{"id":29160,"date":"2024-06-13T17:37:03","date_gmt":"2024-06-13T15:37:03","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/disco-funeral\/"},"modified":"2025-02-13T13:29:58","modified_gmt":"2025-02-13T12:29:58","slug":"disco-funeral","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/disco-funeral\/","title":{"rendered":"DISCO FUNERAL"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading is-style-default\">DISCO FUNERAL<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Studio Martyr (FR)<\/h2>\n\n\n\n<p>CHRONIQUES CR\u00c9ATION<\/p>\n\n\n\n<p>Transdisciplinary project, performance and virtual reality<\/p>\n\n\n\n<div style=\"height:66px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRATICAL INFORMATION<\/h5>\n\n\n\n<p>Fri 17 Jan 2025<br><br><strong>VR Experience<\/strong>: 2pm to 7pm <br>Duration 17 min. <br>Booking via chroniques.org<\/p>\n\n\n\n<p>CHRONIQUES CREATION <br><br><strong>Performance:<\/strong> 9pm. Duration: 45 min.<\/p>\n\n\n\n<p><strong>DJ set:<\/strong> 10pm to midnight<\/p>\n\n\n\n<p>Salle Seita <br>Friche la Belle de Mai <br>FREE, booking required:<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\">Tickets available from 19 September 2024<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><span style=\"font-weight: 400;\">DISCO FUNERAL VR is an invitation to experience 15 years of mourning and 15 hours of partying in 15 minutes.<\/span>\n\n<span style=\"font-weight: 400;\">The experience immerses visitors in a large-scale 3D party among spectres, where they can share the intense and contradictory emotional states experienced during the long process of coming to terms with their passing. Fifteen minutes of melancholy and ecstatic pleasure to go through all the stages of grief that brought us together.<\/span>\n\n<span style=\"font-weight: 400;\">The DISCO FUNERAL installation is also activated by a performance.<\/span>\n\n<span style=\"font-weight: 400;\">The DJ makes his final adjustments, and a ballet of real and imagined figures parades around the casket. All have come to pay their last respects to the person they loved the most\u2026 Kim Kardashian has just arrived.<\/span><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n\n\n\n<p class=\"has-small-font-size\"><strong>DISCO FUNERAL VR<\/strong><br>With the support of R\u00e9gion Provence-Alpes-C\u00f4te d&#8217;Azur, in partnership with CNC With the support of Centre national du cin\u00e9ma et de l&#8217;image anim\u00e9e As part of Plateforme CHRONIQUES CR\u00c9ATIONS, supported by DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, R\u00e9gion Sud Provence- Alpes-C\u00f4te d&#8217;Azur and the city of Marseille.\u2028<br>La Fruiti\u00e8re Num\u00e9rique <br>Paume <br>Kitchenette \u2028\u2028<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>DISCO FUNERAL PERFORMANCE\u2028\u2028<\/strong><br>Production: Studio Martyr <br>Coproduction: CCN-Ballet national de Marseille as part of Accueil Studio \/ Minist\u00e8re de la Culture, Les Ateliers M\u00e9dicis &#8211; Creation in progress<br>Supported by Artagon Marseille, Artagon Pantin, Le Point \u00c9ph\u00e9m\u00e8re, SOMA &#8211; Lieu d&#8217;art hybride (Marseille), Tremplin Propulsion (Les Plateaux Sauvages), Th\u00e9\u00e2tre de la Reine Blanche, Nouveau Gare au Th\u00e9\u00e2tre, CHRONIQUES &#8211; Biennale des Imaginaires Num\u00e9riques<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Distribution<\/h4>\n\n\n\n<p class=\"has-small-font-size\"><strong>DISCO FUNERAL VR <\/strong>\u2028\u2028<br>Production: Toni Films<br>Producer: N\u00e9rimen Hadrami\u2028<br>Direction and script: Studio Martyr (Adriane Breznay and Julien Ticot-Guillet)<br>Art Direction: Nathan Ghali\u2028<br>3D artists: Nathan Ghali, Elies Jurquet \u2028<br>Junior 3D artist: Aitor Garcia\u2028<br>Additional 3D modeling: Lisa Manchau\u2028<br>Animation: Juliette Costes<br>Prototype research: Fran\u00e7ois Gouret, Lisa Manchau\u2028<br>Music: Seul Ensemble (Luca Bonanno)<br>Sound design: Kitchenette \u2028<br>Sound designer: Jony Guedj<br>VR mix: Benjamin Martin \u2028<br>Sound production assistant: Paxie H\u00e0\u2028<br>Post-production studio: Paume (Tuan Ho)<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>DISCO FUNERAL PERFORMANCE<\/strong>\u2028\u2028<br>Direction and dramaturgy: Studio Martyr (Adriane Breznay &amp; Julien Ticot-Guillet)\u2028<br>With text by : Julien Ticot-Guillet\u2028<br>Acting: Adriane Breznay, Dina El Guebali and Julien Ticot-Guillet <br>Musical creation\/Live: Seul Ensemble (Luca Bonanno) <br>Set design: Studio Martyr and Cl\u00e9mence Hoffmann\u2028<br>Costumes: H\u00e9lo\u00efse Bouchot \u2028<br>Lighting design: Paolo Morvan\u2028<br>Movement assistance: Marion Zurbach\u2028<br>Outside view: L\u00e9a Romoli\u2028<br>Acknowledgements: In\u00e8s Musial, Emeric Cheseaux, Salom\u00e9 Romano, Lisa Cesaro, Madeleine Georges, Bernard Ticot<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"27901\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1_VISUEL-DISCO-FUNERAL-HQ-1024x576.jpg\" alt=\"\" class=\"wp-image-27901\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1_VISUEL-DISCO-FUNERAL-HQ-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1_VISUEL-DISCO-FUNERAL-HQ-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1_VISUEL-DISCO-FUNERAL-HQ-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1_VISUEL-DISCO-FUNERAL-HQ-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/1_VISUEL-DISCO-FUNERAL-HQ-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" data-id=\"27897\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/2-1024x512.jpg\" alt=\"\" class=\"wp-image-27897\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/2-1024x512.