{"id":29106,"date":"2024-06-19T17:19:03","date_gmt":"2024-06-19T15:19:03","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/topeep-secret-box\/"},"modified":"2025-02-13T11:57:23","modified_gmt":"2025-02-13T10:57:23","slug":"topeep-secret-box","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/topeep-secret-box\/","title":{"rendered":"TOPEEP SECRET BOX"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading is-style-default\">TOPEEP SECRET BOX<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Delgado-Fuchs<\/strong> <strong>(CH)<\/strong><\/h2>\n\n\n\n<p>Immersive, choreographic experience<br>In co-production with Ballet Preljocaj \/ Pavillon Noir<\/p>\n<\/div>\n\n\n\n<div style=\"height:61px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>Pavillon Noir<br>Aix-en-Provence<br><br><strong>Fri. Jan 17:&nbsp;<\/strong>18h, 18h50, 19h40, 21h, 21h50, 22h40<br><strong>Sat. Jan. 18:&nbsp;<\/strong>6pm, 6.50pm, 7.40pm, 9pm, 9.50pm, 10.40pm<br>Running time : 45 min<br><br>Prices: from \u20ac10 to \u20ac25<br>On sale through our partner Ballet Preljocaj \/ Pavillon Noir<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/billetterie.preljocaj.org\/spectacle?id_spectacle=921&amp;lng=1\" target=\"_blank\" rel=\"noreferrer noopener\">Tickets<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>TOPEEP SECRET BOX is an exclusive experience in an unusual setting\u2014an immersive, whimsical choreographic UFO inspired by the principle of the peep show. You can see without being seen or sometimes while being seen. Each glance calls into question the status of reality, caught in a constant movement between proximity and distance. A fascination orchestrated as much for the hidden as for the unveiled.<\/p>\n\n\n\n<p>With this new group piece, we continue our work of variation around the body, questioning the intimacy in the collective experience with our trademark &#8220;physical&#8221; and offbeat approach. Welcome aboard!\n \n&#8220;The hidden is the other side of a presence. The power of absence, if we attempt to describe it, brings us back to the power held, unequally, by certain real objects: they designate, behind them, a magical space; they are the index of something they are not.&#8221; Le voile de Popp\u00e9e de Jean Starobinski\n<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\">Projects presented in co-production with Pavillon Noir.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002419-1024x768.jpg\" alt=\"\" class=\"wp-image-27616\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002419-1024x768.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002419-300x225.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002419-768x576.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002419-1536x1152.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002419-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 St\u00e9phane Millet<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"771\" height=\"1024\" data-id=\"27622\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_TOPEEP-SECRET-BOX_small-plateau-theatre-\u00a9Delgado-Fuchs-771x1024.jpg\" alt=\"\" class=\"wp-image-27622\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_TOPEEP-SECRET-BOX_small-plateau-theatre-\u00a9Delgado-Fuchs-771x1024.jpg 771w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_TOPEEP-SECRET-BOX_small-plateau-theatre-\u00a9Delgado-Fuchs-226x300.jpg 226w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_TOPEEP-SECRET-BOX_small-plateau-theatre-\u00a9Delgado-Fuchs-768x1020.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_TOPEEP-SECRET-BOX_small-plateau-theatre-\u00a9Delgado-Fuchs-1156x1536.jpg 1156w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_TOPEEP-SECRET-BOX_small-plateau-theatre-\u00a9Delgado-Fuchs-1542x2048.jpg 1542w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/2_TOPEEP-SECRET-BOX_small-plateau-theatre-\u00a9Delgado-Fuchs-scaled.jpg 1702w\" sizes=\"auto, (max-width: 771px) 100vw, 771px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"27619\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002426-1024x768.jpg\" alt=\"\" class=\"wp-image-27619\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002426-1024x768.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002426-300x225.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002426-768x576.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002426-1536x1152.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002426-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"27620\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_TOPEEP-SECRET-BOX_small_captation-\u00a9Delgado-Fuchs-1024x576.jpg\" alt=\"\" class=\"wp-image-27620\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_TOPEEP-SECRET-BOX_small_captation-\u00a9Delgado-Fuchs-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_TOPEEP-SECRET-BOX_small_captation-\u00a9Delgado-Fuchs-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_TOPEEP-SECRET-BOX_small_captation-\u00a9Delgado-Fuchs-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_TOPEEP-SECRET-BOX_small_captation-\u00a9Delgado-Fuchs-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/3_TOPEEP-SECRET-BOX_small_captation-\u00a9Delgado-Fuchs-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"27614\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/4_TOPEEP-SECRET-BOX_small_captation-2-\u00a9Delgado-Fuchs-1024x576.jpg\" alt=\"\" class=\"wp-image-27614\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/4_TOPEEP-SECRET-BOX_small_captation-2-\u00a9Delgado-Fuchs-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/4_TOPEEP-SECRET-BOX_small_captation-2-\u00a9Delgado-Fuchs-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/4_TOPEEP-SECRET-BOX_small_captation-2-\u00a9Delgado-Fuchs-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/4_TOPEEP-SECRET-BOX_small_captation-2-\u00a9Delgado-Fuchs-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/4_TOPEEP-SECRET-BOX_small_captation-2-\u00a9Delgado-Fuchs-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"27617\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/5_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002351-768x1024.jpg\" alt=\"\" class=\"wp-image-27617\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/5_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002351-768x1024.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/5_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002351-225x300.jpg 225w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/5_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002351-1152x1536.jpg 1152w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/5_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002351-1536x2048.