{"id":29103,"date":"2024-06-27T16:24:09","date_gmt":"2024-06-27T14:24:09","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/no-reality-now\/"},"modified":"2024-09-18T15:38:53","modified_gmt":"2024-09-18T13:38:53","slug":"no-reality-now","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/no-reality-now\/","title":{"rendered":"No reality now"},"content":{"rendered":"\n
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No reality now<\/h1>\n\n\n\n

Vincent Dupont & Charles Ayats<\/h2>\n\n\n\n
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PRACTICAL INFORMATION<\/h5>\n\n\n\n

On sale at Th\u00e9\u00e2tre d’Arles
Arles

Wed. 6 and Thu. 7 Nov. 2024<\/strong><\/b>:
8pm<\/strong>
Duration: 45 min.

Prices: from \u20ac5 to \u20ac25<\/p>\n\n\n\n

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Tickets<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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No reality now is an experiment combining dance on stage and virtual reality. It invites us into a beyond – inaccessible, unfathomable, unintelligible, like the death it ventures to stage.<\/p>\n\n\n\n

On stage, a wake is surprised by a storm. The rain intensifies, the light flickers. Suddenly, the image appears. The virtual reality headset invites you into a parallel experience… The virtual copy of the scene distorts and takes liberties, offering a double reading of the play.<\/p>\n\n\n\n

Produced by Dark Euphoria and J’y pense souvent (…). Programmed by Th\u00e9\u00e2tre d’Arles and CHRONIQUES – Biennale des Imaginaires Num\u00e9riques, in partnership with Octobre Num\u00e9rique – Faire Monde. With support from ONDA.\nNo reality now is presented as part of the European project Realities in Transition.<\/p>\n\n\n\n

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Also in Arles: Festival Octobre Num\u00e9rique – Faire Monde In 2024, as the stakes of the climate crisis collide with the acceleration of the digital age, Octobre Num\u00e9rique – Faire Monde explores the association between ecology and playful video creation, while challenging the imaginaries associated with our technologies and aesthetics. From October 9 to November 10, in Arles, the festival becomes a Permacomputing Playground. (Permacomputing Playground). Discover the program of interactive exhibitions, workshops, conferences, shows, debates, parties, game jam… on octobre-numerique.fr Ages 15 and up
Session reserved for accredited professionals on Nov. 6 at 4 p.m.
Prices: from \u20ac5 to \u20ac25 No reality now \u00a9 Florian Salabertlutin
Presented and produced by Th\u00e9\u00e2tre d’Arles : art et cr\u00e9ation, nouvelles \u00e9critures, in coproduction with CHRONIQUES – Biennale des Imaginaires Num\u00e9riques and in partnership with Octobre Num\u00e9rique – Faire Monde. Program presented as part of the European project Realities in Transition.<\/p>\n<\/div>\n\n\n\n

Artists<\/h4>\n\n\n
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Vincent Dupont & Charles Ayats<\/a><\/h2>\n
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Vincent Dupont<\/h5>\n

Initially an actor, Vincent Dupont worked with Thierry Thie\u00fb Niang and Georges Appaix, and later with Boris Charmatz. In 2001, he signed his first choreography, Jach\u00e8res improvisations<\/em>, and since then, while continuing to participate in the work of other artists, has led a body of work that shifts the expected definitions of choreographic art. Associate artist from 2015 to 2019 at ICI-Centre chor\u00e9graphique national de Montpellier, Vincent Dupont has been associated with the Centre des Arts d’Enghien-les-Bains since September 2019, and until 2023.<\/p>\n

Charles Ayats<\/h5>\n

Charles Ayats is an author, director and designer of interactive and immersive experiences. Winner of the Haiku Interactif Arte\/ ONF call for projects with Phi, he is interested in innovative and committed mediation projects, both in the form of web-documentaries (Check-in, Pas si b\u00eates les Animaux, Tati Express…), and videogames, such as Type:Rider, a playful triptych on the history of typography, co-produced in 2013. Always on the lookout for new ways to tell stories, he takes part in hackathons to enrich his feedback and training (Cifap, Gobelins, Dixit, INA). Fascinated by virtual reality, he adapted Marc-Antoine Mathieu’s graphic novel SENS<\/em> (2016). He then co-wrote 7 Lives <\/em>, an interactive VR tale directed by Jan Kounen (2019), and Le Cri<\/em> (2019), an interpretation of Edvard Munch’s painting. Following the creation of the augmented reality short film M.O.A <\/em>(2020), adapted from Alain Damasio’s futuristic novel Les Furtifs<\/em>, he continues his reflections between narration, body and spatiality with proposals close to live performance such as Colonie.s <\/em>and No reality now.<\/em><\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n\n\n\n

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Credits & mentions<\/h4>\n<\/div>\n\n\n\n
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Presented and produced by the Th\u00e9\u00e2tre d’Arles: art et cr\u00e9ation, nouvelles \u00e9critures, in co-production with CHRONIQUES – Biennale des Imaginaires Num\u00e9riques and in partnership with Octobre Num\u00e9rique – Faire Monde. Programme presented as part of the Realities in Transition project.<\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":27272,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[26],"class_list":["post-29103","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27272"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29103"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29103"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}