{"id":29104,"date":"2024-06-26T17:11:03","date_gmt":"2024-06-26T15:11:03","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/je-suis-une-montagne\/"},"modified":"2025-02-13T11:55:01","modified_gmt":"2025-02-13T10:55:01","slug":"je-suis-une-montagne","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/je-suis-une-montagne\/","title":{"rendered":"Je suis une montagne"},"content":{"rendered":"\n<p><\/p>\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading\">Je suis une montagne<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Eric Arnal-Burtschy (FR)<\/h2>\n\n\n\n<p>CHRONIQUES CR\u00c9ATION<\/p>\n\n\n\n<p>Show<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFORMATION<\/h5>\n\n\n\n<p>Grand Plateau&#13;\nFriche la Belle de Mai&#13;\n&#13;\nFri. Jan. 17, 2025&#13;\nSessions: 2pm, 4pm, 6pm, 8:30pm&#13;\nRunning time: 1h30&#13;\n&#13;\nFull price: \u20ac12&#13;\nReduced rate: \u20ac8&#13;\n&#13;\nCapacity limited to 40 people per session<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/billetterie.chroniques-biennale.org\/event\/424002-je-suis-une-montagne\" target=\"_blank\" rel=\"noreferrer noopener\">Tickets<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>I tried to imagine what it would be like to be a tree. I sensed the passage of centuries and that the world smelled different when I was born. I\u2019ve felt the changing seasons, the sun, the rain, the wind, the cold, the rumblings of the ground, the trickling of water between my roots, the fire that swept past me, the animals that brushed against me and inhabited me, the moss that colonised me. Never did I feel afraid, never did I protect myself. I accepted to be penetrated by the elements because I am element, I accepted to be affected by nature because I am nature.<\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">In \u201cJe suis une montagne\u201d (I am a mountain), the stage will be filled with heat, rain, wind, muffled rumblings and the smells of plains and deserts. The light will create dawns, halos and dazzling suns, shimmering over our bodies before withdrawing to allow the night of other worlds to descend upon us.<\/span>&#13;\n&#13;\n<br style=\"font-weight: 400;\"\/><br style=\"font-weight: 400;\"\/><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading\">Credits<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\">DRAC Hauts-de-France, R\u00e9gion Hauts-de-France, Th\u00e9\u00e2tre de Li\u00e8ge, Le 9-9 bis, De Grote Post, Le Volcan &#8211; Sc\u00e8ne nationale du Havre, workspacebrussels, Centre Wallonie Bruxelles &#8211; Parsi, Com\u00e9die de Clermont &#8211; Sc\u00e8ne nationale, La M\u00e9nagerie de verre, CCN de Grenoble, Seoul Performing Arts Festival, La Crois\u00e9e &#8211; Rencontres professionnelles du spectacle vivant en Hauts-de-France, L&#8217;Oiseau Mouche &#8211; Roubaix, Le Gymnase &#8211; CDCN de Roubaix.&#13;\nWith support from Onda &#8211; Office national de diffusion artistique.&#13;\n&#13;\n\u00a0<\/p>\n<\/div>\n<\/div>\n\n<h3 class=\"wp-block-heading\"><\/h3>\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/pexels-eberhardgross-2098428-1024x683.jpg\" alt=\"\" class=\"wp-image-27278\" style=\"aspect-ratio:16\/9;object-fit:cover\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/pexels-eberhardgross-2098428-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/pexels-eberhardgross-2098428-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/pexels-eberhardgross-2098428-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/pexels-eberhardgross-2098428-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/pexels-eberhardgross-2098428-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/eric-arnal-burtschy\/\">Eric Arnal Burtschy<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>Eric Arnal-Burtschy studied history, philosophy and geopolitics before turning to dance and the visual arts. He creates immersive experiences in the form of performances, stage projects and installations. His work, driven by research into the physics of the Universe and a questioning of the human being, is presented in theaters, festivals and museums such as the Louvre Lens, Kanal Centre Pompidou, Hong Kong Arts Center, SPAF in South Korea, ImPulsTanz in Austria, La B\u00e2tie in Switzerland, the Royal Flemish Theatre in Brussels, La Ga\u00eet\u00e9 lyrique, sc\u00e8nes nationales and CDCN or the Philharmonie de Paris. His creations are considered &#8216;a fascinating, spectacular, immersive and experimental form&#8217; (Sylvia Botella, L&#8217;Echo), &#8216;close to a new art form&#8217; (Aude Lavigne, France Culture) and generating artistic, scientific and technological innovation (Timour Sanli, L&#8217;Echo). To this end, he collaborates with numerous creative centers, universities, research centers and major industrial and technological companies. His collaboration with Safran Aero Boosters and John Cockerill has led to the filing of several industrial patents, and he has been an associate researcher at the CNRS (Centre national de la recherche scientifique) with the Institut d&#8217;\u00e9tudes avanc\u00e9es de Marseille and the Institut de recherche sur les ph\u00e9nom\u00e8nes hors \u00e9quilibre for the Gen\u00e8se project.<br \/>\nHe is regularly invited to give lectures and take part in symposia on research related to his work. Always interested in geopolitical and strategic issues, he is also a reserve officer in the French army.<br \/>\nHe is Associate Artist at 9-9 bis Le M\u00e9taphone (2023-2025); Companion Artist at Th\u00e9\u00e2tre de Li\u00e8ge (2024-2028); Artist in Residence at Th\u00e9\u00e2tre de L&#8217;L (Brussels) and at WorkSpaceBrussels.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.3%\">\n<h4 class=\"wp-block-heading\"><\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><\/div>\n<\/div>\n\n<p><\/p>\n","protected":false},"featured_media":27279,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[25,26],"class_list":["post-29104","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27279"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29104"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29104"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}