{"id":29105,"date":"2024-06-27T11:00:27","date_gmt":"2024-06-27T09:00:27","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/de-construct\/"},"modified":"2025-02-26T16:00:24","modified_gmt":"2025-02-26T15:00:24","slug":"de-construct","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/de-construct\/","title":{"rendered":"De-construct"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading is-style-default\">De-construct<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Line Katcho and France Jobin (QC\/CA)<\/h2>\n\n\n\n<p>Experimental audiovisual performance<\/p>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFORMATION<\/h5>\n\n\n\n<p>Grand Plateau <br>Friche la Belle de Mai <br><br><strong>Thu. 7 Nov. 2024<\/strong> <br>Screenings: 7pm, 9.30pm <br><strong>Running time: 35 minutes<\/strong><br><br>Free, booking required<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/billetterie.chroniques-biennale.org\/event\/421118-de-construct-1-drop-1000-years\" target=\"_blank\" rel=\"noreferrer noopener\">Reservation<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><span style=\"font-weight: 400;\">Immersed in darkness, sounds and images intermingle in a hypnotic ballet.<\/span><\/p>\n\n\n\n<p>Landscapes, figures and geometries deconstruct and reconstruct themselves, drawing viewers into an immersive universe where the boundaries between sound and image disappear<\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">De-construct defies spatial and temporal logic, offering viewers a trans-hypnotic experience. Artist duo France Jobin and Line Katcho create sonic and visual landscapes, alternating between haunting harmonies and chaotic dissonance.<\/span> <\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image5-1-1024x576.jpg\" alt=\"\" class=\"wp-image-27354\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image5-1-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image5-1-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image5-1-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image5-1-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image5-1-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Line Katcho<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"27334\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image2-1024x576.jpg\" alt=\"\" class=\"wp-image-27334\" style=\"aspect-ratio:16\/9;object-fit:cover\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image2-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image2-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image2-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image2-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image2-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><br>\u00a9 Line Katcho<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"27346\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image3-1-1024x576.jpg\" alt=\"\" class=\"wp-image-27346\"\/><figcaption class=\"wp-element-caption\"><br>\u00a9 Line Katcho<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"27350\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image6-1-1024x576.jpg\" alt=\"\" class=\"wp-image-27350\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image6-1-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image6-1-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image6-1-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image6-1-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image6-1-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><br>\u00a9 Line Katcho<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"27352\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image8-1-1024x576.jpg\" alt=\"\" class=\"wp-image-27352\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image8-1-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image8-1-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image8-1-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image8-1-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image8-1-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><br>\u00a9 Line Katcho<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"27351\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image9-1-1024x576.jpg\" alt=\"\" class=\"wp-image-27351\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image9-1-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image9-1-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image9-1-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image9-1-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Live-France-et-Line-image9-1-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><br>\u00a9 Line Katcho<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:67px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">Presented as part of the vitrine qu\u00e9b\u00e9coise, in coproduction with Molior, and with the support of the Conseil des arts et des lettres du Qu\u00e9bec, the Minist\u00e8re de la Culture et des Communications du Qu\u00e9bec and the D\u00e9l\u00e9gation g\u00e9n\u00e9rale du Qu\u00e9bec \u00e0 Paris.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"509\" data-id=\"28827\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png\" alt=\"\" class=\"wp-image-28827\" style=\"width:138px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png.png 600w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Molior_Logo-png-300x255.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"309\" data-id=\"28700\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png\" alt=\"\" class=\"wp-image-28700\" style=\"width:204px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-300x91.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-768x232.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1536x464.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-2048x618.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                        <a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/france-jobin\/\">\n            \n                        <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/11\/France-Jobin-\u00a9Karlina-Knezin.png\" width=\"1365\" height=\"2048\" alt=\"\" class=\"lazyload\" \/>\n            \n            \n                        <\/a>\n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/france-jobin\/\">France Jobin<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>France Jobin, a Montreal-based audio artist and film composer, is distinguished by her minimalist audio art, described as \u201csound sculpture\u201d. She creates complex sound environments combining analog and digital. Her installations integrate musical and visual elements inspired by architecture, and can be experienced in unconventional spaces and international festivals of new technologies.<br \/>\nJobin has produced numerous albums for renowned labels such as LINE (US), Baskaru (FR), and Editions Mego.Her music explores notions of restraint and limits, skilfully playing with extremes, amplitudes and silences to create complex narratives. In 2021, she presented \u201cEntanglement AV\u201d with Markus Heckmann at Mutek \u00c9dition 22. In 2022, she created \u201cEntanglement XR\u201d, and in 2023, \u201cEntanglement d\u00f4me\u201d at SAT. Influenced by quantum physics, Pandemic deepened its exploration of this scientific universe.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                        <a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/line-katcho-et-france-jobin\/\">\n            \n                        <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/LINE-KATCHO_MUTEK-CUTTING-EDGE_HELLERAU_BrunoDestombes_DSC02502c-scaled.jpg\" width=\"2260\" height=\"1337\" alt=\"\" class=\"lazyload\" \/>\n            \n            \n                        <\/a>\n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/line-katcho-et-france-jobin\/\">Line Katcho<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>Line Katcho is a composer and audiovisual artist based in Montreal. Primarily interested in sound and image as representations of movements, forces and gestures, she is also distinguished by an affinity for perceptive games and a talent for evoking affects. With her narrative and cinematic influences, her work is dynamic and provocative, combining the figurative with abstraction, experimentation with tradition. Leaning towards a hybridization of styles, genres and applied methods, his empirical practice seeks to bring to life a sensory and cathartic experience, rooted in expressivity, in search of authenticity. Her work has been presented internationally at events such as <i>MUTEK, Ars Electronica, Annecy, Clermont-Ferrand, Scopitone <\/i>and<i> Sonar Barcelona<\/i>. She won first prize in the <i>2014 JTTP<\/i> <i>(Jeux de Temps\/Times Play)<\/i>competition and the Award of Distinction in the audiovisual category at the <i>MA \/ IN 2016 Festival<\/i>.<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.3%\"><\/div>\n<\/div>\n","protected":false},"featured_media":27331,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[26],"class_list":["post-29105","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27331"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29105"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29105"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}