{"id":29161,"date":"2024-06-13T16:56:15","date_gmt":"2024-06-13T14:56:15","guid":{"rendered":"https:\/\/chroniques-biennale.org\/oeuvre\/parallels\/"},"modified":"2025-02-13T13:54:02","modified_gmt":"2025-02-13T12:54:02","slug":"parallels","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/parallels\/","title":{"rendered":"Parallels"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading is-style-default\">Parallels<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Architecture Social Club<\/h2>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h5 class=\"wp-block-heading caps\">PRACTICAL INFORMATION<\/h5>\n\n\n\n<p><b><strong>Fri. 8 and Sat. 9 Nov. 2024<\/strong><\/b>&#13;\n<b><strong>7pm &gt; 11pm<\/strong><\/b><\/p>\n\n\n\n<p>Cours Mirabeau&#13;\nAix-en-Provence&#13;\nFree admission<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em>Parallels<\/em> is an experience of light and architectural sound inspired by the movements and sounds of our natural environments. The moving images create endless abstract and living atmospheres, alternating between moments of serenity and eruptions of chaos.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size\">Programme presented as part of the Biennale d&#8217;Aix<\/p>\n<\/div>\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-1024x683.jpg\" alt=\"\" class=\"wp-image-27287\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Adiadinayev<\/figcaption><\/figure>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" data-id=\"27283\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-1024x575.jpg\" alt=\"\" class=\"wp-image-27283\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-1024x575.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-300x168.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-768x431.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-1536x862.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-2048x1150.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" data-id=\"27288\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-03_Angelina-Nikolayeva-1024x681.jpg\" alt=\"\" class=\"wp-image-27288\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-03_Angelina-Nikolayeva-1024x681.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-03_Angelina-Nikolayeva-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-03_Angelina-Nikolayeva-768x511.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-03_Angelina-Nikolayeva-1536x1022.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-03_Angelina-Nikolayeva-2048x1363.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Angelina Nikolayeva<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" data-id=\"27290\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-1-1024x575.jpg\" alt=\"\" class=\"wp-image-27290\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-1-1024x575.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-1-300x168.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-1-768x431.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-1-1536x862.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-01_ASC-1-2048x1150.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"27293\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-1-1024x683.jpg\" alt=\"\" class=\"wp-image-27293\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-1-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-1-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-1-768x512.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-1-1536x1024.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-04_adiadinayev-1-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Adiadinayev<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"573\" data-id=\"27292\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-05_ASC-1024x573.jpg\" alt=\"\" class=\"wp-image-27292\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-05_ASC-1024x573.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-05_ASC-300x168.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-05_ASC-768x430.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-05_ASC-1536x860.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels_Image-05_ASC-2048x1147.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"526\" data-id=\"27294\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels-_Image-02_ASC-1-1024x526.jpg\" alt=\"\" class=\"wp-image-27294\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels-_Image-02_ASC-1-1024x526.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels-_Image-02_ASC-1-300x154.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels-_Image-02_ASC-1-768x394.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels-_Image-02_ASC-1-1536x789.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/Parallels-_Image-02_ASC-1-2048x1052.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Architecture Social Club envelops spectators in fields of moving light, set to music by Max Cooper.&#13;\nThe <em>Parallels<\/em> project by English studio Architecture Social Club offers a light and sound experience inspired by the dynamic movement of natural vibrations.&#13;\n&#13;\nThis luminous environment is created by thousands of laser beams reflected by mirrors, enveloping spectators in moving fields of light and set to music by Max Cooper. These moving images extend into vivid, abstract atmospheres of perpetual evolution, creating ethereal fragments of natural phenomena that pulsate, fade and shimmer, alternating, like the world itself, between moments of serenity and intense chaos.<\/p>\n<\/div>\n<\/div>\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n<div class=\"listOfArtistes\"><div class=\"artisteInList alignwide \">\n    \n\n\n   \n\n    \n    <div class=\"artisteBlock\">\n    <div class=\"artisteBlockLeft\">\n        <div class=\"postThumbnailWrapper\">\n            \n                    <\/div>\n    <\/div>\n    <div class=\"artisteBlockRight postInfos\">\n        \n        <h2 class=\"postTitle\"><a class=\"postThumbnailLink\" href=\"https:\/\/chroniques-biennale.org\/en\/artiste\/architecture-social-club\/\">Architecture Social Club<\/a><\/h2>\n        <div class=\"artistContactLine\"><\/div>\n\n        \n        \n        <div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">Architecture Social Club is an award-winning, multi-disciplinary design studio, operating in the overlapping domains of art, architecture, music and technology. Endlessly curious, we design and build tools to create experiences and tell stories that aim to stimulate and empower participants towards deeper, more meaningful connections between people, phenomena and their environment.\u00a0<\/span><\/p>\n<\/div>\n    <\/div>\n\n    <\/div>\n\n\n<\/div><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p><strong>CREDITS &amp; MENTIONS<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\">Design &amp; Engineering :\u00a0 Satyajit Das, David Gardener, Kitty Hinchcliffe<br\/>Music : Max Cooper<br\/>Visual Content Direction :\u00a0Satyajit Das, Ronan Somerville, Andrew Walker, Pablo Campos, Xhon Hysenaj<br\/>Video editor : Jennifer Tividad<br\/>Production : Hexalab<\/p>\n\n\n\n<p class=\"has-small-font-size\">A Hexalab proposal in coproduction with CHRONIQUES &#8211; Biennale des Imaginaires Num\u00e9riques<\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n<p><\/p>\n","protected":false},"featured_media":27300,"menu_order":0,"template":"","edition":[116],"type_oeuvre":[136],"class_list":["post-29161","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/29161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27300"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=29161"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=29161"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=29161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}