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/luciferine-pompe-1-carrA\u00a9-3-1024x1024.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/luciferine-pompe-1-carrA\u00a9-3-300x300.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/luciferine-pompe-1-carrA\u00a9-3-150x150.jpg 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/luciferine-pompe-1-carrA\u00a9-3-768x768.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/luciferine-pompe-1-carrA\u00a9-3-1536x1536.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/luciferine-pompe-1-carrA\u00a9-3-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Thomas Laigle<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/thomas-laigle\/\">Thomas Laigle<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>Thomas Laigle is a sound and visual artist. His research lies at the crossroads of sound, visual and digital arts. In the context of current technological advances, where virtuality and immateriality are intensifying, he proposes sensory experiences in a low-tech approach through a variety of media (performance, installations, sound composition). In his artistic practice, light and sound are interconnected to the point of forming a single medium.<\/p>\n<p>His concert-performances are presented in France and Europe (Festival d&#8217;Avignon, St\u00e9r\u00e9olux, Maintenant festival, Interstices festival, M\u00e9nagerie de Verre, Mont\u00e9vid\u00e9o-Marseille, Li\u00e8ge Electronique BE, Experimance DE, Spektrum-Berlin DE, Art Quarter Budapest HU&#8230;). Since 2020, he has been creating installations combining technology and living beings. Recently, in Berlin, he co-organized <i>Soft Incident<\/i>, a series of performances focusing on body and sound practices.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.3%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\">Design, composition, performance: Thomas Laigle<br>Writing collaboration: Lyllie Rouvi\u00e8re, Tsirihaka Harrivel<br>Construction and collaboration on technical production: Lou Force<br>Glassblower: \u00c9ric Pedditzi<br>Scientific support: Laurie Casalot, Gwenola Simon (MIO \/ IRD \/ amU), Corinne Vallette (MIO), Marcel Koken<br>Production: Lueurs Soniques<br>Production manager: Louise Simon<br>Thanks to: J\u00e9r\u00e9mie Brugidou, Fr\u00e9d\u00e9ric Mancini, Cl\u00e9ment Rouil, Micka\u00ebl Tamimy, Ulysse Bou\u00ebt, Thierry Botti<br>Created in coproduction with CHRONIQUES CR\u00c9ATIONS. In coproduction with GMEM, Station Mir, Stereolux, SOMA.<br>With support from the Centre national des arts plastiques.&nbsp;<br>Winning project of the Enowe-Artagon 2023 artistic production fund.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><br><br>Project co-produced with Stereolux, Module GMEM &#8211; Centre national de cr\u00e9ation musicale (Marseille). Station Mir.<br>With the support of KuLe.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"38\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/logo-cnap-n-png.png\" alt=\"\" class=\"wp-image-30399\"\/><\/figure>\n\n\n\n<p class=\"has-small-font-size\"><br><\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":28072,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[25,26],"class_list":["post-29102","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/28072"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29102"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29102"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}