{"id":29107,"date":"2024-06-19T16:41:52","date_gmt":"2024-06-19T14:41:52","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/soiree-a-lespace-julien\/"},"modified":"2025-02-13T12:32:03","modified_gmt":"2025-02-13T11:32:03","slug":"soiree-a-lespace-julien","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/soiree-a-lespace-julien\/","title":{"rendered":"Clubbing night at Espace Julien"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Nyege Nyege<br><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Catu Diosis \u00b7 Aunty Rayzor \u00b7 De Schuurman<\/h2>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFORMATION<\/h5>\n\n\n\n<p>Espace Julien &#8211; Marseille <br><br><b><strong>Thu.<\/strong><\/b> <b><strong>Jan. 16, 2025<\/strong><\/b> <br><b><strong>9pm &gt; 2am<\/strong><\/b><\/p>\n\n\n\n<p>Online rate \/ reduced rate (on site): \u20ac15 <br>On-site price: \u20ac18<br>On sale through our partner Espace Julien<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/billetterie.espace-julien.com\/evenement\/16-01-2025-20-30-cl%C3%B4ture-biennale-des-imaginaires-num%C3%A9riques-x-nyege-nyege\" target=\"_blank\" rel=\"noreferrer noopener\">Tickets<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><b><strong>To celebrate the closing of this year&#8217;s edition, we&#8217;re more than happy to welcome Nyege Nyege for an evening like no other.<\/strong><\/b> <b><strong>On stage, producer, rapper and pioneering DJ Catu Diosis, one of Nigeria&#8217;s most dynamic and acclaimed artists Aunty Rayzor and bubbling trendsetter De Schuurman.<\/strong><\/b><\/p>\n\n\n\n<p>Program co-produced with Espace Julien.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Catu Diosis<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">DJ set<\/h2>\n\n\n\n<p>Catu Dioisis is a young Kampala-based dj and producer who has been digging and playing underground music since 2016. She&#8217;s quite experimental with her musical selection depending on the vibe of her gigs. However, it&#8217;s obvious that she&#8217;s fallen in love with Afro-inspired bass music. She&#8217;s still fresh on the scene and we can&#8217;t wait to hear more sounds from her.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/Catu-Diosis.-Nyege-Nyege2019-4-1-1024x1024.jpeg\" alt=\"\" class=\"wp-image-28176\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/Catu-Diosis.-Nyege-Nyege2019-4-1-1024x1024.jpeg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/Catu-Diosis.-Nyege-Nyege2019-4-1-300x300.jpeg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/Catu-Diosis.-Nyege-Nyege2019-4-1-150x150.jpeg 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/Catu-Diosis.-Nyege-Nyege2019-4-1-768x768.jpeg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/Catu-Diosis.-Nyege-Nyege2019-4-1.jpeg 1060w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Nyege Nyege<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Catu_diosis\" width=\"640\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F224560699&#038;show_artwork=true&#038;maxheight=960&#038;maxwidth=640\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Aunty Rayzor<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Live<\/h2>\n\n\n\n<p>Born in Lagos, Nigeria, Bisola Olugbenga a.k.a. Aunty Rayzor got her start in the music business at an early age, singing regularly in church with her family. She then honed her incredible vocal skills in hip-hop battles, where her razor-sharp delivery as fast as a Japanese knife gave her her nickname. Today, not only does Aunty Rayzor command the respect of her experienced peers, she&#8217;s ready to conquer the world!<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/IMG_0935-1-edited-1024x1024.jpg\" alt=\"\" class=\"wp-image-28184\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/IMG_0935-1-edited-1024x1024.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/IMG_0935-1-edited-300x300.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/IMG_0935-1-edited-150x150.jpg 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/IMG_0935-1-edited-768x768.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/IMG_0935-1-edited-1536x1536.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/IMG_0935-1-edited-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"AUNTY RAYZOR\" width=\"640\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F800058166&#038;show_artwork=true&#038;maxheight=960&#038;maxwidth=640\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<h1 class=\"wp-block-heading\">De Schuurman<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">DJ set<\/h2>\n\n\n\n<p>Gilermo Schurman, a young prodigy from The Hague, followed in the footsteps of his uncle DJ Chippie (one of the genre&#8217;s co-founders) and his cousins DJ Daycard, DJ Master-D., Stiko Jnr and DJ Justme, and started playing and writing beats. Using Fruityloops, he fuses familiar bubbling rhythms with rap and R&amp;B samples, trance synths and electrohouse wobbles, and his tracks quickly become staples of the Dutch circuit.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"820\" height=\"1024\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/De-Schuurman-5-1-820x1024.jpeg\" alt=\"\" class=\"wp-image-28190\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/De-Schuurman-5-1-820x1024.jpeg 820w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/De-Schuurman-5-1-240x300.jpeg 240w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/De-Schuurman-5-1-768x960.jpeg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/De-Schuurman-5-1.jpeg 1159w\" sizes=\"auto, (max-width: 820px) 100vw, 820px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"De Schuurman\" width=\"640\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F992668138&#038;show_artwork=true&#038;maxheight=960&#038;maxwidth=640\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":27925,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[27],"class_list":["post-29107","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27925"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29107"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29107"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}