{"id":29108,"date":"2024-06-19T16:14:06","date_gmt":"2024-06-19T14:14:06","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/mire\/"},"modified":"2024-09-18T16:23:35","modified_gmt":"2024-09-18T14:23:35","slug":"mire","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/mire\/","title":{"rendered":"MIRE"},"content":{"rendered":"\n
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MIRE<\/strong><\/h1>\n\n\n\n

Jasmine Morand<\/strong> (CH)<\/strong><\/h2>\n\n\n\n

Choreographic installation for twelve dancers<\/p>\n<\/div>\n\n\n\n

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Practical info<\/h5>\n\n\n\n

Th\u00e9\u00e2tre de l’Olivier in L’Usine
Istres

Jan. 14, 2025<\/strong><\/strong>
8pm<\/strong>
Running time : 50 minutes<\/p>\n\n\n\n


This show contains scenes of nudity. Mirkids<\/em>: the Th\u00e9\u00e2tre de l’Olivier will present a special screening for children (5 years and up) at L’Usine, Istres on Wed. Jan. 15 at 5pm. Further information on scenesetcines.fr<\/p>\n\n\n\n

Recommended for ages 16 and up<\/strong><\/p>\n\n\n\n


Prices: from \u20ac6 to \u20ac30<\/strong><\/p>\n\n\n\n


On sale through our partner Sc\u00e8ne & Cin\u00e9s<\/strong><\/p>\n\n\n\n

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Tickets<\/a><\/div>\n<\/div>\n\n\n\n


Pavillon Noir of Aix-en-Provence

Jan. 17, 2025 <\/strong>
7pm, 9pm
Jan. 18, 2025<\/strong><\/strong>
7pm, 9pm
Running time : 50 minutes<\/p>\n\n\n\n

In co-production with Ballet Preljocaj \/ Pavillon Noir<\/p>\n\n\n\n


Recommended for ages 16 and up<\/strong><\/p>\n\n\n\n


Prices: from \u20ac6 to \u20ac30<\/strong><\/p>\n\n\n\n


On sale through our partner Pavillon Noir<\/strong><\/p>\n\n\n\n

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Tickets<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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MIRE is a performative installation for twelve nude dancers, open to the viewer’s gaze. To view MIRE, the spectator has a choice. Standing up, he or she can peer through the slits pierced in the walls of the scenographic device.<\/p>\n\n\n\n

Lying on the floor, they can observe the piece reflected in a giant mirror placed above the dancers. MIRE resembles a bodily kaleidoscope that reproduces the optical illusions created by a zoetrope, a toy that uses persistence of vision to create a sensation of movement. Defined as \u201can aesthetic act with baroque overtones\u201d, the performance blends beauty and triviality in complementary harmony.
Defined as \u201can aesthetic act with baroque overtones\u201d, the performance blends beauty and triviality in complementary harmony.<\/p>\n\n\n\n

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MIRE – cr\u00e9ation de la Cie Prototype Status, Jasmine Morand. (photo \u00a9 Celine Michel )<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Artists<\/h4>\n\n\n
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Jasmine Morand<\/a><\/h2>\n
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Jasmine Morand completed her classical training in Geneva and at the Princesse Gr\u00e2ce Academy in Monaco, after winning first prize at the Swiss National Ballet Competition in Soleure, first prize in modern dance in Nyon and the Migros Cultural Percentage study prize. She began her career as a dancer with the Ballet National de Nancy et Lorraine, before joining the Zurich Opera and the Slovenian National Ballet. In 2000, she began training in contemporary dance at Codarts, Rotterdam, where she began to develop her choreographic writing.
\nOn her return to Switzerland, she founded the Prototype Status company and is currently permanent resident and artistic director of Dansom\u00e8tre – espace de cr\u00e9ation et recherche chor\u00e9graphique in Vevey. Awarded the Prix Danse de la Fondation Vaudoise pour la Culture (2013), Jasmine Morand tours with Prototype Status in Europe, the United States and South America. The company’s repertoire includes over fifteen works, including the highly acclaimed creation MIRE (2016), a work for twelve dancers, selected at Swiss Dance Days 2017 and presented over fifty times, including at the Holland Dance Festival, on French national stages and at tanzhaus NRW D\u00fcsseldorf. The creation LUMEN (2020) won the Label + Romand – arts de la sc\u00e8ne competition and was awarded the Prix Suisse des Arts de la sc\u00e8ne as best dance creation 2020 by the Office F\u00e9d\u00e9ral de la Culture.
\nIn January 2023, LUMEN was presented at the Th\u00e9\u00e2tre de la Ville in Paris. On the strength of her experience, she is now invited to create contemporary works for institutions such as the Tanztheater Lucerne, which opened the Steps 2020 Festival, or for professional training courses such as the BA dance program at Zurich University, or the CFC dance program in Geneva.<\/p>\n<\/div>\n <\/div>\n\n <\/div>\n\n\n<\/div><\/div>\n\n\n\n

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Distribution<\/h4>\n\n\n\n

Concept and choreography: Jasmine Morand\nDance (creation): Elodie Aubonney, Fabio Bergamaschi, G\u00e9raldine Chollet, Philippe Chosson, Claire Dessimoz, C\u00e9line Fellay, Michael Henrotay Delaunay, Krassen Krastev, Isma\u00ebl Oirtzabal, Valentine Paley, Luisa Sch\u00f6fer, Marco Volta\nDance (alternate cast) : Laetitia Dupertuis, Paul Girard, El\u00e9onore Heiniger, Maxime Jeannerat, Jasmine Morand, C\u00e9line Fellay, Amaury Reot, Nicolas Turicchia\nSet design: Neda Loncarevic\nLighting design: Rainer Ludwig\nMusic: Enrique Gonzalez M\u00fcller, Patrick Conus, Jasmine Morand\nTechnical direction: Louis Riondel\nTechnicians: Julien Perret, Xavier Weissbrodt\nAdministration: Marianne Caplan\nDistribution: Florence Francisco, Les Productions de la Seine<\/p>\n\n\n\n

Credits & mentions<\/h4>\n<\/div>\n\n\n\n
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Programmed by Sc\u00e8nes & Cin\u00e9s – sc\u00e8ne conventionn\u00e9e art en territoire, in partnership with CHRONIQUES – Biennale des Imaginaires Num\u00e9riques. With support from Centre culturel suisse – On tour and Pro Helvetia.<\/p>\n\n\n\n

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