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/2-300x150.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/2-768x384.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/2-1536x768.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/2-2048x1024.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"27896\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/4-1024x576.jpg\" alt=\"\" class=\"wp-image-27896\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/4-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/4-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/4-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/4-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/4.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                        <a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/studio-martyr\/\">\n            \n                        <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/06\/PHOTO-ARTISTE-scaled.jpg\" width=\"1507\" height=\"2260\" alt=\"\" class=\"lazyload\" \/>\n            \n            \n                        <\/a>\n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/studio-martyr\/\">Studio Martyr<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p>Studio Martyr is a multidisciplinary structure created in 2020 by Adriane Breznay and Julien Ticot-Guillet, to produce projects in the fields of theater, performance, film and music.<\/p>\n<p>The duo&#8217;s baroque aesthetic explores the boundary between the real and virtual worlds, in forms where celebration always merges with tragedy. The young artists probe the impact of the internet and social networks on the construction of our identities, and work to create fiction from the streams of images and language that abound online, to understand how this new playground shapes our intimate and political lives.<\/p>\n<p><b>Julien Ticot-Guillet<\/b><\/p>\n<p>Julien Ticot-Guillet is a film director, author, performer and stage director. In 2020, he co-created Studio Martyr with Adriane Breznay, with whom they will join the first Artagon Marseille class in 2021.<\/p>\n<p>During his research course at the \u00c9cole Normale Sup\u00e9rieure de Lyon, he investigated the use of techno and the presence of the party on contemporary stages, and simultaneously began working for (LA)HORDE, which he accompanied for three years as artistic assistant at the Ballet National. A self-taught director of photography, he shot Julien Chauzit&#8217;s first feature film, La Colline, which had its world premiere at the FID in Marseille in 2021.<\/p>\n<p>His work, at the crossroads of all these influences, seeks to give shape to the phantasmagorical mental landscape of his generation, the first to have grown up both offline and online, and explores the different forms of heritage that have forged his queer, mixed-race West Indian identity.<\/p>\n<p><b>Adriane Breznay<\/b><\/p>\n<p>Adriane Breznay is a director, playwright and researcher. Through all these approaches, her work explores the place of altered states of consciousness in art, in forms that constantly re-interrogate the question of mourning and funeral ceremonies.<\/p>\n<p>A graduate of the Ecole Normale Sup\u00e9rieure de Lyon in the \u201cdramaturgies\u201d section, in 2020 she founded Studio Martyr alongside Julien Ticot-Guillet, where she developed her artistic activities, notably as part of Artagon Marseille&#8217;s class of 2021. At the same time, she was awarded a doctoral scholarship at Lyon 2 University; her thesis focused on the links between hypnosis and acting. She regularly collaborates on the creation of shows as a dramaturge for theater (Cie Urdin &#8211; CDN de Poitier) and opera (Ensemble Pygmalion &#8211; Raphael Pichon).<\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.3%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><\/div>\n<\/div>\n","protected":false},"featured_media":27902,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[25,26],"class_list":["post-29160","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27902"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29160"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29160"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}