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/5_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002351-scaled.jpg 1695w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"27621\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/7_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1004605-1024x768.jpg\" alt=\"\" class=\"wp-image-27621\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/7_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1004605-1024x768.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/7_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1004605-300x225.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/7_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1004605-768x576.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/7_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1004605-1536x1152.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/7_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1004605-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"27618\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/8_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002366-1024x768.jpg\" alt=\"\" class=\"wp-image-27618\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/8_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002366-1024x768.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/8_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002366-300x225.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/8_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002366-768x576.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/8_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002366-1536x1152.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/8_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002366-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"27623\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/9_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002489-1024x768.jpg\" alt=\"\" class=\"wp-image-27623\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/9_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002489-1024x768.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/9_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002489-300x225.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/9_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002489-768x576.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/9_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002489-1536x1152.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/9_\u00a9Delgado-Fuchs.-Photo-Stephane-MilletL1002489-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/delgado-fuchs\/\">Delgado-Fuchs<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>Delgado Fuchs is a Swiss collective formed in 2002 by choreographers and dancers Nadine Fuchs and Marco Delgado. Situated outside the usual categorizations, the creations of the duo are half serious and half trivial, playing on ambiguity with a distinct and fundamental taste for the transformation and the transgressions more broadly. They probe with casualness and an apparent naivety various modalities around the body: its hyper-awareness, territory populated with humor and its troubled plasticity.<br \/>\nSidelong glances, plural perspectives, collaborations with artists from different disciplines and uninhibited exploration of forms lead the two artists to move beyond the borders between spectacle, performance, installation and exhibition. They have created more than 20 pieces showing in theatres, festivals, museums, art centers from all around the world : le Centquatre (FR), Aichi Triennale Nagoya (JP), Festival de la B\u00e2tie Gen\u00e8ve (CH), ImPulsTanz Vienne (AU),<br \/>\nSc\u00e8ne nationale La Filature Mulhouse (FR), Centre culturel Suisse Paris (FR), Sc\u00e8ne nationale Le Merlan Marseille (FR), Arsenic Lausanne (CH), BIAN Montr\u00e9al (CA), Collection Lambert Avignon (FR), Maison de la Danse Lyon (FR), Dance House Melbourne (AU), Zodiak Helsinki (FI), Festival Noorderzoon (NL), Moussonturm (DE), Sundace Film festival Park City (USA), &#8230;<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:900px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:2000px\">\n<h4 class=\"wp-block-heading\">Distribution<\/h4>\n\n\n\n<p class=\"has-small-font-size\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\"><strong><em>creation 2024<\/em><\/strong><\/p>\n\n\n\n<p><strong>Direction, concept and stage<\/strong> Delgado Fuchs&nbsp;<\/p>\n\n\n\n<p><strong>Collaboration choreography and performance<\/strong> Alexia Casciaro, Marco Delgado, Nadine Fuchs, Lalla Morte, Natalia Pieczuro<\/p>\n\n\n\n<p><strong>Scenography design<\/strong> Adrien Rovero<\/p>\n\n\n\n<p><strong>Technical management<\/strong> J\u00e9r\u00f4me Vernez, Manu Giroux<\/p>\n\n\n\n<p><strong>Light design<\/strong> J\u00e9r\u00f4me Vernez, Hugo Cahn<\/p>\n\n\n\n<p><strong>Music and sound design<\/strong> Clive Jenkins<\/p>\n\n\n\n<p><strong>Costumes <\/strong>delgado fuchs, design by<strong> <\/strong>Lena Quist<\/p>\n\n\n\n<p><strong>Outside eye<\/strong> Alexandra Bachzetsis<\/p>\n\n\n\n<p><strong>Collaboration and production<\/strong> Rosine Bey<\/p>\n\n\n\n<p><strong>Production <\/strong>Association Goldtronics<\/p>\n\n\n\n<p><strong>Residencies<\/strong> Espace Amaretto &#8211; Lausanne, Le Gr\u00fctli \u2013 Centre de production et de diffusion des Arts vivants &#8211; Gen\u00e8ve, Le Centquatre &#8211; Paris<\/p>\n\n\n\n<p><strong>Special thanks to<\/strong> Antonino Tramparulo et Maurizio Tempesta &#8211; Tempesta Tramparulo, Susanne Fuchs, Nadja Imhof, Barbara Giongo, Anne Kersting, Cie La Bocca della Luna &#8211; Muriel Imbach, Numero23Prod. &#8211; Massimo Furlan, festival de La Cit\u00e9, Association Goldtronics committee&nbsp;<\/p>\n\n\n\n<p><strong>Supports<\/strong> Loterie Romande, Ville de Lausanne, Pro Helvetia &#8211; Fondation suisse pour la culture, Fondation Ernst G\u00f6hner, SSA &#8211; Soci\u00e9t\u00e9 suisse des auteurs &#8211; bourse chor\u00e9graphique, SIS Fondations suisse des artistes interpr\u00e8tes,&nbsp; Fondation Suisa.<\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">The collective Delgado Fuchs is the beneficiary of a grant from the State of Vaud for the pre-determined duration of the years 2021-2023 &amp; 2024.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><\/h4>\n","protected":false},"featured_media":28313,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[26],"class_list":["post-29106","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/28313"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29106"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29106"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}